Lafite, o Corsário

I first saw this film when it came out in the late 50s,and watched it every time it came on tv for decades afterward.It might say something about my tastes,because I thought it was a rousingly good adventure story.I still feel that way-for a pirate and battle film,it's first-rate.Where,then are my criticisms?First;a.)The battle of New Orleans was fought about 3 weeks after a peace treaty had been signed,and was,technically,irrelevant;b.)Unlike what they imply in the film,the British and the American forces were evenly matched-when the citizens of New Orleans and the pirates joined Jackson,the British were out-numbered;c.)The reason Laffite was not appreciated by the American government was not the PIRACY,per se,(they had legal commissions as privateers issued by Simon Bolivar)but because of the smuggling;d.)Laffitte had to leave,not because of the actions of a renegade captain under his command,but because he had returned to smuggling after he had received a presidential pardon;e.)Dominique,who was Laffite's much older brother,was an earthy,warm-hearted man who stayed behind and became a political hack under the Americans.Boyer is giving a reprise of an earlier portrayal on Napoleon;.I get the feeling that,with the big production,the large number of stars and well-known character actors who were doing supporting parts,the elaborate sets and props,and routines,they were trying to duplicate the success and magnitude of "The Ten Commandments"several years earlier.The big scenes-the pirate captains' conference;the pirate market;the taking of the"Corinthian"and the scenes at Barataria are well-done.(One bogus sequence,however-when Laffite challenges the pirate captains to kill Miggs before they can divy up the gold,and they back down-give me a break.Given the opportunity to get the loot-they would have lined up to slit the kid's throat.)The Battle of New Orleans is exteremly well-handled.Numerous viginettes of men preparing a variety of activities leading into the final fight-adds up to an impressive fourth act.And the love scenes do drag.This is not what De Mille was known for.So,enjoy this film on it's own merits,and realize that nothing is ever perfect.

This was the last film that Cecil B. DeMille had anything to do with. He originally planned to direct this remake of his 1938 film The Buccaneer, but ill health prevented him from doing so. So apart from a brief prologue and a production credit saying the film was presented by him, DeMille left the producing to good friend Henry Wilcoxon and the directing to his son-in-law Anthony Quinn.

This version has the added attractions of great technicolor photography and Paramount's new wide screen Vistavision process. I saw in the theater when I was 11 years old and it is quite an eyeful.

Yul Brynner makes as dashing a Jean Lafitte as Fredric March did in the 1938 film. Charlton Heston repeats his Andrew Jackson role from The President's Lady which he made earlier in the Fifties. Heston though was not satisfied because he realized that he was made up to look like the Andrew Jackson we know from the double sawbuck when he was in the White House. At New Orleans he was a bit younger. But like Moses and the circus boss from The Greatest Show on Earth, you follow him to Hades and back.

The best role in the film for me though was Charles Boyer as Dominic You, Lafitte's cynical second in command. A former artillery officer in Napoleon's army, he left there and took up piracy out of disillusionment with how the French Revolution turned out. Boyer has some good and wise lines in his counsel to Lafitte even if he's drunk while delivering some of them.

After The Ten Commandments, DeMille had plans to make a film about Sir Robert Baden-Powell, the founder of the Boy Scouts and was in negotiations with David Niven to play Baden-Powell. He got sidetracked with this film and then he died in early 1959. Of course the Boy Scout film never did get made by anyone.

Although DeMille eliminated one element of the plot from 1938 the traitorous Senator played by Ian Keith the rest of the film is pretty much the same. This is hardly the real story of Jean Lafitte. When not on the action, the film does drag in spots. Maybe that's why Anthony Quinn never directed another film.

This version of The Buccaneer had one additional thing going for it. Country singer Johnny Horton had a mega hit record of The Battle of New Orleans at the same time the film came out. Both must have fed off each other in profit making. I well remember you couldn't go a day without hearing The Battle of New Orleans playing some time on the radio.

It's not history, it's DeMille at his gaudiest.

This movie has great stars in their earlier years: Ingor Stevens never looked prettier; Yul Brynner was a very convincing Jean LaFitte, conflicted about his piracy and desiring to keep neutrality with the United States. Charlton Heston did a pretty good job as Andrew Jackson, but some moments were a bit stilted. It's really a good flick for students to learn that part of our history, AND it shows that all happy endings do NOT include the lovers getting together with each other--sometimes the happier ending is that they sail away and find partners of similar background who will understand them better in the long run. I have viewed it every year at least twice for 16 years now; and though it is not the best movie I've ever seen, I love it every time!

Charlton Heston is undoubtedly the best thing in this picture. A meandering script, dubious romantic liaisons and average acting come close to sinking "The Buccaneer". Yul is Jean La Fitte, the title role. His performance is all over the map, going from tough to lethargic, to mercurial, to wistfully patriotic. Charles Boyer plays himself portraying the roguish General Dominique You, late of Napoleon's army, is pretty good, Mickey Shaughnessy is good as a comic sidekick to the boss and Clare Bloom and Inger Stevens provide love interest. The battle of New Orleans is the centerpiece of the film and is reasonably well staged, considering it's obviously filmed on a sound stage. History is shown here as the pirates help the American army and militia turn back the British. Chuck is Andrew Jackson, and it's been pointed out several times, Chuck looks like they used his picture for the twenty. Typical Technicolor '50's epic, not bad but not great either.

Semi-fictional account of pirate Jean Lafitte's involvement in the War of 1812 with some of the most thrilling war scenes ever filmed . This remake of Cecil B DeMille's 1938 production starts with a prologue : Jean Lafitte , last of Buccaneers , lives on in Lord Byron's immortal words : ¨He left a Corsair's name to other times , linked with one virtue and a thousand crimes¨. These American Presidents condemned , pardoned and again condemned this pirate . But Fate placed into the hands of this man without-a-country the destiny of a country - the United States - fighting for its very existence in the war of 1812 . Defeat has followed defeat . Now , only one man stood guard to ward off the final death blow , a backwoods General called Andrew Jackson with a handful of squirrel hunters and raw recruits . However , this prologue fails to mention the great irony of the Battle of New Orleans: by the time it was fought, a treaty to end the War of 1812 had already been signed in London , but word of the signing did not reach New Orleans until weeks later. The British have sacked Washington and hope to capture New Orleans, where pirate Jean Lafitte (Yul Brynner) romances blueblooded Annette (Inger Stevens) and openly sells his loot in a pirates' market. But he never attacks American ships . General Andrew Jackson (Charlton Heston previously played this role in The President's Lady) has only 1,200 men left to defend New Orleans when he learns that a British fleet will arrive with 60 ships and 16,000 men to take the city. In this situation an island near the city becomes strategically important to both parties, but it's inhabited by the last big buccaneer: Jean Lafitte , Lord of Barataria, Louisiana. When the battle gets nearer, Lafitte is drawn between both sides . His heart belongs to the United States , but his people urge him to unite the party that's more likely to vanquish .

Lavish film , 2 million dollars swashbuckling epic , magnificent adventure yarn , being spectacular and marvelously set in the War of 1812 against Britain . Cecil B DeMille 's last picture , he was seriously ailing and died while it was being made and completed by his son-in-law , Anthony Quinn. Anthony played the role of Beluche in the first version (1938) starred by Fredric March , Walter Brennan , Ian Keith , Akim Tamiroff , also directed by Cecil , for this one, Quinn is the director ; in fact, it is the only instance in his film career of taking on that job. The long-time associated Henry Wilcoxon , who starred ¨DeMille's The Crusades¨, took over as producer and the filmmaking went to actor Anthony Quinn who realized such a nice work that one wonders why it was the only one he made . The picture is based on historical deeds , though there is no historical evidence to prove that Lafitte actually was present during the battle. Facts were changed to protect 1950s sensitivities. Lafitte did have an affair with a Claybourne lady, but it was the Governor's wife, not his daughter. Interesting screenplay by Jesse L Lasky Jr , Cecil B. DeMille's usual screenwriter , but original script developed the story as a musical, then Cecil changed his mind when Yul Brynner, dissatisfied with the treatment of the material, threatened to back out of the film. A lot of exciting items cropped out for this high budgeted epic such as colorful cinematography by Loyal Griggs , rousing musical score by Elmer Bernstein , breathtaking production design by Albert Nozaki, Walter Tyler and Hal Pereira . It is adorned by the most notorious bald in the world , the great Yul Brynner , stands out Charlton Heston playing one of his ordinary historic characters , Claire Bloom as a tough pirate girl , an attractive Inger Stevens as Governor's daughter , Edgar G Marshall as Governor , a brilliant Charles Boyer as Dominique You , Henry Hull who wields a spirited rifle and many others ; including brief performances from a numerous support cast such as Lorne Greene as Mercier , Ted de Corsia as Capt. Rumbo , Douglass Dumbrille as Collector of the Port and who in the first adaptation acted as Governor , Robert F. Simon as Capt. Brown , Woody Strode , John Dierkes , Henry Brandon , Kathleen Freeman , among others . The motion picture was well directed by Anthony Quinn and Cecil B DeMille . DeMille oversaw production of the film, and appears in the prologue, but was unsatisfied with Quinn's efforts as director, as well as the work of old friend Henry Wilcoxen as producer, and tried to change and improve the film during and after production. DeMille died in January, 1959, only a month after the film's release.