O Bandoleiro Solitário

Jack Palance looks kind of odd with that mustache he wore for The Lonely Man. Still he's not the psychotic Palance we've seen in many of his films. He's the world weary gunfighter who's looking to get out of the business. But the notorious King Fisher played by Neville Brand who nearly died from a gunfight with Palance is looking to settle old accounts with Palance.

Of course King Fisher in fact was a real notorious gunman who operated in Texas. Brand gives a nice performance, but this is most definitely not King Fisher's story.

Anthony Perkins who specialized in playing callow youths in the Fifties is Palance's son along for the ride unwillingly because Palance left his mother way back when who is dead now. Perkins just has no other place to go.

In fact Palance has one very good reason for leaving gunfighting which I will not reveal. His only hope is that he can move as far as he can.

Palance and Perkins do strike a nice balance as the world weary father and his rebellious and a bit stupid son. There's also a nice supporting cast with people like Lee Van Cleef, Elisha Cook,Jr. and Robert Middleton and Claude Akins. All tried and true cinema villains though they're not all villains here.

A downer of a film,still nicely done.

With an on paper intriguing story and a cast that includes Jack Palance, Anthony Perkins, Lee Van Cleef and Elisha Cook Jnr. 'The Lonely Man' promised a lot. And it delivers a lot too luckily.

Have admittedly seen fairly little of director Henry Levin's body of work, but the little seen of him has left me somewhat indifferent. To me though, 'The Lonely Man' is among his better and more interesting films and is worthy of more attention than the not-very-well-known status it's garnered. Sure, it's not perfect and there are better westerns around but 'The Lonely Man' has a lot to recommend and has a few interest points (including Anthony Perkins in an early role pre-Norman Bates, him and Palance trying to out-smoulder each other and the Oedipal relationship between Riley and Ada).

The Oedipal relationship did feel underdeveloped and doesn't have anywhere near the passion and poignancy of the evolving father and son relationship between Jacob and Riley that dominates 'The Lonely Man'. Elaine Aiken does her best but is a little bland in a role that doesn't give her that much to do.

Occasionally, the general tightness of the pace loosens and becomes a little too leisurely and there are a few things in the story and supporting characters (King Fisher's allies also felt on the underwritten side) that could have done with more exploration and made sense more.

Conversely, 'The Lonely Man' does look great. The cinematography is truly beautiful on the eyes as well as being suitably moody, and the very natural and handsome locales are similarly well done. The music suits the atmosphere well, having a sweep and understatement. Levin's direction is efficient rather than the routine direction somewhat expected.

'The Lonely Man' is tautly written and sometimes has an offbeat tone, while the story is mostly very absorbing and there is a surprising amount of emotion. It is especially good in the father and son relationship, which has initial tension but once the truth comes out it's quite affecting and one roots for a redemptive resolution. The climax is one that had me biting the nails and had me feeling very sad about the outcome (see for yourself).

Perkins acquits himself pretty well in an early role, though he definitely went on to better things (including one of cinema's most iconic villains as Norman Bates in 'Psycho'), and Neville Brand is a formidable opponent with suitably heavyweight support from Van Cleef and Cook. The acting honours however belong to Palance, a powerhouse in a role that suits him to the ground and the type he should have done more of. It was really fascinating seeing he and Perkins out-smoulder each other but, while they work incredibly well, Perkins is no match for Palance in that department. Mainly because we're talking about an early career actor against one with one of the most intimidating physiques in "classic film/Golden Age film".

Overall, a well done and interesting different western that flaws and all should be better known. 7/10 Bethany Cox

This film has got merit not least the photography. It is beautifully shot and the location has much to admire. There is a touch of John Ford in parts. Its main strength is the performance by Jack Palance. Anthony Perkins is ok but he has not a lot to do. Small parts by familiar actors adds to the attractions of the film which is well worth a viewing. One of my childhood best loved films which I was not disappointed with when I watched it recently.

THE LONELY MAN, made in 1957, stars a forceful Jack Palance as a gunfighter who wishes to "retire", settle down, and make amends with his son, played by Anthony Perkins in the same type of nervous nelly role that would make him famous in "Psycho" three years later. So, in the proud tradition of Henry King's classic "The Gunfighter" and others. From a script by Harry Essex ("Creature from the Black Lagoon"), and capably directed by Henry Levin, who had much impressed me with his Glenn Ford vehicle "The Man from Colorado" all these years ago. Fantastic b/w photography by Lionel Lindon; excellent, sensitive score by (Nathan) Van Cleave. While not terribly original, this leisurely paced, character-driven drama is worth seeking out.

Since childhood I've found the actors playing the bad guys more interesting than the main characters,at least till about 1970 or so.Many that I viewed in the 1950's didn't last long in a movie or TV program because they were an early victim to the star.Some eventually went on to make names for their selves but for the most part I liked them more when playing minor roles.Some of those minor role villains are in this movie and I found them very entertaining.There's Neville Brand playing King Fisher,a good performer but sometimes a little bit to scary even for me when dealing out punishment.Others like Faro (Lee Van Cleef),Sundown Whipple(John Doucette) and Blackburn(Claude Akins) are in top menacing form.While not a household name another quality performer is Robert Middleton playing Ben Ryerson.Whether playing a politician or a mob boss he gives a quality performance.In this movie he's a bit grubby looking but handy with both a gun and a knife.Then there's Willie (Elisha Cook Jr) one of Fisher's men.He usually bursts into a room big eyed bearing news but has to grab a quick drink before speaking.So much to my delight the cast includes a rouge's gallery of personal favorites,almost like a dream come true.For those who like the good guys the movie leans more towards a nightmare.Jack Palance plays Jacob Wade the main character.As usual he has the look of a strong tough looking man.His performance is better than usual but that just means it's not as stiff as usual.The story lacks a bit of direction also.Those two points are forgotten because of Anthony Perkins who plays Jacob Wade's son Riley.His part lacks direction or maybe a director as it seems like he or someone else wants to sabotage this movie.First off he's too old and big to be playing the part of the son.When he does show some sign of a emotion it's fitting more for someone at least 10 years younger than him.To the simple statement that his mother(deceased) was a fine woman he responds blandly"talk about my mother again and I'll kill you",really off the wall.Elaine Aiken gives a good performance and is nice looking.In another comment it was basically said her character with it's good qualities has no reason to be interested romantically in the wimpy Perkins character,that's hitting the nail on the head.So this movie was just about what I expected,the minor roles out shining the main characters.One of the main characters looked like a good friend must of gave them the part.