O Vampiro da Noite

As you can see by my rating, I like this film and think it's a good one. But the main thrust of my comments here will be to convey my personal opinion that, while I enjoy it for what it is, I do think it's also overpraised by many horror fans worldwide who seem to elevate it to iconic status, above and beyond all others of its ilk. "Horror of Dracula" is indeed a rousing vampire film, and a notable offering to feature the legendary character of Count Dracula. It is probably the first quintessential film I'd recommend to see if you're new to Hammer Horror; but when considered as the "definitive" be-all and end-all representation of Bram Stoker's immortal horror tale, it falls short.

In this obviously expedient version, the British Hammer studio tried to utilize a tight budget to full effect, and in the process attempted to present modern audiences with a completely different type of Dracula than they were accustomed to in Bela Lugosi's previous performance. So it is that "Horror of Dracula" tries to make up for having little money by spicing up the proceedings with a strong dose of fangs, hisses, blood, and a very speedy pacing, in what was probably an effort to distract from the cheapness as well as "improve" upon the more lethargic movement of the 1931 Tod Browning classic. And guess what? For many people, it worked! Audiences lapped up this approach, and the movie was a great hit both then and now. For many today, Christopher Lee has replaced Bela Lugosi as the true embodiment of Count Dracula for all time. Speaking for myself, I will always prefer Lugosi's rendering of the role, but Lee comes in at second place.

The story in "Horror of Dracula" is pretty basic, with Dracula staking a claim on victims, and then the great vampire hunter Van Helsing (expertly played by Peter Cushing) arriving to challenge his bloody rampage and hopefully save the day. As with just about any cinematic revision, some specific changes were made. And I've always felt they hampered the movie from becoming the truly "great" masterpiece which so many inexplicably believe it is:

1.) In this version, Jonathan Harker arrives at Castle Dracula (actually, with the meager budget it looks more like a cozy little cottage) fully aware of who and what Dracula is, but with the intention of posing as the vampire's librarian before actually destroying him. He also arrives on a bright and sunny afternoon (probably due to insufficient cash flow for night filming) which I feel ruins a good chance for chills and shudders.

2.)I also don't like that the voyage to England is gone.

3.) The character of Renfield has been completely written out. Now, in all fairness there were liberties taken in Browning's "Dracula" too, of course, but those worked for me (such as Renfield being the one to visit Drac and then being turned into his slave).

4.) Dracula's lack of any good dialogue. Bela Lugosi has more juicy dialogue in the 1931 film than Christopher Lee gets to speak in all of his many Hammer Dracula films combined! Aside from Lee's talk about there being "a great many volumes to be indexed" what else does he have to say? In the Lugosi film there are so many: "Listen to them - children of the night ... what music they make!" "I never drink --- wine..." "To die, to be really dead, that must be glorious!" "There are far worse things awaiting man -- than death..." "For one who has not lived even a single lifetime, you are a wise man, Van Helsing.."

5.) Though I do like Chris Lee as Dracula, my preference for his look and style comes more in later films. He's just too young in "Horror of Dracula" (he was only 36 at the time) and he relies way too much on just showing his teeth and hissing, and springing over tables like some acrobat. I'll take the deliberately slow, creepy and otherworldly strange creature as played by Bela Lugosi easily.

6.) The loud and deafening score by James Bernard is sometimes way overblown for a picture like this. Some of it is deliciously ominous and works perfectly (like in an early scene where a vampire woman eyes Harker's throat with a compulsion to bite) but the over-blasting of horns and trumpets are enough to wake the dead.

7.) The lack of supernatural abilities by Dracula is a tragic mistake. He doesn't change into bats or wolves, for instance. And not only doesn't he do these things in this but the Jimmy Sangster script even has the nerve to go out of its way to claim those old tales are "common fallacy"!

The final result is a good, solid, entertaining vampire movie that is not really "Dracula". In closing, I can't and won't take anything away from Peter Cushing. He's marvelous. And the final sequence where he meets up with Dracula for the grand finale is admittedly one of the highlights in all of cinematic horror. *** out of ****

An outstanding film on all accounts! This is far and away a better vampire(Dracula) film then the Universal film because of its action and pace, its acting, and its rich musical score and lush cinematography. Now I like the old Universal film a lot, but this one just seems to have so much more blood coursing through its veins, so to speak. The story is a variation on the novel, and the Universal film is actually much more faithful, but Horror of Dracula compensates by having the core of the film centered around two polarized opposing forces of good and evil. Christopher Lee is excellent as Dracula, bringing to the character a genuine menace and some sophistication mixed with brutality(lacking from Lugosi's performance). The real star, however, at least for me is the venerable Peter Cushing in the role of Professor Van Helsing. Cushing's character is a man single of purpose in his quest to rid the world of Dracula. Cushing brings a great deal of charm, grace, and incredible professionalism to his role. Other performers are quite good. Michael Gough is very good in his role, and Miles Malleson is very humorous in his minute role of an undertaker. Director Terrence Fisher deserves most of the credit for the success of this film and the way vampires were to be treated afterward in film. Fisher directs with precision and creates a rich tapestry of vibrant colors and wonderful sets with his discerning eye for detail. This film's importance cannot be overlooked as it revolutionized a whole sub-genre of horror...and brought us two wonderful actors....Lee and Cushing...together in two of their greatest roles. That is enough for me!

Often regarded as the highlight of Hammer horror's oeuvre, The Horror of Dracula stands up today as a fresh and inventive take on what is maybe the best story ever written. Hammer is a studio that has had many a fine hour, and although this is one indeed; I think that there are several other films from their ranks that just top it. Just, being the operative word as this is certainly up there with the best of them. As you might expect, the story follows that of Bram Stoker's original novel; with a young man travelling to Dracula's castle, and not returning. This attracts the attentions of Professor Abraham Van Helsing; an authority in the field of vampirism who then sets out to slay the malevolent fiend that is the source of all the foul play in the movie; Dracula himself.

Although this is based on the classic story, Hammer very much makes it their own. Of course, the campy horror styling that that the studio has become famous for features strongly in the movie and serves in giving it that classic Hammer feel. Furthermore, this movie features both of Hammer's greatest stars; Christopher Lee and Peter Cushing. Christopher Lee may be no Bela Lugosi, but if there was anyone other than Bela Lugosi that I would want to play Dracula; Christopher Lee is that man. He isn't actually in it that much, but the moments when he is are the best in the movie. He has an incredible amount of screen presence, and all of that is transferred into the character of Dracula. In a similar way, Peter Cushing plays Van Helsing. Like Lee, Cushing has buckets of screen presence, but it's all in a very different style. While Lee is a defined evil, Cushing is more subdued, which allows him to adequately play the hero as well as well as he plays the villain. I've got to be honest, I prefer Cushing in the bad guy role; but he still makes an excellent hero.

Terence Fisher, one of Hammer's premier directors, directs the film and does a great job with it. The atmosphere of the Gothic period setting is spot on, and a constantly foreboding, and intriguing atmosphere is created throughout. The way that the smoke drifts across the graveyard in the movie is among the most atmospheric things Hammer ever shot. Dracula is a great story, and this Hammer yarn more than does it justice.

Sticking closer to the time of Bram Stoker's novel, Horror Of Dracula was the second of many joint appearances of Peter Cushing and Christopher Lee. With fangs baring and a look of menace permanently on his countenance, Christopher Lee became the new face of Dracula only two years after Bela Lugosi died. He became the new face of Dracula and unlike Lugosi who only made two appearances as the Count, Lee did quite a few more Dracula films.

His Dr. Von Helsing is Peter Cushing also getting started in his career in horror films. These two were the mainstays of Hammer films and with their release in America became as known in America as they were in the United Kingdom.

Also in the cast is Michael Gough who did a few horror flicks himself as a man who loses a sister and her fiance to the evil blood drinking undead count and nearly loses another sister.

The film is quite a bit more gory than the Lugosi classic which relied more on the Gothic sets created at Universal Studios. Dracula deals in blood and that's what the movie going public got here and plenty of it.

After 60 years and after 40 years when Hammer films went out of business, Horror Of Dracula hasn't lost a bit of bite.

Hammer's Dracula, the first Dracula film to incorporate fangs, blood, and red eyes, brings the best Dracula to the screen - Christopher Lee.

I first saw this on TV at home on Thursday 5pm on a channel that featured some classics. I also remember seeing War of the Worlds and others every Thursday. Each time they repeated it, I was there watching it. I just bought this DVD for my collection and the color and quality is awesome.

In Stoker's book Mina Murray is Harker's fiancé and Lucy Westenra was Arthur Holmwood's fiancé. Despite these changes the story holds together nicely. Sangster manages to avoid having Dracula turn to a bat to make the character more believable. In Stoker's book the Lucy character dies and returns as a child-lusting vampire so Van Helsing and Holmwood stake her as shown in the movie.

Trivia: Lee said the fangs he wore were easy to speak with but not eat. The contacts he wore were very painful and made him teary eyed and his vision a bit blurry.

There are some scenes that were deleted. One was of the impaled Harker in the early stages of decomposition which was removed by the British censor when it was released in English speaking countries. Surprising because it was tame compared to other scenes. Another scene that was removed by the same censor was Dracula's stages of decomposing during his death scene. This scene was reportedly left intact in foreign speaking countries and the rumor is Warner does not consider the scenes to be worth pursuing. What U.S. audiences see is the jump to the final stage of dissolving. Lee says they were kept in for the Far East parts of the world because they were considered to be too gruesome in those days. There are stills floating around of them both. A solid 9 out of 10, this remains the best Dracula film ever made. Yes, much better than the overrated "Bram Stoker's Dracula."