Prisioneiro do Rock and Roll

For his third feature film Colonel Tom Parker over to MGM where they assigned a couple of very experienced hands behind the camera, producer Pandro S. Berman who among other folks he produced for was Fred Astaire and director Richard Thorpe. He was one of MGM's busiest craftsmen, who directed just about every MGM star during that studio's golden years. As he always did, Colonel Parker made sure that his star got the best possible support and he didn't fail him in Jailhouse Rock.

In Jailhouse Rock, Elvis plays a rather surly, ill tempered youth whose quick with his fists. A brawl in a bar and Elvis kills a guy with his fists. Granted the deceased was a lout, still the state does frown on that and Elvis got a term for manslaughter. While there, he shares a cell with old time country singer Mickey Shaughnessy.

Mickey helps Elvis survive prison and discovers he's got a voice. When he's released before Shaughnessy, Elvis goes out in search of a career and determined to let nothing stand in his way. He discovers the music business is a cutthroat one and he responds in kind. He gets his success, but it costs him the love and respect of all around him, including young record promoter Judy Tyler who develops a thing for the king.

Elvis has some good songs to sing with the title song being the biggest hit from this film. Jailhouse Rock is given a good MGM style production, worthy of anything you might have seen MGM give one of Fred Astaire or Gene Kelly's musicals. And the record of course is still selling good.

Mickey Shaughnessy appeared in a lot of good films in the Fifties, but usually playing cheerful oafs. This was one of the few times he had a serious part and he carries it off well.

I was disappointed that Judy Tyler did not get to display her musical talents. Elvis's is not the only tragic story from the cast of Jailhouse Rock. Young Judy Tyler with a brilliant career in front of her was killed shortly after completing this film with her husband in an automobile accident. I remember it well because she had been Princess SummerFallWinterSpring on the Howdy Doody Show a few years earlier. After leaving that she got good notices on Broadway in one of Rodgers&Hammerstein's lesser shows, Pipe Dream.

My guess is that Colonel Tom did not want anyone sharing musical time with Elvis so early in his career. Otherwise she might have gotten a number on her own and a duet with the king. Her musical talent would have been preserved in a hit film, but who could have known? Elvis would have to wait until Viva Las Vegas and Ann-Margret before he got a leading lady who could sing and dance to match him.

The plot of the film is similar to The Carpetbaggers so if you've seen that you know how this one comes out. Elvis does a fine acting job and singing, well he is the king.

Vince (Elvis Presley) is a backwoods boy with a HUGE temper problem. One day he beats a guy to death in a fight and is sent to prison. While there he's cell mates with Hunk (Mickey Shaughnessy) who gets him interested in playing the guitar and singing. When released Vince makes it big with the help of Peggy (Judy Taylor)...but becomes an obnoxious jerk. He treats Hunk and Peggy like dirt. Will he come around and treat them better? What do you think?

I tuned into this just to watch the "Jailhouse Rock" number. I'm not a fan of Presley but I heard this was good. I was surprised at how much I liked it. All the songs are good and the "Jailhouse Rock" number is just stunning--easily one of the best choreographed musical numbers ever caught on screen. Taylor is pretty and just charming in her role (sadly she died right after completing this) and Shaughnessy offers strong support. Also it's well-directed in Cinemascope.

The only debits are the overly familiar story and Presley's acting. He was a great singer but no actor--sometimes it was almost embarrassing to watch how badly he played scenes. But it's still worth watching for the songs and the other performances. I give this a 7.

"It ain't tactics, honey. It's just the beast in me." Elvis is smoldering in this classic flick, and he delivers a great performance as Vince Everett; a youngster who is thrown in jail on the charges of manslaughter, and then becomes a rock star when released. Judy Tyler is wonderful, and it's a shame we lost her at such a young age. Mickey Shaughnessy gives a solid performance as Hunk Houghton, the jealous former cell mate and business partner. The soundtrack is amazing, featuring songs as Jailhouse Rock, Young And Beautiful, One More Day, Don't Leave Me Now, and my favorite, I Want To Be Free. You can't help but wonder how many other great movies like this Elvis could've made if his manager Col. Tom Parker didn't screw things up for him. Ah well, see this great movie and enjoy, because it's a one of a kind.

I saw this film when it came out. I was a sophomore in high school, and I thoroughly enjoyed it. I just saw it again on TCM, and guess what? I still enjoy it! This is by no means a work of art; it's plain old fashioned entertainment. Some of the actors in the supporting parts are stilted, and Elvis himself will never be confused with Brando or Dean. But Elvis was a singer, to this day the greatest in rock and roll history, and the musical numbers are first rate. Mickey Shaughnessy, who I can't recall seeing anywhere else, is perfect for the part of Elvis's hillbilly cell mate, and the tragic Judy Tyler shines as the leading lady. (For trivia buffs, she was Princess Summerfallwinterspring on the Howdy Doody Show.) And for those too young to remember the 50s, which probably includes the majority of this website's users, this will provide a good sample of popular entertainment in that era. 7/10

Perhaps Presley's best movie. It casts him as a young hothead serving a jail sentence for manslaughter.Released from jail he makes it big in the music-business.The sudden success goes to his head and alienates his best friends. Elvis delivers a very magnetic performance with the aid of director Thorpe's skilled handling.Judy Tyler's performance is also very good.The movie's sour tone makes it stand out in comparison with the later Presley vehicles.The famous production number of the title tune is a smash. Rating: ***1/2 of *****