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O Sétimo Pecado

Título original: The Seventh Sin
  • 1957
  • Approved
  • 1 h 34 min
AVALIAÇÃO DA IMDb
6,3/10
411
SUA AVALIAÇÃO
Eleanor Parker and Bill Travers in O Sétimo Pecado (1957)
In post-WWII Hong Kong, unhappily married Carol has an affair with a married man. Her husband discovers it and presents her with a choice: travel with him to a remote mainland village or face the scandal of a very public divorce.
Reproduzir trailer2:19
1 vídeo
8 fotos
Drama

Adicionar um enredo no seu idiomaIn post-WWII Hong Kong, unhappily married Carol has an affair with a married man. Her husband discovers it and presents her with a choice: travel with him to a remote mainland village or fac... Ler tudoIn post-WWII Hong Kong, unhappily married Carol has an affair with a married man. Her husband discovers it and presents her with a choice: travel with him to a remote mainland village or face the scandal of a very public divorce.In post-WWII Hong Kong, unhappily married Carol has an affair with a married man. Her husband discovers it and presents her with a choice: travel with him to a remote mainland village or face the scandal of a very public divorce.

  • Direção
    • Ronald Neame
    • Vincente Minnelli
  • Roteiristas
    • Karl Tunberg
    • W. Somerset Maugham
  • Artistas
    • Eleanor Parker
    • Bill Travers
    • George Sanders
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    411
    SUA AVALIAÇÃO
    • Direção
      • Ronald Neame
      • Vincente Minnelli
    • Roteiristas
      • Karl Tunberg
      • W. Somerset Maugham
    • Artistas
      • Eleanor Parker
      • Bill Travers
      • George Sanders
    • 14Avaliações de usuários
    • 8Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 2:19
    Official Trailer

    Fotos7

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    Elenco principal29

    Editar
    Eleanor Parker
    Eleanor Parker
    • Carolyn Carwin
    Bill Travers
    Bill Travers
    • Walter Carwin
    George Sanders
    George Sanders
    • Tim Waddington
    Jean-Pierre Aumont
    Jean-Pierre Aumont
    • Paul Duvel
    Françoise Rosay
    Françoise Rosay
    • Mother Superior
    • (as Francoise Rosay)
    Ellen Corby
    Ellen Corby
    • Sister Saint Joseph
    George Chan
    George Chan
    • Town Elder
    • (não creditado)
    Mary Chan
    • Elderly Chinese Woman
    • (não creditado)
    David Chow
    • Chinese Businessman
    • (não creditado)
    Wong Chung
    Wong Chung
    • Elderly Chinese Man
    • (não creditado)
    Judy Dan
    • Mrs. Tim Waddington
    • (não creditado)
    Leslie Denison
    Leslie Denison
    • Governor Neville
    • (não creditado)
    Sam Harris
    Sam Harris
    • Party Guest
    • (não creditado)
    James Hong
    James Hong
    • Chinese Officer
    • (não creditado)
    Colin Kenny
    Colin Kenny
    • Party Guest
    • (não creditado)
    Esther Ying Lee
    • Secretary
    • (não creditado)
    Gai Lee
    • Chinese Waiter
    • (não creditado)
    Bruce Lester
    Bruce Lester
    • Allan
    • (não creditado)
    • Direção
      • Ronald Neame
      • Vincente Minnelli
    • Roteiristas
      • Karl Tunberg
      • W. Somerset Maugham
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários14

    6,3411
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    Avaliações em destaque

    gleywong

    Absolving the Sin after the Seventh Veil drops

    Somerset Maugham's taste for exotic locales is used to good purpose in this story of how a doctor's wife "finds" herself after an extramarital affair. I happened to catch this film half-way through (missed Parker's affair with Aumont), however, the Chinese locale and the level of acting kept me watching until the end, especially as I had just seen John Ford's "Seven Women" recently on the TCM channel. The question is, why did Ford's movie fail (for me), and this one succeed? Both were shepherded by distinguished directors, and the casting in both is impressive --so should we fault the script? In fact, one might say that the Neame & Minnelli team elicted better performances than did Ford in his China setting. Despite the impressive cast and Bancroft's intensity, everything about Ford's film seemed "wrong," and the setting in China was totally incidental to the struggle between the two leading ladies. In "Seventh Sin," however, Parker's struggle seemed very real, despite her cool demeanor (what would Deborah Kerr have done with this role?), and her inter-action, and later friendship with the Mother Superior appears honestly won.

    Unlike another reviewer, I did not think that Bill Travers' performance was wooden. His reticent honesty works well here. It is a decided contrast to the stagy performance he gave with Jenifer Jones in "Barretts of Wimpole Street," where he seemed to shout through his role (this movie failed for me on other counts, too). In "Seventh Sin," the casting of George Sanders as the sympathetic local who marries a Chinese works quite well as a foil to the bluff but kind Travers, and for once, Sanders acts against type and gives a commendable, unmannered performance. In fact he is quite likable and also mastered some Chinese for the role. His Chinese wife is not credited, but I found her acting to be stiff and lacking in warmth or charm; her accent and the year 1957 when the movie was filmed made it likely that she was had spent at least a decade in Taiwan, rather than being born in the "imperial" family that Sanders claims and escaping to Hongkong.

    As for the Chinese/Hong Kong setting, one wonders whether it could have been interchangeable with Algeria, or Africa. Was it incidental to the plot, as one could argue with "Seven Women"? No, I don't think so.

    A character like the one Parker portrays had to discover her inner resources in a foreign country, and among persons who were less than amenable to her -- the Chinese, whose language she didn't understand, and the sisters of the convent -- definitely an essential feature of the Maugham original. Francoise Rosay is particularly convincing as the Mother Superior; this is a role that cuts to the heart of the character (unlike Margaret Leighton's role vis a vis Anne Bancroft's in "Seven Women"). The Mother Superior is not a one-dimensional person, but someone who has lived and who ultimately is the one who understands Travers' final words. She is able to interpret them correctly for the Parker, thereby absolving the guilty wife of her personal anguish. This is a very moving way to end the story, and contrasts with the heroic but blatant staging of Bancroft's suicide in "Seven Women." These parallels may not seem obvious to others, but they kept cropping up for me as I watched it.

    I think for those who are interested in how China/Hong Kong is presented in Western film (compare for example, with "Love is a Many Splendored Thing" or "Sand Pebbles"), and for the rendering of stories by literary authors such as Maugham, "Seventh Sin" carries a sincerity of tone which makes it notable. Also, anything directed by Ronald Neame ("Blithe Spririt," "Major Barbara," "This Happy Breed" and other distinguished films), not to mention Vincenti Minnelli, makes it is definitely worth a look.
    7mls4182

    Surprisingly good

    Given the premise I expected this to be high camp. It wasn't. I'm sure the Garbo version was over the top.

    The actors do a good job. The director kept everyone reigned in. The script isn't too bad. You don't feel like you're watching some tawdry melodrama.

    The film is about maturing and forgiveness. About the difference between infatuation on love.

    Will Eleanor Parker repent and ask her husband's forgiveness and grow to love him and want him back? Will her doctor husband forgive her infidelity? Does Ellen Corby speak with a believable French accent? Do they survive the cholera outbreak?

    You'll just have to watch and find out.
    6Doylenf

    Garbo's role in "The Painted Veil" goes to Eleanor Parker...

    THE SEVENTH SIN is a remake of the Greta Garbo vehicle, "The Painted Veil", taken from a Somerset Maugham novel about a woman's journey to redeem herself. This time the unhappily married woman is ELEANOR PARKER and the husband is played by BILL TRAVERS (rather than the jilted dullard Herbert Marshall played in the Garbo version). Obviously designed to satisfy movie-goers who loved romantic stories of this sort, it manages to hold interest without ever becoming a great film.

    Parker is poised and beautiful throughout, giving a very understated performance as a woman caught in the throes of what she believes is a great romance with JEAN-PIERRE AUMONT, who disappoints her when he refuses to divorce his wife. She flees to China with her doctor husband who is going to administer to those caught in a plague of cholera, eventually realizing that her selfish nature is capable of undergoing a change and working at a convent for orphaned Chinese children.

    The plot resolution is a bit disappointing for anyone expecting a happy ending, but it's all tastefully handled material performed admirably by Parker and Travers. GEORGE SANDERS, as a brandy guzzling friend with some acid comments (in the Sanders manner), gives the story a lift with his wit and cynical charm.

    Not bad as these sort of melodramas go, but nothing really special.
    Ripshin

    Wonderful film, ridiculous title

    Originally, I had no intention of watching this film on TCM, but the presence of Bill Travers got my attention, and I gave the movie a shot.

    Frankly, I am surprised at how much I enjoyed it. All of the leading performances are excellent, and the back lot filming appropriately evokes the implied locations. Sanders is, indeed, the most thoroughly explored character, supporting or not. Travers portrays the brooding husband quite effectively, and Parker has perfected the role of a selfish woman in many films.

    Having not read the original novel, I cannot comment on the translation to the screen. However, as a stand-alone film, the results are intriguing, and well done. "The Painted Veil" certainly makes a better title, however.
    6HotToastyRag

    Different, but well acted

    Hardly similar to the 1934 film The Painted Veil, Eleanor Parker starred in a 1957 remake, The Seventh Sin. I saw the cast list of Bill Travers and George Sanders, and naturally I assumed George would be the rigid, unforgiving husband with Bill as the young lover. Imagine my surprise to find that Bill was cast as the husband!

    Eleanor's young lover was a French actor, Jean-Pierre Aumont, and George played a friend in their new surroundings when they relocate to treat the cholera epidemic. I absolutely loved George in this movie, both his character and the spunky delivery he brought to his lines. He's funny and charming, but without the acerbic Addison Dewitt typecast. Eleanor and Bill are also very good in the film, and with both characters being extremely flawed, it's hard to make them likable. But you feel very sorry for Bill, and Eleanor is so beautiful, it's hard to believe she ever does anything wrong. Even though Bill treats her infidelity as justification for a thinly-veiled death penalty, he acts out from being in pain rather than from cruelty. If you have never seen version of this classic story, you can try either film. This one has a different ending than the original, but don't let that stand in your way. Pick which cast appeals to you and get ready for a very good acting and in a very heavy story. And just forget about Ellen Corby's "French" accent.

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    Enredo

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    • Curiosidades
      Ronald Neame felt Eleanor Parker was wrong for the part of Carolyn and consequently the actress was unhappy. Neame was fired by MGM and replaced by Vincente Minnelli although he refused to take any credit. As he was packing, Neame was very grateful for a sympathetic call he received from George Cukor, who told the director that he was fired from ...E o Vento Levou (1939) but was sure Neame would bounce back too.
    • Erros de gravação
      While the picture takes place between 1949 -1950 in mainland China (see the Republic flag in the hospital), the clothes (dresses, shoes and hairdo) that Eleanor Parker wears are contemporary to when the picture was made in the mid -1950s.
    • Citações

      Tim Waddington: [watching her take some salad] Dear girl, you can't eat salad. Uncooked greens are dangerous at any time. But now it's practically sure death, isn't that right, Doctor?

      Doctor Walter Carwin: Yes.

      Carol Carwin: I thought that was the general idea.

      Doctor Walter Carwin: My wife likes salad. So do I.

      [he puts some on his plate]

      Tim Waddington: I say, what's going on between you two? I know that it's very bad form to ask, but what is this - a suicide pact?

      Doctor Walter Carwin: Don't be so melodramatic, Mr Waddington. After all, we've both been inoculated.

      Tim Waddington: Yes, well, Watson was inoculated. I'll show you his grave tomorrow.

      Carol Carwin: How sweet of you. Perhaps the next day we could look round the morgue.

      Tim Waddington: Well, I hope you don't go there as customers.

    • Conexões
      Remade as O Despertar de uma Paixão (2006)

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    Detalhes

    Editar
    • Data de lançamento
      • 21 de março de 1958 (Alemanha Ocidental)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Cantonês
      • Mandarim
      • Francês
      • Italiano
    • Também conhecido como
      • The Seventh Sin
    • Locações de filme
      • Hong Kong, China
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 1.580.500
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 34 minutos
    • Cor
      • Black and White
    • Proporção
      • 2.35 : 1

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