AVALIAÇÃO DA IMDb
5,8/10
481
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAfter an Indian chief is murdered in a hostile town, a sympathetic ex-marshal tries to stop the Indians from attacking for revenge.After an Indian chief is murdered in a hostile town, a sympathetic ex-marshal tries to stop the Indians from attacking for revenge.After an Indian chief is murdered in a hostile town, a sympathetic ex-marshal tries to stop the Indians from attacking for revenge.
- Direção
- Roteiristas
- Artistas
Frank DeKova
- Chief Yellow Wolf
- (as Frank de Kova)
Beulah Archuletta
- Squaw
- (não creditado)
Alex Ball
- Minor Role
- (não creditado)
Arthur Berkeley
- Townsman
- (não creditado)
Chet Brandenburg
- Soldier
- (não creditado)
Albert Cavens
- Townsman
- (não creditado)
Smokey Chism
- Indian
- (não creditado)
Iron Eyes Cody
- Cheyenne Indian
- (não creditado)
Cecil Combs
- Indian
- (não creditado)
Bill Coontz
- Soldier
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
One more western where Indians are not necessarily the bad guys, the evil savages. Sensitive, delightful to watch if you do it closely enough, characters for whom you have feelings that you don't always have for westerns in general. The characters are very important and the story telling is smartly done in that purpose, emphasizing the relationships between those same characters. It is not tough, rough, brutal, nothing of that but instead a nearly pro indian western. The director Bernard Girard mostly worked for TV and rarely for the big screen. Only the ending is a bit smooth, predictable. I think it could have been better.
More sensitive to the feelings of the Indian people than other films of the time, the watchable B Western "Ride Out for Revenge" has some good performances and a decent story to recommend it, even if it's heavy handed in pushing its message home and ultimately forgettable. It does take the viewer out of the movie to see obviously white people playing Indian characters, but then Hollywood still wasn't ready in 1957 to be truly politically correct.
The stolid Rory Calhoun plays Tate, a marshal from the small town of Sand Creek who's sympathetic towards the local Cheyenne tribe. Of course, helping him to form that opinion is his love for Pretty Willow (Joanne Gilbert), the daughter of the tribes' chief Yellow Wolf (Frank DeKova). When the chief is cold bloodedly murdered by a gunman, it angers the chiefs' son Little Wolf (Vince Edwards) who leads his people in a raid. Even after suffering a personal loss during the raid, Tate finds that taking care of business is still a tough proposition.
Calhoun is fine, Edwards amusing even in light of his miscasting, and Gloria Grahame makes the most of her not terribly important role. But the movie really belongs to a wonderful Lloyd Bridges, who's perfectly slimy as a racist, greedy, cowardly Cavalry officer. It's Bridges who keeps things interesting for the duration; surely a member of the Cavalry had never been portrayed in this negative a light before. Otherwise, nothing about this is anything special - not the direction (by Bernard Girard) nor the script (by producer Norman Retchin, based on a novel by Burt Arthur), although the music (by Leith Stevens) and cinematography (by Floyd Crosby) are nice.
Overall, not a bad way to spend 78 minutes.
Six out of 10.
The stolid Rory Calhoun plays Tate, a marshal from the small town of Sand Creek who's sympathetic towards the local Cheyenne tribe. Of course, helping him to form that opinion is his love for Pretty Willow (Joanne Gilbert), the daughter of the tribes' chief Yellow Wolf (Frank DeKova). When the chief is cold bloodedly murdered by a gunman, it angers the chiefs' son Little Wolf (Vince Edwards) who leads his people in a raid. Even after suffering a personal loss during the raid, Tate finds that taking care of business is still a tough proposition.
Calhoun is fine, Edwards amusing even in light of his miscasting, and Gloria Grahame makes the most of her not terribly important role. But the movie really belongs to a wonderful Lloyd Bridges, who's perfectly slimy as a racist, greedy, cowardly Cavalry officer. It's Bridges who keeps things interesting for the duration; surely a member of the Cavalry had never been portrayed in this negative a light before. Otherwise, nothing about this is anything special - not the direction (by Bernard Girard) nor the script (by producer Norman Retchin, based on a novel by Burt Arthur), although the music (by Leith Stevens) and cinematography (by Floyd Crosby) are nice.
Overall, not a bad way to spend 78 minutes.
Six out of 10.
The story plays off of the hatred of Native Americans, and although there is a thread of support for equality and fairness, there's enough race-baiting stereotypes here to satisfy all spectrum of viewers. Gloria Grahame delivers a mannered, poor performance as a spurned love interest. The material is weak; her character goes from hating Indians (they killed her husband) to delivering a sanctimonious speech about hatred toward the end. Lloyd Bridges is over the top, easy to loathe. His character is a weasel. We get to see Vince Edwards, the future Dr. Ben Casey, as an indian. The best performance here is from Rory Calhoun, whose character has a strong moral compass; his performance is good leading man material. He's cool, relaxed and steady. Calhoun is the only reason to enjoy the film. Overall, not much new ground covered in this film. Nothing special.
Ride Out For Revenge is a sincere portrayal of the anguish of the American Indians, the Cheyennes specifically, in the aftermath of losing the Indian Wars. It also shows the bitter prejudice of the white settlers who have also suffered losses as a result of the wars.
The problem I find with this film is the rather unbelievably noble portrayal of Rory Calhoun in the lead. Not his fault, there's not much he can do with a character that's just too good. As is explained he's sustained personal losses himself, a sister and husband killed and he's raising his nephew Michael Winkelman and boarding with widow Gloria Grahame. As fetching as she ever was in movies, Grahame's got a real thing for Calhoun and he may have given her a tumble once or twice, but right now Rory has got eyes for Indian maid Joanne Gilbert.
I'm also not sure why a troop of cavalry is stationed in the town where Calhoun is marshal. But they're there and headed by Lloyd Bridges a captain who never would have found his way into any John Ford cavalry film. He's as slimy as they come. When chief Frank DeKova comes into town to plead for supplies for his people, he gets shot down in the street like a dog and son Vincent Edwards vows vengeance. That sets in motion all the events of the film that follows.
With characters I just could not buy, Ride Out For Revenge falls short of its goal for sympathy for the Cheyenne. One of the main characters dies and one is thought to have died in the end. The actual death of the first should have set off a big inquiry.
Kirk Douglas's Bryna Productions produced this one and Kirk was wise not to take the lead himself here.
The problem I find with this film is the rather unbelievably noble portrayal of Rory Calhoun in the lead. Not his fault, there's not much he can do with a character that's just too good. As is explained he's sustained personal losses himself, a sister and husband killed and he's raising his nephew Michael Winkelman and boarding with widow Gloria Grahame. As fetching as she ever was in movies, Grahame's got a real thing for Calhoun and he may have given her a tumble once or twice, but right now Rory has got eyes for Indian maid Joanne Gilbert.
I'm also not sure why a troop of cavalry is stationed in the town where Calhoun is marshal. But they're there and headed by Lloyd Bridges a captain who never would have found his way into any John Ford cavalry film. He's as slimy as they come. When chief Frank DeKova comes into town to plead for supplies for his people, he gets shot down in the street like a dog and son Vincent Edwards vows vengeance. That sets in motion all the events of the film that follows.
With characters I just could not buy, Ride Out For Revenge falls short of its goal for sympathy for the Cheyenne. One of the main characters dies and one is thought to have died in the end. The actual death of the first should have set off a big inquiry.
Kirk Douglas's Bryna Productions produced this one and Kirk was wise not to take the lead himself here.
This is a mostly pretty standard, Saturday morning kid's western. John Wayne could have easily been cast in the Rory Calhoun role (Tate) with no appreciable difference. Fans of Gloria Grahame and Vince Edwards will like it, even though there's nothing particularly memorable about their acting or scenes.
The biggest detriment is the large amount of screen time given to 'Little Billy'. You could see it coming right at the beginning of the movie, although his fate isn't particularly typical in these kinds of movies.
A real shame because, otherwise, it's not such a bad movie. As other's have mentioned, Lloyd Bridges' over-the-top, bad guy performance is the most redeeming quality. The other is the more sympathetic attitude given to the Native Americans' plight.
The biggest detriment is the large amount of screen time given to 'Little Billy'. You could see it coming right at the beginning of the movie, although his fate isn't particularly typical in these kinds of movies.
A real shame because, otherwise, it's not such a bad movie. As other's have mentioned, Lloyd Bridges' over-the-top, bad guy performance is the most redeeming quality. The other is the more sympathetic attitude given to the Native Americans' plight.
Você sabia?
- Erros de gravaçãoWhen Chief Yellow Wolf is shot and falls to the ground, tracks can be seen in the dirt that were obviously made by a modern rubber tire.
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- How long is Ride Out for Revenge?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 18 minutos
- Cor
- Proporção
- 1.85 : 1
- 1.37 : 1
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By what name was A Lei do Oeste (1957) officially released in India in English?
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