[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
IMDbPro

O Sétimo Pecado

Título original: The Seventh Sin
  • 1957
  • Approved
  • 1 h 34 min
AVALIAÇÃO DA IMDb
6,3/10
412
SUA AVALIAÇÃO
Eleanor Parker and Bill Travers in O Sétimo Pecado (1957)
In post-WWII Hong Kong, unhappily married Carol has an affair with a married man. Her husband discovers it and presents her with a choice: travel with him to a remote mainland village or face the scandal of a very public divorce.
Reproduzir trailer2:19
1 vídeo
8 fotos
Drama

Adicionar um enredo no seu idiomaIn post-WWII Hong Kong, unhappily married Carol has an affair with a married man. Her husband discovers it and presents her with a choice: travel with him to a remote mainland village or fac... Ler tudoIn post-WWII Hong Kong, unhappily married Carol has an affair with a married man. Her husband discovers it and presents her with a choice: travel with him to a remote mainland village or face the scandal of a very public divorce.In post-WWII Hong Kong, unhappily married Carol has an affair with a married man. Her husband discovers it and presents her with a choice: travel with him to a remote mainland village or face the scandal of a very public divorce.

  • Direção
    • Ronald Neame
    • Vincente Minnelli
  • Roteiristas
    • Karl Tunberg
    • W. Somerset Maugham
  • Artistas
    • Eleanor Parker
    • Bill Travers
    • George Sanders
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    412
    SUA AVALIAÇÃO
    • Direção
      • Ronald Neame
      • Vincente Minnelli
    • Roteiristas
      • Karl Tunberg
      • W. Somerset Maugham
    • Artistas
      • Eleanor Parker
      • Bill Travers
      • George Sanders
    • 14Avaliações de usuários
    • 8Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 2:19
    Official Trailer

    Fotos7

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster

    Elenco principal29

    Editar
    Eleanor Parker
    Eleanor Parker
    • Carolyn Carwin
    Bill Travers
    Bill Travers
    • Walter Carwin
    George Sanders
    George Sanders
    • Tim Waddington
    Jean-Pierre Aumont
    Jean-Pierre Aumont
    • Paul Duvel
    Françoise Rosay
    Françoise Rosay
    • Mother Superior
    • (as Francoise Rosay)
    Ellen Corby
    Ellen Corby
    • Sister Saint Joseph
    George Chan
    George Chan
    • Town Elder
    • (não creditado)
    Mary Chan
    • Elderly Chinese Woman
    • (não creditado)
    David Chow
    • Chinese Businessman
    • (não creditado)
    Wong Chung
    Wong Chung
    • Elderly Chinese Man
    • (não creditado)
    Judy Dan
    • Mrs. Tim Waddington
    • (não creditado)
    Leslie Denison
    Leslie Denison
    • Governor Neville
    • (não creditado)
    Sam Harris
    Sam Harris
    • Party Guest
    • (não creditado)
    James Hong
    James Hong
    • Chinese Officer
    • (não creditado)
    Colin Kenny
    Colin Kenny
    • Party Guest
    • (não creditado)
    Esther Ying Lee
    • Secretary
    • (não creditado)
    Gai Lee
    • Chinese Waiter
    • (não creditado)
    Bruce Lester
    Bruce Lester
    • Allan
    • (não creditado)
    • Direção
      • Ronald Neame
      • Vincente Minnelli
    • Roteiristas
      • Karl Tunberg
      • W. Somerset Maugham
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários14

    6,3412
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    6HotToastyRag

    Different, but well acted

    Hardly similar to the 1934 film The Painted Veil, Eleanor Parker starred in a 1957 remake, The Seventh Sin. I saw the cast list of Bill Travers and George Sanders, and naturally I assumed George would be the rigid, unforgiving husband with Bill as the young lover. Imagine my surprise to find that Bill was cast as the husband!

    Eleanor's young lover was a French actor, Jean-Pierre Aumont, and George played a friend in their new surroundings when they relocate to treat the cholera epidemic. I absolutely loved George in this movie, both his character and the spunky delivery he brought to his lines. He's funny and charming, but without the acerbic Addison Dewitt typecast. Eleanor and Bill are also very good in the film, and with both characters being extremely flawed, it's hard to make them likable. But you feel very sorry for Bill, and Eleanor is so beautiful, it's hard to believe she ever does anything wrong. Even though Bill treats her infidelity as justification for a thinly-veiled death penalty, he acts out from being in pain rather than from cruelty. If you have never seen version of this classic story, you can try either film. This one has a different ending than the original, but don't let that stand in your way. Pick which cast appeals to you and get ready for a very good acting and in a very heavy story. And just forget about Ellen Corby's "French" accent.
    Ripshin

    Wonderful film, ridiculous title

    Originally, I had no intention of watching this film on TCM, but the presence of Bill Travers got my attention, and I gave the movie a shot.

    Frankly, I am surprised at how much I enjoyed it. All of the leading performances are excellent, and the back lot filming appropriately evokes the implied locations. Sanders is, indeed, the most thoroughly explored character, supporting or not. Travers portrays the brooding husband quite effectively, and Parker has perfected the role of a selfish woman in many films.

    Having not read the original novel, I cannot comment on the translation to the screen. However, as a stand-alone film, the results are intriguing, and well done. "The Painted Veil" certainly makes a better title, however.
    tjonasgreen

    Dull, literal-minded version of a good Maugham novel.

    I love Somerset Maugham's novels, but they tend to be full of internal monologues and emotional and spiritual struggles that can be difficult to dramatize (his short stories make much better material for movies). THE PAINTED VEIL is a terrific book and a good read, veering from sexual melodrama to spiritual regeneration, full of psychological insight, tension and vivid descriptions of life in China during a cholera epidemic.

    But this movie is just dreadful. It's dull, literal-minded and a travesty of a great story and promising concept. The credibility problems start (but don't end) with the fact that handsome Bill Travers was miscast as the cuckold. Tall and masculine with sensual features, a brooding sexiness, and a resonant, beautiful voice, it's absurd that we are expected to believe he is unappealing to Eleanor Parker. How can she not want to grab him and ride him ten ways from Sunday? I have often liked beautiful Eleanor Parker, but her archness here is hard to take and not what the part needs. The only bright spot is George Sanders, cast against type as a warm, sympathetic guy.

    One thing I'm curious about is why Vincente Minnelli abandoned the project (his name appears nowhere in the final credits). Had he directed it (preferably in Technicolor) it might at least have been more enjoyable. Skip this dreary soap opera. Or if you see it and actually like it, read Somerset Maugham's novel, which is far better and certainly more entertaining.
    7mls4182

    Surprisingly good

    Given the premise I expected this to be high camp. It wasn't. I'm sure the Garbo version was over the top.

    The actors do a good job. The director kept everyone reigned in. The script isn't too bad. You don't feel like you're watching some tawdry melodrama.

    The film is about maturing and forgiveness. About the difference between infatuation on love.

    Will Eleanor Parker repent and ask her husband's forgiveness and grow to love him and want him back? Will her doctor husband forgive her infidelity? Does Ellen Corby speak with a believable French accent? Do they survive the cholera outbreak?

    You'll just have to watch and find out.
    7brogmiller

    "The Dog it was that died."

    Somerset Maugham's novella from 1925, inspired by an episode in Dante's 'Purgatorio', has been filmed three times over a period of seventy years with decidedly mixed results.

    This second version credits Ronald Neame as director but for reasons which are not readily apparent but can easily be guessed at, he left the production which was then assigned to Vincente Minnelli. Anyone curious as to the extent of Minnelli's contribution should read the earlier review by John Howard Reid who got it straight from the horse's mouth.

    By Hollywood standards this adaptation by Karl Tunberg is reasonably faithful to the original with a few exceptions. Selfish social climber Kitty has now become fundamentally decent and self-effacing Carolyn of Eleanor Parker whilst the love rat is no longer a suave Englishman but a suave Frenchman played by Jean Pierre Aumont. The character of Carolyn's husband has become rather one-dimensional in the hands of Bill Travers and this actor's limitations are all too obvious. As Waddington the inveterate gossip, George Sanders is excellent and reminds us once again what a very fine actor he could be when granted the opportunity whilst the always-good-value Francoise Rosay lends gravitas to the proceedings as Mother Superior.

    Miss Parker had earlier played Mildred in Maugham's 'Of Human Bondage' which was shelved for two years and badly received on release and the reception given to this one was not much better. These disappointments do not reflect badly on her performances and she remains one of Hollywood's finest, if somewhat underrated actresses who always gave her best regardless of the material.

    As one would expect from MGM the production values are first class with Miklós Rozsá providing one of his best scores. Although not as entertaining as Boleslawski's bowdlerised version with Greta Garbo it is, for this viewer at any rate, far more engrossing than the more recent attempt by John Curran.

    Somerset Maugham's novella is highly recommended and one in which he draws upon his own loveless marriage, his knowledge of medicine and of course his customary scalpel-like dissection of the human species.

    Mais itens semelhantes

    A casa da colina
    7,4
    A casa da colina
    A Modelo e a Casamenteira
    7,0
    A Modelo e a Casamenteira
    A Mulher Miraculosa
    7,2
    A Mulher Miraculosa
    Paixões Sem Freios
    6,3
    Paixões Sem Freios
    Brotinho Indócil
    6,7
    Brotinho Indócil
    No Questions Asked
    6,7
    No Questions Asked
    Deus Sabe Quanto Amei
    7,2
    Deus Sabe Quanto Amei
    O Enviado de Satanás
    7,1
    O Enviado de Satanás
    O Véu Pintado
    6,5
    O Véu Pintado
    A História de Três Amores
    6,7
    A História de Três Amores
    Apaixonados Impetuosos
    6,1
    Apaixonados Impetuosos
    A Grande Chantagem
    6,8
    A Grande Chantagem

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Ronald Neame felt Eleanor Parker was wrong for the part of Carolyn and consequently the actress was unhappy. Neame was fired by MGM and replaced by Vincente Minnelli although he refused to take any credit. As he was packing, Neame was very grateful for a sympathetic call he received from George Cukor, who told the director that he was fired from ...E o Vento Levou (1939) but was sure Neame would bounce back too.
    • Erros de gravação
      While the picture takes place between 1949 -1950 in mainland China (see the Republic flag in the hospital), the clothes (dresses, shoes and hairdo) that Eleanor Parker wears are contemporary to when the picture was made in the mid -1950s.
    • Citações

      Tim Waddington: [watching her take some salad] Dear girl, you can't eat salad. Uncooked greens are dangerous at any time. But now it's practically sure death, isn't that right, Doctor?

      Doctor Walter Carwin: Yes.

      Carol Carwin: I thought that was the general idea.

      Doctor Walter Carwin: My wife likes salad. So do I.

      [he puts some on his plate]

      Tim Waddington: I say, what's going on between you two? I know that it's very bad form to ask, but what is this - a suicide pact?

      Doctor Walter Carwin: Don't be so melodramatic, Mr Waddington. After all, we've both been inoculated.

      Tim Waddington: Yes, well, Watson was inoculated. I'll show you his grave tomorrow.

      Carol Carwin: How sweet of you. Perhaps the next day we could look round the morgue.

      Tim Waddington: Well, I hope you don't go there as customers.

    • Conexões
      Remade as O Despertar de uma Paixão (2006)

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Detalhes

    Editar
    • Data de lançamento
      • 21 de março de 1958 (Alemanha Ocidental)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Cantonês
      • Mandarim
      • Francês
      • Italiano
    • Também conhecido como
      • The Seventh Sin
    • Locações de filme
      • Hong Kong, China
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 1.580.500
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 34 minutos
    • Cor
      • Black and White
    • Proporção
      • 2.35 : 1

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    Eleanor Parker and Bill Travers in O Sétimo Pecado (1957)
    Principal brecha
    By what name was O Sétimo Pecado (1957) officially released in India in English?
    Responda
    • Veja mais brechas
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.