AVALIAÇÃO DA IMDb
8,3/10
11 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaElmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 vitória no total
Mel Blanc
- Bugs Bunny as Brunhilde
- (narração)
- …
Arthur Q. Bryan
- Elmer Fudd as Siegfried
- (narração)
- (não creditado)
Avaliações em destaque
This short has always been one of my favorites.It combines humor,excelent music and feelings.Seing Mr.Fudd's love, wrath and sadness in what is probably his best performance makes it very memorable.Less silly visual jokes than most Looney Tunes and making comedy out of Elmer's and Bugs' interaction with each other realy makes it even better than the oftenly over-rated "Rabbit of Seville".Nice introduction to Wagner by the way.
This is one of the greatest cartoons ever made. When many experts in the field of animation got together a few years ago to list the 50 greatest cartoons ever made, this one ended up at number 1. Watching this cartoon, it's easy to see why they ranked it at the top. It's a classic. Everyone knows this one, especially the scene with Elmer Fudd, Spear in hand, magic helmet on head, singing "kill the wabbit!"
In the style of a classic opera, Elmer Fudd, resplendent with magic helmet, seeks to kill the rabbit Bugs Bunny. However, dressing as an opera dame, Bugs attempts to outsmart and avoid Fudd the best he can. However, can he make the ruse last.
In terms of laughs, this is by no means Bugs's funniest cartoon. However it is easily one of my favourites of his simply because it is not a basic chase-em-up style comedy that relies on physical gags. In fact the reason I love this cartoon is part of the reason it isn't funny - simply because it is almost too clever to waste time making me roar with easy laughs. The plot is perfectly set to the music and it is surprisingly emotional for it. Bugs does his usual dressing up stuff but the music gives it all an edge it hasn't had before - and it is very interesting.
My favourite thing about this short is the style with which it is delivered. Look at some of the WB cartoons of the mid-sixties and you'd never believe those same drab animations could come from the same studio as this. Visually it is imaginative, style and very impressive - it easily matches the epic feel of the music. So much care has been put into it that it is difficult not to feel impressed by the look of the whole cartoon.
Fudd is a good character and here merges his usual meek personae with the epic operatic warrior to good effect. Bugs is his usual tricky self but he is down played a little bit as the cartoon seems less concerned about hilarity than about a witty, quality product. The two of them are adapted perfectly to the music and the cartoon is great with them.
Overall this is not the funniest of Bugs' shorts but it is easily my favourite. The cartoon is perfectly set to the music and it is intelligent and quite amusing. The look of the film is rich and well designed and fits the music really well - visually it is impressive, but then so is the whole cartoon.
In terms of laughs, this is by no means Bugs's funniest cartoon. However it is easily one of my favourites of his simply because it is not a basic chase-em-up style comedy that relies on physical gags. In fact the reason I love this cartoon is part of the reason it isn't funny - simply because it is almost too clever to waste time making me roar with easy laughs. The plot is perfectly set to the music and it is surprisingly emotional for it. Bugs does his usual dressing up stuff but the music gives it all an edge it hasn't had before - and it is very interesting.
My favourite thing about this short is the style with which it is delivered. Look at some of the WB cartoons of the mid-sixties and you'd never believe those same drab animations could come from the same studio as this. Visually it is imaginative, style and very impressive - it easily matches the epic feel of the music. So much care has been put into it that it is difficult not to feel impressed by the look of the whole cartoon.
Fudd is a good character and here merges his usual meek personae with the epic operatic warrior to good effect. Bugs is his usual tricky self but he is down played a little bit as the cartoon seems less concerned about hilarity than about a witty, quality product. The two of them are adapted perfectly to the music and the cartoon is great with them.
Overall this is not the funniest of Bugs' shorts but it is easily my favourite. The cartoon is perfectly set to the music and it is intelligent and quite amusing. The look of the film is rich and well designed and fits the music really well - visually it is impressive, but then so is the whole cartoon.
With my speaw and Magic Hewmut! Magic Hewmut! Kiww the wabbit! Kiww the wabbit!
Immortal lines. Like those other famous lines: "Here's looking at you, kid." "Put your lips together and blow!" "I'm Woodrow Wilson, go to bed!" "How do you split a car in half!"
This little cartoon got me hooked on opera in general and is certainly the best Bugs Bunny around! There are no other!
And, if you never see it, look out for that horse! It takes a lot not to enjoy the sure absurdity of this story! If they ever give a DVD with just this ONE cartoon on, I will probably buy it.
Consider yourself exceptionally lucky if you lay eyes upon this cartoon! It's the crown jewel of classic animation! None of todays sci-fi recycled trash a la Pokemon-Digimon things come near the Wagnerian majesty of WHATS OPERA, DOC?
Immortal lines. Like those other famous lines: "Here's looking at you, kid." "Put your lips together and blow!" "I'm Woodrow Wilson, go to bed!" "How do you split a car in half!"
This little cartoon got me hooked on opera in general and is certainly the best Bugs Bunny around! There are no other!
And, if you never see it, look out for that horse! It takes a lot not to enjoy the sure absurdity of this story! If they ever give a DVD with just this ONE cartoon on, I will probably buy it.
Consider yourself exceptionally lucky if you lay eyes upon this cartoon! It's the crown jewel of classic animation! None of todays sci-fi recycled trash a la Pokemon-Digimon things come near the Wagnerian majesty of WHATS OPERA, DOC?
Elmer Fudd is again hunting rabbits - only this time it is an opera. Richard Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.
"What's Opera, Doc?" required about six times as much work and expense as any of the other six-minute cartoons his production unit was turning out at the time. Jones has admitted as much, having described a surreptitious re-allocation of production time to complete the short.
There are a handful of cartoons that people will remember forever. This is one of them. Is there another Bugs and Fudd short that stands out more? Not that I can think of.
"What's Opera, Doc?" required about six times as much work and expense as any of the other six-minute cartoons his production unit was turning out at the time. Jones has admitted as much, having described a surreptitious re-allocation of production time to complete the short.
There are a handful of cartoons that people will remember forever. This is one of them. Is there another Bugs and Fudd short that stands out more? Not that I can think of.
Você sabia?
- CuriosidadesWarner Bros. Cartoons, Inc. only allotted five weeks for the production of each seven-minute short, but director Chuck Jones spent seven weeks on this short. To cover up for the extra time spent, he had his entire unit doctor their time cards to make it appear as if they working on the Road Runner/Coyote short Canceira no Coiote (1957) for two weeks before they actually started (since Chuck and his staff were so familiar with the Road Runner formula, they were able to complete Zoom and Bored in three weeks).
- Cenas durante ou pós-créditosThe opera music continues and concludes over the "That's All Folks!" logo, substituting the usual exit music. The "That's All Folks" text doesn't go through its usual animation.
- ConexõesEdited into As Mais Incríveis Aventuras de Pernalonga E Sua Turma (1979)
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 14.753
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.285
- 16 de fev. de 1998
- Faturamento bruto mundial
- US$ 14.753
- Tempo de duração
- 7 min
- Mixagem de som
- Proporção
- 1.37 : 1
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