Asas de Águia

I, am retired US Navy, from a Navy family. I am also a naval history buff. I can watch this movie time and time again.

I have seen some errors in the cinematography over the years.

1. In the scene where Spig and Jughead give each other the thumbs up.

See if you can find it.

2. When Spig attends the accident board for loosing his aircraft, he is standing at attention holding his hat. The hat is missing the gold band.

Dialog

When Spig arrives at the ship, he refers to: being back with "Joc, and the ole Doc".

The ole doc I assume refers to the senior medical officer at San Diego. who never appears again after the hospital scenes.

Joc, is the CO of the Carrier, but I cannot find him in any scenes prior to the pier side scene at the ship.

"The Wings of Eagles" starred John Wayne and Maureen O'Hara and was directed by John Ford. While not a blockbuster by any stretch of the imagination, the film nevertheless has some great touches that would make a viewer wish to see the film again. Wayne played Lt. Commander Frank "Spig" Wead, the man credited with getting the Navy an air wing to support its military ships, and Maureen O'Hara plays the wife that has to contend with Spig's love of country first and family second. Dan Dailey has a good role as Wead's best friend in the military, while other members of the John Ford company of players contribute their talents to the film. Ken Curtis shows up a good bit, and Ward Bond has a role as a film director that smacked of a caricature of John Ford. Bond plays this to the hilt, and seemed to enjoy the chance to show Ford how he came off, at times.

The scenes that were very watchable could include several fight scenes between members of the Army Air Corps and their Naval counterparts, plus a very heart rending view of Wayne's efforts to rehabilitate himself, following a fall down a flight of stairs at his house. Good, but not great, an 8/10.

If John Ford hadn't made THE WINGS OF EAGLES, Commander Frank W. 'Spig' Wead would be best known today for the impressive collection of military-oriented stories he wrote for motion pictures, during the 30s and 40s. Among his credits are HELL DIVERS (with Wallace Beery and Clark Gable), TEST PILOT (with Gable and Spencer Tracy), DIVE BOMBER (with Errol Flynn and Fred MacMurray), and THEY WERE EXPENDABLE (for John Ford, with John Wayne and Robert Montgomery). He brought to his writing a love of flying, pride in the military, and an understanding that a 'greater good' must sometimes take precedence over personal happiness.

In THE WINGS OF EAGLES, director Ford illustrates how Wead's life was every bit as interesting and dramatic as anything he wrote. A close personal friend (so much so that he even cast Ward Bond to play a thinly-disguised version of himself, named 'John Dodge', in the film), Ford was witness to many of the triumphs and tragedies of the pioneer Naval aviator/engineer's life. After completing THE SEARCHERS, Ford commemorated the tenth anniversary of his friend's passing with this sensitive, 'warts-and-all' tribute.

Wead (portrayed by John Wayne, in one of his most fully realized characterizations...he even sacrificed his hairpiece, as the older Wead, for the sake of authenticity), begins the film as a typical hell-raising Ford hero, a Navy flier who loved taunting his Army counterparts (led by the terrific Kenneth Tobey), lived for the sheer joy of flying bi-planes (even when he was clueless as to HOW to fly them), and had the love of a feisty yet devoted woman (Maureen O'Hara, of course!) But, in keeping with the tone of much of the older Ford's work, Wead's life does not tie itself up into a neat, happy package, but develops into a complex near-tragedy of a man so consumed with his career that his marriage breaks down, and has his greatest dream snatched away from him when an accident cripples him. Rather than falling back on the potential aid a wife could provide, he refuses her help, relying on his Navy 'family' (represented by Dan Dailey, in one of his most popular roles) for rehabilitation. With Pearl Harbor, Wead's expertise is again called upon, and he leaves a successful career as a screenwriter to rejoin the Navy, becoming the innovator of jeep carriers...only to see his health fail him, yet again, forcing him out of the service he loved.

It is a story both sad and moving, and Wayne, so often accused of being 'bigger than life' and one-dimensional in his portrayals, again demonstrates his underrated acting talent, capturing the frustration of a man who never truly achieves the ultimate triumphs he dreams of. Wead is a 'real' person, not always likable, but someone you learn to admire for his sheer determination to contribute, and not surrender to self-pity.

With an excellent supporting cast (particularly Ken Curtis, as Wead's lifelong friend, John Dale Price), THE WINGS OF EAGLES may disappoint someone looking for a 'typical' war movie, but, as a film biography, is far more honest than Hollywood's 'usual' hokum.

'Spig' Wead would have loved it!

I have two fav John Wayne movies and this is one of them. The other is "McLintock!"

Today is the first time I've seen "Wings of Eagles, The" for years and years. Probably because it's always been such an emotional movie for me. I always cry at the ending...most likely because the very thing Spig Wead wanted seemed to elude him. Perhaps because his desire was never really clearly defined, even to him.

As I sat watching it, I got the bright idea of looking it up in the "IMDB" movie database. I was curious about the writing that Wead did and also the timeline. I came across a couple of reviews and decided to add my two sense (sic) worth.

I realized today that the things I like about the movie were partially the things that one of the other reviewers didn't. I LIKE the way Wead's story is presented. It isn't neat and orderly. No cheating endings or story movement. It seems like he was very self-involved and dealt better with other men than with his wife. I suspect that both Spig and Min were trapped by their societal roles in a way that many others were at that time. They did't have that same open way of spilling their guts that we've all embraced in today's world.

Men were men and women...weren't! LOL!

Anyway, I was always crazy about John Wayne and had such a crush on him whenever he'd appear in Navy whites. Something about that craggy face and those blue eyes grabbed me every time. Plus, I share his birthday so that made him extra kewl in my eyes.

Ford was wise NOT to turn this into a typical John "Hero" Wayne vehicle. That was probably why they worked so well together in all of those films. He was no more snowed by Wayne's larger than life personna than Wayne was of Ford's. I would love to have been a fly on the wall when those two were goin' at it.

Although Wayne was fiftyish when he did this film, I think he displayed a good youthful Wead as well as the somewhat more mature one. A better, more subtle acting job than the other reviewer gave him credit for doing.

Time for Spig to bite it so I'm off now...

dmombit

Despite the title and the time frame (and the misunderstanding of the movie by other reviewers), this is not a typical war movie. This movie is really a biography and personal study of the obsessiveness and dedication that is necessary in the technological nature of warfare today. In one respect it is too bad that the movie stars John Wayne because the expectation is that it would feature a "gung ho" performance. Instead it is an amazing acting effort by Wayne as a suffering, crippled, insensitive Navy officer and author whose vision and commitment made much of the Naval air force possible. It is an excellent performance by Wayne and almost more of a "stretch" for him than Dustin Hoffman portraying an autistic "Rainman."