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This sci-fi effort from the 1950s is a real winner just because it feels so fresh and original in comparison to many genre efforts. There's no rampaging lifeform here, just a chemistry puzzle that the good guys have to solve allowing them to prevent disaster. It's brisk and to the point, creative in terms of SFX, and generally looks very nice indeed. A treat!

In many ways, this movie follows the classic pattern of so many sci-fi features from the 1950s -- a small, isolated desert town finds itself threatened by a strange series of occurences which seem to defy logical explanation. However, the threat here is not the usual giant insect or alien invader but rather a meteorite which has splintered into a number of small, shiny black rocks. What happens with these rocks is "absorbing" but audiences then (and now) seemed to want villains with emotions and personalities. Rocks with curious properties, (or inanimate machines such as in "Kronos"), don't provide the necessary thrill. Calling this movie "The Monoliths" would have been more apt since it can't deliver the shocks you'd expect from a movie with "Monsters" in the title. Besides, while the town of San Angelo is threatened, the movie never really convinces you that the world itself is also in danger.

Still, this is a brisk and efficient piece of entertainment that has been put together with a degree of care which belies its modest budget.

The story on which "Monolith" is based was co-written by Jack Arnold who also directed its lead actor, Grant Williams, in that sci-fi classic, "The Incredible Shrinking Man."

I always try to catch this movie when I can. When you run out of lizards and spiders and ants and octopus tentacles, is there another horror that you can unleash on the world. Yes, it's black rock crystals from outer space. At least I think they are black since the movie is in black and white. They grow fast, rise to an enormous height, and then fall over, crushing everything in their path. This sounds so stupid, yet the movie isn't all that bad. There is the obligatory scientist, the police officer, the young woman, and the small town in the path. What can they do? Can they outwit these rocks? As is usually the case, there is something that these things are vulnerable to. Now, can we deliver the goods and stop them. I have so much affection for these B science fiction movies that I just can't help myself. One thing about this one is that it has never been copied. Maybe it's time for Peter Jackson to do the new Monolith Monsters.

Famed director Jack Arnold penned the original story on which this stand-out sci-fi film was based, directed with style and competence by John Sherwood from a screenplay by Norman Jolley and Robert M. Fresco.

The concept is quite original. The fragments of a meteorite which falls near a desert town begin to grow into hugh black crystals when they come in contract with water. When people pick up the smaller fragments, the fragments draw the water out of their bodies and turn them to stone. A sudden thunderstorm accelerates the growth of the skyscraper-size crystals, and they threaten to overrun the Earth. Great special effects created under the supervision of Clifford Stine.

Grant Williams (star of `The Incredible Shrinking Man') plays a geologist who struggles to solve the mystery of the strange growing crystals. Lola Albright is his gorgeous fiancé'. Les Tremayne (the general from `War of the Worlds' and the opening narrator of `Forbidden Planet') is good as the local newspaper man. Watch for a funny scene with William Schallert as a meteorologist.

A meteorite crashes into the desert, fragments of which absorb silica when wet, attaining colossal proportions before crashing down on whatever lies in their 'downhill' path. I'm no geologist but I suspect that the petrology underpinning the plot is a bit sketchy, but nevertheless, the film is an original, well-made (for the budget) 'nature-run-wild' adventure. The 'monsters' are unique in that they are simply a natural phenomenon, and refreshingly, are played that way (there is none of the anthropomorphising the undercut the similar premise in "The Magnetic Monster" (1953)). The desert locale (typical of a Jack Arnold story) is well used, and the script and acting are fine (for the genre), although most of the 'comic relief' falls a bit flat (an exception being the scene with the weather forecaster, which is amusing). The special effects and miniature work is quite good as the towering crystals fall on the buildings and even the bargain-basement 'chemistry' scenes are reasonably effective. The sub-plot about people getting turned to stone is a bit far-fetched (even within context) but provides an opportunity to see a vintage 'iron-lung' at work. Definitely one of the better science-fiction 'B' movies to come out of the 1950's, and perhaps the most imaginative.