Cop Hater

I gave COP HATER two stars for one reason: almost all of the male leads appear shirtless and unshaved, a feat unheard of in the hairless, sexless Fifties. As for the script, it wobbles erratically back and forth between sentimental garbage and cloying patronizing slang. The plot is a senseless mishmash of half-baked ideas. The women presented here are practically blow-up sex dolls. By the time the killer is revealed, you'll be tapping our toe and checking your watch.

"Cop Hater" is an amazing film. After all, it's a cheap production from Allied Artists featuring complete unknowns at the time---and yet it's one of the best cop films I have seen. The film excels in realism, excitement and great twists--and it's a wonderful film for lovers of noir and those wanting to see future film and TV stars long before they were stars. In the film, you see lots of familiar faces from the 60s, 70s and beyond--such as Ralph Loggia, Gerald O'Laughlin (a VERY familiar face in cop shows), Vince Gardinia, Jerry Orbach and Glenn Cannon (the DA on "Hawaii Five-O"). I can't recommend this film strongly enough.

Because of the title, it's not at all surprising that the film begins with the murder of a cop. This guy is off duty and shot repeatedly in the head with a .45--making the man very, very dead. Who did it and why? There just don't seem to be any leads. Then, when another cop is killed with the same .45, there is the same problem--there just aren't any leads. And, when a third cop is killed, it still isn't a lot clearer. How are they going to solve a crime that just seems so random?! I could say a lot more about the plot, but don't want to give any of it away--just see the movie yourself.

The film is filled with great, realistic acting, wonderful and tough dialog and nice detail when it comes to forensics. It is just written masterfully and it came as a nice surprise. Why the film isn't more famous could only be because it slipped in under the radar when it appeared--with no big names and a paltry budget, it just didn't get noticed. Well, well worth your time.

By the way, there is a deaf character. While she doesn't use a lot of sign language, what she does use I was able to understand--meaning they were real signs. I hated hearing words like 'dummy' in regard to her, but appreciated having a deaf character and one they tried to get right.

Cop Hater (1958)

This is no brilliant affair, but it's more enjoyable than you might expect. It centers around a precinct police station and a group of guys who are suddenly on a manhunt for a cop killer. While that part of the plot has its small moments, it's the interaction between these guys, including some honest fun banter (not tough guy stuff), that really works. And two or three of the main cops are good actors, holding their own.

There are women on the side, one a searing beauty of some sort (a bit exaggerated and stiff, but you get the idea when she's on), the other a sharp and stylish deaf and mute woman played by Ellen Parker. These types are obviously meant to be opposites, one sympathetic and modest, the other full of herself and untrustworthy.

There is a Latino gang that figures into play eventually, and that gets a little crazy in its own way. And the leader is Glenn Cannon, who went on to have a long career on t.v. This is his first movie and he's pretty terrific for his four minutes of fame.

Otherwise this is a conventionally filmed crime film. Don't expect a gritty or moody film noir, because it's not that. But do expect a well paced plot with some nice interpersonal stuff. Probably has more honesty to it than most crime movies of the time, which are pumped up with types and drama.

Even longtime fans of Ed McBain's evergreen series of police procedurals set in the 87th Precinct may be startled to learn that they started out back in the1950s (and they're still coming). Cop Hater was the first of them to reach the big screen, in a bare-bones production directed by genre-movie veteran William A. Berke.

A heat wave has settled over The City (it's New York, but McBain never identifies it as such), bringing tempers to the flashpoint. An alarm clock wakes a cop for his midnight shift; when he descends into the soupy night, a shot fells him. The entire precinct mobilizes immediately - one of their own has been killed.

We encounter the familiar names of the Precinct's detectives (or some of them), most notably Steve Carella (here, Carelli), played by a young Robert Loggia; he's the bright cop engaged - not yet married - to the beautiful deaf-mute Teddy (Ellen Parker). His partner Maguire (Gerald O'Loughlin) has already tied the knot, but when he tries to keep cool in his undershorts to the whirr of a feeble fan, his wife (Shirley Ballard) brushes him off (`You're wet - oozing wet,' she sniffs).

When a second cop is gunned down in cold blood, attention turns to members of one of the gangs of young punks that were a fixture of post-war New York, but it's a dead end. Next, it's Maguire's turn to meet his very own dead end. Loggia, made indiscreet by too many `splashes' of Scotch to slake his thirst, tells his theories to a callow newspaper reporter and inadvertently puts Teddy in jeopardy....

Cop Hater gets the feel of the grimy streets and cramped apartments of a sweltering urban jungle just right (it also preserves the film debut of Jerry Orbach and very early appearances by Vincent Gardenia and Loggia). The puzzle of the murders may seem a little mechanical (it's a riff on Agatha Christie's The Alphabet Murders), and personalities don't emerge as vividly as we might like. But then this was early in the series, and McBain had only begun to sketch out the quirks of his recurring characters. McBain, of course, is the pseudonym of Evan Hunter (born Salvatore Lombino), who wrote the screenplays for Blackboard Jungle and The Birds. In Cop Hater, his anonymous City takes pride of place.

Very interesting, well done look at the late 1950's in NY, on the streets, in the precinct house. What is so amazing is that you really can tell which actors will end up stars or at least significant players. Charisma is very real and evident here. Robert Loggia is a revelation. I've never seen him so young and yet he is very macho and attractive. The camera loves him and I'll bet that a lot of viewers do as well. A boyish Jerry Orbach is certainly an eye full as well. Recommended as a very interesting exploration of the past that is now just receding beyond easy recollection. Cannot say that the female performers are as memorable but then, one can't have everything but this dishes up quite a lot and the author certainly deserves his subsequent career.