AVALIAÇÃO DA IMDb
8,1/10
120 mil
SUA AVALIAÇÃO
Depois de viver uma vida marcada pela frieza, um professor idoso é forçado a confrontar o vazio de sua existência.Depois de viver uma vida marcada pela frieza, um professor idoso é forçado a confrontar o vazio de sua existência.Depois de viver uma vida marcada pela frieza, um professor idoso é forçado a confrontar o vazio de sua existência.
- Indicado a 1 Oscar
- 16 vitórias e 4 indicações no total
Björn Bjelfvenstam
- Viktor
- (as Björn Bjelvenstam)
Avaliação em destaque
Bergman has been seen by many as being a depressing film makes, who speaks above the heads of most people. Thank God someone does! In this piece of genius, we are asked to consider who God is; what makes a life worthwhile; and whether human nature alters through the generations, or is it just the costumes that change? As usual, the answers are to be provided by the audience. We must chose for ourselves what we think is 'right' or 'just'. Bergman uses the usual pattern for him - a man is on a journey (life) and meets people who are going along the same road (friends and family), and they all head toward the end of their trip (death). They stop in for obligatory visits with relatives and for food (as we all do), receive an honourary degree (fame & success?), and then send the children off to a party held in our honour that we do not attend (funeral). What happens along the way is important, but we always end up in the same place - the end. Wonderful editing techniques, good story, good images, fantastic acting, and more ideas and questions to ponder than one film can hold - or so you thought. It's only after the film ends that these ponderings come to you. During the film, you simply watch a man travel from his home to another city, but this is far from what the film is about. See this film once, think about the questions it poses, then rewind and see it again. You will be rewarded for doing so.
- iam-1
- 23 de jan. de 2000
- Link permanente
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Você sabia?
- CuriosidadesAccording to the Swedish DVD release (which contains an introductory interview with Bergman himself), Ingmar Bergman wrote the movie with Victor Sjöström in mind. He and the production company agreed that there would be no movie without Sjöström. Bergman didn't dare to call his idol Sjöström himself about the movie though, so the head of the production company made the call. Sjöström was initially reluctant, due to his advanced age, but agreed to meet with Bergman to discuss the movie. So Bergman went to his apartment and talked about it, Sjöström said he'll think about it. The next morning Sjöström called and agreed to the part on one condition: that he would be able to come home and have his whiskey grog at 5 pm every day.
- Erros de gravaçãoIt has been included as a continuity error that Marianne says she is going to go swimming at the old house, but when she returns her hair does not appear to be wet. This is not a continuity error, because when the film was shot in the late 1950s, and for at least a decade afterwards, at least in the Nordic countries women gathered their hair up and covered it with a special swimming cap to protect their hair from becoming wet. Some women who had grown up during those times used swimming caps as late as the 1980s, because they had grown up with the custom, and a swimming cap was to them just as integral part of swimming attire as a swimming suit.
- Citações
Dr. Evald Borg: It's absurd to bring children into this world and think they'll be better off than we were.
Marianne Borg: That's just an excuse.
Dr. Evald Borg: Call it what you want. I was an unwanted child in a hellish marriage.
- ConexõesFeatured in Lembranças... (1973)
- Trilhas sonorasKUNGLIGA SOEDERMANLANDS REGEMENTES MARSCH
(uncredited)
Music by Carl Axel Lundvall
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 81.070
- Tempo de duração1 hora 32 minutos
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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By what name was Morangos Silvestres (1957) officially released in India in English?
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