Adicionar um enredo no seu idiomaDuring the 1950s, a Los Angeles psychiatrist uses hypnosis to treat a 25-year-old woman who's suffering from multiple personality disorder.During the 1950s, a Los Angeles psychiatrist uses hypnosis to treat a 25-year-old woman who's suffering from multiple personality disorder.During the 1950s, a Los Angeles psychiatrist uses hypnosis to treat a 25-year-old woman who's suffering from multiple personality disorder.
- Direção
- Roteiristas
- Artistas
Fred Aldrich
- Bar Patron
- (não creditado)
Jan Englund
- Helen Jameson
- (não creditado)
Pat Goldin
- Man in Bar
- (não creditado)
Karen Green
- Elizabeth (age 9)
- (não creditado)
Ken Lynch
- Man at Bar
- (não creditado)
Michael Mark
- Bartender
- (não creditado)
Dick Paxton
- Waiter
- (não creditado)
Carl Sklover
- Bar Patron
- (não creditado)
Gene Walker
- Guard
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
''Lizzie" is an intriguing film with the potential to be better than it is. It starts off well with the ever reliable Eleanor Parker setting the mood
and immediately winning audience sympathy. Alarmingly, on Elizabeth's return home from work, the film suddenly feels trashy with Joan
Blondell, as her frumpy aunt, giving a wild, over the top performance that I find quite repulsive. What a role for Myrna Loy who would have
nailed it. Richard Boone matches Parker in class, giving a sound and convincing performance as the pragmatic psychiatrist.
Parker goes somewhat adrift in transforming from the timid Elizabeth to the vulgar Lizzie and the night club scene comes across as ludicrous ; a sort of Jekyll and Hyde parody. I have always admired Eleanor Parker but it's sad to see her talents compromised by unsure direction and the painful scene-stealing attempts by the shrill Blondell.
I intend keeping my DVD copy but will be re-watching the film for the best scenes ; those featuring Parker and Boone.
Parker goes somewhat adrift in transforming from the timid Elizabeth to the vulgar Lizzie and the night club scene comes across as ludicrous ; a sort of Jekyll and Hyde parody. I have always admired Eleanor Parker but it's sad to see her talents compromised by unsure direction and the painful scene-stealing attempts by the shrill Blondell.
I intend keeping my DVD copy but will be re-watching the film for the best scenes ; those featuring Parker and Boone.
I've seen this movie twice and it helped to make an Eleanor Parker fan out of me. The acting is a little over the top but in my opinion Parker was one of the best and most underated actresses of her time.
I never knew about Lizzie until a few years ago, but had seen The Three Faces of Eve several times. I want to respectfully correct my favorite reviewer here (we seem to have the same taste in movies and TV shows) on comments in his Sept 2021 review. In addition to seeing The Three Faces of Eve I've read "Eve's" (Chris Costner Sizemore) book several times and just finished it again. I'm from the DC area and actually worked at a hospital where Sizemore's doctor practiced. Her story was most DEFINITELY never refuted. Her books I'm Eve and A Mind of My Own are excellent and she did indeed have MPD, cured by Dr Tsitos. I think the reviewer is thinking of the patient behind Sybil, who HAS admitted that she faked MPD to please her therapist.
I do recommend both Lizzie and The Three Faces of Eve as well acted and fascinating moviews.
I never knew about Lizzie until a few years ago, but had seen The Three Faces of Eve several times. I want to respectfully correct my favorite reviewer here (we seem to have the same taste in movies and TV shows) on comments in his Sept 2021 review. In addition to seeing The Three Faces of Eve I've read "Eve's" (Chris Costner Sizemore) book several times and just finished it again. I'm from the DC area and actually worked at a hospital where Sizemore's doctor practiced. Her story was most DEFINITELY never refuted. Her books I'm Eve and A Mind of My Own are excellent and she did indeed have MPD, cured by Dr Tsitos. I think the reviewer is thinking of the patient behind Sybil, who HAS admitted that she faked MPD to please her therapist.
I do recommend both Lizzie and The Three Faces of Eve as well acted and fascinating moviews.
1957 was apparently a year for muliptle personalities. Joanne Woodward got her
Oscar for The Three Faces Of Eve and Eleanor Parker came out with this film
Lizzie.
With the acclaim that Woodward's film got which made her a star, Lizzie seems to be lost in the shuffle. That's a pity because Parker's performance is noteworthy and may have been Oscar worthy.
The similarities between the films are really astonishing. Parker is a woman with three recognizable personalities, a mousy good girl, a tramp who writes nasty letters to her other selves and a relatively normal type. Both go through some therapy with a psychiatrist in this film Richard Boone to find a cure. As is usual with films on mental illness the cure is way too simplistic. But the moviegoing public wants easy answers to life's problems. It's why they go to the cinema.
Also note a good performance by Joan Blondell as Lizzie's frowsy drunk of an aunt whom she lives with
Lizzie is wortthwhile viewing.
With the acclaim that Woodward's film got which made her a star, Lizzie seems to be lost in the shuffle. That's a pity because Parker's performance is noteworthy and may have been Oscar worthy.
The similarities between the films are really astonishing. Parker is a woman with three recognizable personalities, a mousy good girl, a tramp who writes nasty letters to her other selves and a relatively normal type. Both go through some therapy with a psychiatrist in this film Richard Boone to find a cure. As is usual with films on mental illness the cure is way too simplistic. But the moviegoing public wants easy answers to life's problems. It's why they go to the cinema.
Also note a good performance by Joan Blondell as Lizzie's frowsy drunk of an aunt whom she lives with
Lizzie is wortthwhile viewing.
Lizzie is a magnificent study of multiple personality disorder, a far superior film to The Three Faces of Eve, which won the Acadamy Award that year. Eleanor Parker makes all her transformations between Lizzie's characters on screen, a far more challenging task that disappearing off camera as Joanne Woodward did! Her portrayal is subtle and wonderful. I highly recommend this movie.
It's interesting that The Three Faces of Eve (1957) and Lizzie (1957) were made the same year. Both of them introduce the subject of a woman with Multiple Personality Disorder. Although the story of Eve White--for which Joanne Woodward won a Best Actress Oscar--was based on a real-life woman, it would be hard to say that that movie was really any better than this one reviewed here, based on Shirley Jackson's novel, "The Bird's Nest."
Lizzie (1957) is the story of the mousy Elizabeth Richmond (Eleanor Parker) who lives with her constantly drunk aunt, Morgan James (Joan Blondell) and works as a secretary in a museum. Elizabeth seems to have no real social life and only one real true friend at work, Ruth Seaton (Marion Ross, who later played Ron Howard's mother on TV's Happy Days). Elizabeth is serious and scholarly but has no real self confidence during her daytime job, in spite of encouragement from her friend and co-worker, Ruth. She finds anonymous scribbled out death threats, in her purse or on her desk. These slips of paper, are always signed-- Lizzie. When she shows them to Ruth, Ruth just tells her they are not serious and should be forgotten.
When Elizabeth comes home each night, she is greeted by her lovable, but always soused, Aunt Morgan. Elizabeth goes to her room and transforms herself into a cheap-looking, but beautiful and seductive, alter ego. She becomes "Lizzie" and goes to a bar to beguile men into buying her drinks. (Johnny Mathis makes his first movie appearance, here, as the singer at the piano bar.) When Elizabeth awakes the next morning, she has strange unexplained headaches. At times her aunt notices that her gin bottles have been finished off by someone other than herself, but who can it be but Elizabeth? When Morgan confronts Elizabeth about this, she honestly has no memory or knowledge of drinking any alcohol.
Morgan and Elizabeth have an understanding neighbor, Walter (Hugo Hass--the movie's director), who works at home as a writer. When Morgan confronts Walter about Elizabeth, he suggests that she see a doctor. He knows a good doctor, Dr. Wright (Richard Boone), who he uses from time to time when he has writer's block.
Elizabeth finally goes to see Dr. Wright, complaining of headaches and troubled sleeping. He tells her that he would like to put her into deep hypnosis to explore her childhood background. During a series of sessions, Dr. Wright discovers that Elizabeth has two more personalities--Beth and Lizzie. However, to fully understand the "whys" of Elizabeth three personalities, he goes to her house on her birthday. Something had happened to her on her 13th birthday. But, what was it and how could it have caused her Multiple Personality Disorder?
As with The Three Faces of Eve (1957), the strong central personality, Beth, must understand the other two personalities in order to let go of them and become the one integrated person.
Lizzie (1957) is the story of the mousy Elizabeth Richmond (Eleanor Parker) who lives with her constantly drunk aunt, Morgan James (Joan Blondell) and works as a secretary in a museum. Elizabeth seems to have no real social life and only one real true friend at work, Ruth Seaton (Marion Ross, who later played Ron Howard's mother on TV's Happy Days). Elizabeth is serious and scholarly but has no real self confidence during her daytime job, in spite of encouragement from her friend and co-worker, Ruth. She finds anonymous scribbled out death threats, in her purse or on her desk. These slips of paper, are always signed-- Lizzie. When she shows them to Ruth, Ruth just tells her they are not serious and should be forgotten.
When Elizabeth comes home each night, she is greeted by her lovable, but always soused, Aunt Morgan. Elizabeth goes to her room and transforms herself into a cheap-looking, but beautiful and seductive, alter ego. She becomes "Lizzie" and goes to a bar to beguile men into buying her drinks. (Johnny Mathis makes his first movie appearance, here, as the singer at the piano bar.) When Elizabeth awakes the next morning, she has strange unexplained headaches. At times her aunt notices that her gin bottles have been finished off by someone other than herself, but who can it be but Elizabeth? When Morgan confronts Elizabeth about this, she honestly has no memory or knowledge of drinking any alcohol.
Morgan and Elizabeth have an understanding neighbor, Walter (Hugo Hass--the movie's director), who works at home as a writer. When Morgan confronts Walter about Elizabeth, he suggests that she see a doctor. He knows a good doctor, Dr. Wright (Richard Boone), who he uses from time to time when he has writer's block.
Elizabeth finally goes to see Dr. Wright, complaining of headaches and troubled sleeping. He tells her that he would like to put her into deep hypnosis to explore her childhood background. During a series of sessions, Dr. Wright discovers that Elizabeth has two more personalities--Beth and Lizzie. However, to fully understand the "whys" of Elizabeth three personalities, he goes to her house on her birthday. Something had happened to her on her 13th birthday. But, what was it and how could it have caused her Multiple Personality Disorder?
As with The Three Faces of Eve (1957), the strong central personality, Beth, must understand the other two personalities in order to let go of them and become the one integrated person.
Você sabia?
- CuriosidadesShirley Jackson was not impressed with this filmed adaptation of her novel "The Bird's Nest". Her assessment: "Abbott and Costello meet a multiple personality." (From Ruth Franklin's 2016 biography "Shirley Jackson: A Rather Haunted Life".)
- Erros de gravaçãoIn Johnny Mathis' first scene at the bar, the position of the microphone head and the drink near it on the piano keep changing positions between shots.
- Citações
[last lines]
Elizabeth Richmond: [from the top of the stairs as the doctor is at the front door ready to leave] Dr. Wright... Good night, and thank you.
Dr. Neal Wright: [just before exiting the front door] Good night... and, happy birthday.
- Trilhas sonorasIt's Not for Me to Say
Music by Robert Allen
Lyrics by Al Stillman (as Albert Stillman)
Performed by Johnny Mathis (uncredited)
[The bar singer performs the song when Johnny is sitting at the piano and Lizzie telephones the bar looking for him]
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Lizzie?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Lizzie
- Locações de filme
- Natural History Museum of Los Angeles County - 900 Exposition Boulevard, Exposition Park, Los Angeles, Califórnia, EUA(Elizabeth, Ruth and Johnny work there)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 361.000 (estimativa)
- Tempo de duração1 hora 21 minutos
- Cor
- Proporção
- 1.37 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Desejos Ocultos (1957) officially released in India in English?
Responda