A História da Humanidade

Mankind is on the verge of discovering the secret of the Super H-bomb so a special tribunal meets in outer space to discuss what to do. Arguing on behalf of mankind is the Spirit of Man (Ronald Colman). Arguing that humanity must be destroyed is Mr. Scratch (Vincent Price). They both use examples from history to make their cases.

Here are some of the historical reenactments. Cavemen discover fire in the middle of an attempted murder and rape. Cleopatra (Virginia Mayo) kills her brother and seduces Caesar and Marc Anthony (Helmut Dantine). Peter Lorre plays a drunken Nero laughing while Rome burns. The most embarrassing episode belongs to Hedy Lamarr as Joan of Arc. Her Joan wears bright red lipstick and a terrible wig. Her trial is presided over by Henry Daniell dressed as Santa Claus. Agnes Moorehead hams it up as Queen Elizabeth I, who receives military counsel from William Shakespeare! Groucho Marx plays Peter Minuit in a painfully unfunny comedy segment where he rips off Indians for Manhattan island. Marie Wilson is a bimbofied Marie Antoinette. 21 year-old Dennis Hopper is a soft-spoken Napoleon with 37 year-old Marie Windsor as his Josephine. Among the other stars we see in this are Cedric Hardwicke as the celestial tribunal's judge, John Carradine as Pharaoh Khufu, Charles Coburn as Hippocrates, Chico Marx as a monk offering advice to Columbus, Edward Everett Horton as Sir Walter Raleigh, Harpo Marx as Isaac Newton, and Don Ameche's younger brother Jim as Alexander Graham Bell.

Today Irwin Allen is best remembered for his contributions to television like Lost in Space or his '70s disaster flicks like The Poseidon Adventure. The Story of Mankind wasn't Allen's first film but it was his first notable one. This movie came about during the heyday of Atomic Scare movies. The decade was full of them, usually in a sci-fi setting. There were some great classics like The Day the Earth Stood Still made during this era rife with paranoia. This film has the reputation of being one of classic Hollywood's biggest stinkers. Personally, I like it! But part of why I like it is because it's so flawed. It's got an all-star cast, most of whom are laughably misused. The script is terrible with some of the corniest dialogue you'll ever hear and some truly cringeworthy speeches. The history is inaccurate and blends myth with fact. It's all filmed in lush Technicolor but on cheap sets with tons of stock footage. Still, I can't help but enjoy it. It's a movie that falls squarely into the "so bad it's good" camp for me. Taken seriously, it's ridiculous and offensive to your intelligence. Taken lightly it's quite a bit of cheesy fun.

It has the distinction of being both Ronald Colman's final film and the final film to feature the main three Marx Bros. together (although they bafflingly share no scenes). By the way, listening to the Devil's point of view, it struck me how that is the more likely view we'd see advocated today, not only in films but in real-life discourse as well. Kind of depressing. Worth seeing for a variety of film fans but especially for fans of Price and Colman, who have two of the most pleasant voices the movies ever knew.

Irwin Allen's first venture into all star spectacle was one all star disaster. The Story of Mankind contains some of the most incredible casting decisions of all time. Virginia Mayo as the blond Cleopatra, Dennis Hopper chewing the scenery with Napoleon, Peter Lorre dining on the scenery for weeks as Nero, Marie Wilson as Marie Antoinette as a roadshow Marilyn Monroe, that's just some of them.

The film also is known for being the last film which featured all three of the Marx Brothers though they all have different roles. Chico plays a monk who is Christopher Columbus's confidante, Groucho euchres the Indians out of Manhattan island as Peter Minuit, and most astonishing of all, Harpo Marx as Sir Isaac Newton who discovers gravity when an apple conks him on the bean.

Holding all these portrayals together is a story where mankind itself is being judged. A super H Bomb is about to be discovered and let loose will do in the world's population. It's Judgement Day a coming.

But mankind has its advocates and detractors. Speaking for the prosecution is Old Scratch who's been bringing the worst out in man for centuries in the form of Vincent Price. But man has his good side as well and who better than Ronald Colman to demonstrate man at his most civilized best. Colman and Price plead their case before The Judge played by Cedric Hardwicke.

In those three individuals you have some of the finest speaking voices the English language ever knew. When the film is on them as they each bring out the exhibits for their case it's a pleasure to listen to. Then when the focus is on the individual stories, you want to scream in agony.

What was Irwin Allen driving at, I'm still trying to figure it out. Was he deliberately camping it up with some of these casting decisions? If it was satire, it just doesn't get off the ground.

This was Ronald Colman's farewell film and while it's hardly something I'd like to go out on, I can't think of any man who could have stated the case for civilization any better.

So when you see The Story of Mankind, fast forward through some of the exhibits and treasure every moment the advocates are before the judge.

The Story of Mankind when I saw it was a movie I initially found difficult to rate. Mainly because it is a big mess. Having said that somewhat, it is a mess that is worth seeing.

The production values are hardly high art, but they are decent. The sets are okay, the costumes are interesting and the cinematography is not exceptional but not exactly cheap either. I liked the premise as well, and it started off decently with Sir Cedric Hardwicke presiding over things nicely. There is also some good performances. Ronald Colman gives far from his best performance, but he is very suave and convincing, Marie Antoinette is nicely coquettish and Agnes Moorhead chews the scenery with glee. It was also nice to see the Marx Brothers, Harpo and Chico aren't really that funny but Groucho is though there was the odd moment not to do with Groucho more to do with the writing and the way the characters were written that came across as more offensive than amusing. Best is Vincent Price, with his powerful voice and magnetic presence, he is gleefully wicked.

However, the direction falls flat as if it is unsure of which direction to go whether it wanted to be a history lesson or an exercise in camp. The dialogue is mostly absolutely abysmal, but it is so hard not to laugh at how bad it is. The film goes at an uneven pace with some segments faster than others or better acted and written. The characters are little more than stereotypes and caricatures and badly explored ones at that, and there are some unintentionally hilarious ideas incorporated into the story especially with Joan of Arc. I liked the leads and Moorhead and Groucho, but the rest of the cast are just bizarre. Peter Lorre though isn't too bad, perhaps too young and somewhat too effeminate too but there are some moments of unexpected poignancy, but Hedy Lamarr is woefully miscast as Joan of Arc and a very over-the-top Dennis Hopper does nothing with the role of Napolean.

Overall, The Story of Mankind is a mess, but it was worth watching and I personally wouldn't put it on my worst movies ever list. 4/10 Bethany Cox

Unlike most people, I really enjoyed this film. Not only was it unintentionally funny, but it had all the elements that would later be associated with many of Irwin Allen's latter works (stock footage and an all-star cast). Vincent Price is at his sinister best playing Mr. Scratch, the devil, and Ronald Colman is wonderful as the spirit of mankind. Too bad this film isn't on video or DVD because it truly is a cult classic that is an acquired taste.

The opening titles of this historical epic – one of the most notoriously misjudged films in Hollywood history – boast no fewer than 25 stars but, having personally gone through it, I have to say that its reputation is entirely justified! I'd always been interested in it, of course, yet I'd practically given up hope of ever catching the film…and, eventually, I only managed to come across a soft-looking, panned-and-scanned VHS copy with forced Spanish subtitles (which will more than suffice under the circumstances).

Actually, the central premise isn't half-bad – a tribunal in outer space(!), presided over by Sir Cedric Hardwicke, convenes to determine whether mankind should be allowed to go on living or else let it obliterate itself via the misuse of nuclear weapons! In fact, the opening half-hour or so is fairly decent but, as soon as one realizes that the film will be a constant parade of Hollywood stars stolidly appearing (portraying is hardly the correct term to use here) as famous historical figures – who are subsequently given little of consequence to do – it becomes a depressing, repetitive and altogether rather dull charade!

At least, the main roles of The Spirit Of Man (a suave and gracefully aged Ronald Colman in his last film) and Mr. Scratch aka The Devil (a typically genial turn by Vincent Price) are ideally filled – something which, alas, can't be said of most of their colleagues: Hardwicke himself merely gets in a few inane phrases between Colman and Price's rebuttals, but, for good measure, we also have to contend with John Carradine (as a campily-dressed Pharaoh), Peter Lorre (as a thoroughly miserable Nero, which is ironic given that the role had often inspired actors towards hamminess!), Virginia Mayo (unrecognizable as Cleopatra), Hedy Lamarr (an embarrassingly miscast Joan of Arc), Dennis Hopper (as a wimpy Napoleon Bonaparte!) and, surely the weirdest casting choice of all, the Marx Brothers (appearing in their final team effort, albeit separately: Chico barely registers as a monk in the Christopher Columbus episode, Groucho incongruously appearing fully in character, with glasses and wisecracks intact[!], as obscure American Pilgrim Peter Minuit, and Harpo, ditto, as a mute and harp-playing Sir Isaac Newton)!!

The various re-enactments (amidst which Colman and Price are free to roam) display a rampant use of stock footage – thus making the film seem more expensive than it actually is – and naturally end with the present i.e. 1957 crisis; in hindsight, the script's constant reference to the "Super H-bomb" is amusing and dates the show more than anything else! At a mere 100 minutes, such an ambitious enterprise was doomed from the start and, indeed, it feels too much like a crash-course in World History (intercut with elementary bits of Philosophy). Perhaps, the kindest thing that can be said about THE STORY OF MANKIND is that, for better or worse, it did pave the way for Irwin Allen's heyday as a producer of star-studded Hollywood blockbusters.