Monster from Green Hell

I was surprised at the amount of giant wasp animated action in the film at the start. There is even a giant full sized head prop too. But there seems to be quite a bit of Jim Davis voice over and as the movie goes on there starts to be more walking to get to the giant wasps than there is actual giant wasps. One major character dies off screen in a way that seems like they never got to shoot it. (Another character shows up and explains what happened) Then the ending is all stock footage and dissolves to footage we've already seen. And Jim Davis, as he did later in THE DAY TIME ENDED, explaining it all to us. Thank god otherwise you'd have only a vague idea of what you just saw, or didn't really get to see.

Too bad they ran out of what little money they had. A lively start progressively gets duller. Still that big wasp head was cool, another problem is the generally crappy quality of many copies of the film available which make the footage either dark or blown out. If you're going to watch it make sure you get a decent copy first.

The sending test animals into space aspect of the premise is a bit novel as is the idea of having the space ship crash way out in the middle of Africa and having to go find it. Certainly since the film was made, like with the remains of Space Lab, that type of thing has happened.

Growing up in Los Angeles in the late '50s & early '60s, we had "The Million Dollar Movie" on KHJ-channel 9. The MMM ran every night as well as twice on Saturdays and Sundays, giving the viewer nine opportunities over the course of the week to see whatever film was being shown.

When the MMM showed "The Monster From Green Hell," my cronies and I were seven or eight years old. We saw "The Monster From Green Hell" all nine times!!! Up to that point in our lives, it was perhaps the greatest thing ever put on celluloid.

Heck, giant wasps had over-run Africa and only Jim Davis, who starred as the hero ambulance driver in "Rescue 8" at the time could save mankind. Although I've read that the special effects were really cheap, I thought they might as well have come directly from George Lucas' Industrial Light & Magic. Those huge, giant wasps sure looked real to us! I recall Viewing #8, Sunday afternoon, for you. A buddy and I were at my house, getting ready to watch it in our Living Room when my dad came in, plopped down into his favorite comfy chair and told us he was going to watch something else, something other than ... "The Monster From Green Hell." How could this be? Sacriledge was being committed right before our young eyes! Fortunately, I knew my dad's Sunday afternoon habits, and Habit #1 was sawing logs within five minutes of landing in his afore-mentioned comfy chair. As luck would have it, sure enough, he was off in Dreamland within only a couple minutes.

Discovering this, my buddy and I scooted up as close to the TV as humanly possible and turned the sound down so we could barely hear it.

It was in this manner that we caught virtually all of "The Monster From Green Hell" for the eighth straight showing on "Million Dollar Movie." Well, almost all of it.

Within a minute or two of its conclusion, the mighty beast stirred. Uh oh, my dad had awakened. With a surge of sudden awesome, lightning-quick fury, he arose, hovering over us like Shaq over Billy Barty, and erupted, "THAT'S IT, DAMMIT, NO MORE GODDAMNED 'GREEN HELL!" With that we scooted out from under his grasp, out of the Living Room, out of the house and down the street, congratulating ourselves as if we'd just won the World Series. For we had done it! We pulled off the impossible, a mighty feat indeed! Risking life itself, we were able to see what we truly believed was one of the greatest motion pictures of all time, "The Monster From Green Hell," eight straight times.

That night, at my buddy's house, we capped our perfect week by seeing it for the ninth and final time.

I have never seen it listed on TV again - and yes, I would kill to see it after all these years.

When this crappy film begins, you see a lot of stock footage of V-2 rocket tests. Supposedly these rockets are taking animals into the stratosphere to see what radiation there does to them. However, they loose track of one ship and where it lands, no one knows. Soon there are reports of monsters in a region of Central Africa known as 'Green Hell'--and instead of sending in troops, just two scientists are sent in to investigate. After a long series of adventures, they meet up with the evil killer wasps and, inexplicably, the long arm of God kills these creatures!!

Much of this film consists of stock footage clumsily inserted into the picture. Much of it grainy and the overall effect is lousy. But what's worse is that the film is incredibly dull...which you'd never expect from a monster film. Cheap and silly---and get a load of those stop-motion wasps!!

Kenneth Crane followed his classic 'Half Human' with this little masterpiece whose 1956 copyright date indicates they weren't in a great hurry to release it.

In order to reassure the viewer that this is a twentieth-century sci-fi movie we get the usual footage under the opening credits of a wartime V-2 taking off masquerading as Dr. Quant Bradley's "experimental rocket". This time the film being cannibalised is 'Stanley and Livingstone', so they all don 19th Century pith helmets and WALK 400 miles across Africa to the Hollywood Hills to confront the giant mutant wasps following the "typical wasp markings" they leave behind them (although they look more like giant termites than wasps and in distress sound more like elephants than insects) that cosmic rays have created and are now wreaking havoc with the usual stock footage of antelopes and giraffes.

At the time of his death in 1981 Jim Davis was a household name on TV as Jock Ewing in 'Dallas' and he is here supported by veterans Eduardo Ciannelli and Vladimir Sokoloff; the latter's daughter played by the soulful-eyed Barbara Turner (herself later the mother of Jennifer Jason Leigh).

Jim Davis plays a scientist who sends some animals, a few wasps in particular, into space to see how they fare under radiation. Alas, some wasps don't return and turn to gigantic proportions somewhere in Western Africa. Don't expect too much from this cheapie, but the film might be better than you expect prior to viewing. Despite the wasps and their infrequent screen time, the movie has the look and feel of a very cheaply-made film yet is able to tell a decent...okay, almost decent story. Made entirely in California with oodles of stock footage set in Africa, I found the film quasi-authentic. The acting was also somewhat acceptable. Davis was decent as were his co-stars. The film dives at the end with some quick resolution to an enormous problem. As far as bad movies go..you could find many much less entertaining and boring. Vladimir Sokoloff has a nice small role as a missionary in Africa.