Paying Guest

Paying Guest (1957) : Brief Review -

How Nasir Hussain wrote such a "complete film" and how Dev Anand proved that he was the most charismatic romantic hero after Raj Kapoor. Gone are those days when Bollywood used to write a complete film by missing several genres, several subcontexts, and layers. Paying Guest has romance, comedy, family drama, tragedy, murder, suspense, courtroom drama, and social reflection of two kinds of humans, etc. Can't believe that all these things fit so well together in a single narrative. Hats off to Nasir Hussain Saab. The film starts off as a rom-com, as we have a young, jobless lawyer, Ramesh, trying to find a rented house. He falls in love with Shanti and then impersonates an older man to get a place in Shanti's house. The film shows us two kinds of women in our society: one believes in money (Daulat), and the other believes in love (Mohabbat). The first one marries an older man for money, and the other one, i.e., Shanti, is in love with Ramesh and happy without money. So, we have our first villain, Shanti's brother-in-law, a drunkard, and a trickster. The second villain is the same girl, who marries an old man and also happens to be Shanti's best friend. She tries to take advantage of Ramesh by offering him a job as her husband's assistant, and that creates differences between Shanti and Ramesh. Another conspiracy follows, taking the narrative in a new direction, and then we have a couple more turnarounds of murder and courtroom drama. Don't miss the suspenseful trick Ramesh plays on the court. I saw like 3 or 4 films together in one with a fantastic chemistry between Dev Anand (what a charisma he had) and legendary Nutan, and one of the most iconic songs ever, "Chod do aanchal zamana kya kahega." I think I had too much for my stomach. Thanks to the director, Subodh Mukherjee, for cooking it well.

RATING - 7/10*

By - #samthebestest.

This was one of Devanand's super hit films when it was released and so naturally, I had higher expectations from the film. But it does not match up so.

My biggest gripe is with the actor, Devanand himself. Naturally, I like him but in this case, he in inconsistent. This was a time when he was developing his mannerisms which came to define him in his later years. This film neither had the acting prowess of Devanand like in the earlier Baazi or CID nor the style later seen in Tere Ghar Ke Samne and Jewel Thief. He fails to give a mature performance. To his credit, he still was handsome and therefore, not totally unsuited for the role.

As for the actors, Nutan particularly shines. She holds the film together and shares good chemistry with Devanand. The songs are a strong plus point of the film, especially "Maana janab ne pukara nahi".

The inexperienced and bungling advocate, Dev Anand, goes looking out for rented accommodation in the metropolis, but nobody was prepared to entertain a young bachelor. Dev disguises himself as an old bearded man, shoulders drooping with age, and manages to land himself as a paying guest in the apartment of a retired man, who has a young daughter, played by Nutan. And of course, the secret is out before long, and both fall in love. Dev starts working with a very renowned advocate, played by Jagirdar, whom Nutan's friend, played by Shobha Khote, had married as he was immensely wealthy. In no time, she starts feeling lonely as the old man was oblivious of the needs of the young woman. Shobha starts wooing Dev. Yaqub, Nutan's good for nothing and drunkard brother-in-law, starts blackmailing Dev and Shobha, and in the process, Jagirdar is killed. The long drawn out climax in the court room, ends with the culprit being identified, and the lovers united to "live happily ever after".

The more enjoyable moments in the film are when Dev looks for the accommodation, his impersonation as a Muslim old man, and later when he tries to woo Nutan. Their romantic scenes are very infectious. Both Dev and Nutan form a very lovable pair, as was seen whenever they acted together in other films also, like "Manzil", "Baarish" and "Tere Ghar Ke Samne". Both of them gave creditable performances. Yaqub also gave a good account of himself.

S. D. Burman came up with another stunning musical score. Kishore Kumar's "Mana janab ne pukara nahin, ya mera saath bhi gawara nahin" and "Hai hai yeh nigahen, are kar den sharabi jise chahen" are his evergreen numbers. Burman dada's unique style in duet composition is again visible in everlasting songs like "Ho, nigahen mastana, dekh saman hai suhana" and "Chhod do aanchal zamana kya kahega". Lata Mangeshkar was exeedingly good in the sad song "Chand phir nikla, magar tum na aaye". She also had another pleasant number in "Chupke chupke, rukte rukte, maine dekha".

In short, a very enjoyable fair.

Subodh Mukherjee directed the 1957 Bollywood movie "Paying Guest."It is a romantic comedy starring Dev Anand and Nutan in the lead roles. The film was produced by Filmistan Studios and was one of the successful movies of that era.

Synopsis "Paying Guest" revolves around the story of a young man named Ramesh Kumar (played by Dev Anand) who moves to Mumbai in search of a job. Due to the scarcity of affordable accommodation, he pretends to be a married man to secure a paying guest accommodation in a house owned by a strict landlord. Nutan plays the role of Shanti, the landlord's daughter, who falls in love with Ramesh. The film follows their love story, filled with comedic moments and misunderstandings.

The movie features memorable songs composed by S. D. Burman, including the popular tracks "Chhod Do Aanchal" and "Maana Janab Ne Pukara Nahin." The light hearted storytelling of Paying Guest is the reason for watching the film.

Its storytelling, catchy songs, and the chemistry between Dev Anand and Nutan are worth-watching. Every scene will keep you hooked till the end of the film.

Overall, "Paying Guest" is considered a classic Bollywood film from the 1950s, known for its entertaining plot and delightful performances by the lead actors.

A light hearted entertainer, PAYING GUEST is a good time pass. Not among the classics, though. Dev Anand and Nutan make a good pair and, as is their wont,act well. Personally I liked them better in TERE GHAR KE SAMNE. S D Burman comes up with a great score. All the songs ( lyrics... Majrooh Sultanpuri) are evergreen hits. Kishore's solos _ Maana Janab ne pukara nahin, Haaye haaye ye nigahen and his duets with Asha Bhonsle _ Chod do aanchal zamana kya kahega, O nigahen mastana and the Lata solos, the playful Chupke Chupke Rukte Rukte and the soulful Chand phir nikla are all gems. All in all, an above average film.