AVALIAÇÃO DA IMDb
6,3/10
631
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA mechanic wants his boss's younger wife for himself, and plans on using a junkyard car to run him over, then dismantling it.A mechanic wants his boss's younger wife for himself, and plans on using a junkyard car to run him over, then dismantling it.A mechanic wants his boss's younger wife for himself, and plans on using a junkyard car to run him over, then dismantling it.
Ella Mae Morse
- Ella Mae Morse
- (narração)
Vikki Dougan
- Girl
- (não creditado)
Michael Mark
- Mailman
- (não creditado)
Frank Mills
- Townsman
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Hugo Haas almost always played a role himself in the films he made and often he played the character of a more or less naive fool who is cheated on by his beautiful wife who wants to run away with the young guy, or his money .
Frank can't stand Gus's new wife at first (or so it seems) but secretly he is also crazy about Julie, when she finally seems to fall for him after a few advances he hatches a plan to get rid of Gus.
Hugo Haas dared to do something that many bigger film makers would rather avoid, and that is portraying the nastiness and evil of women, here that plot story is less extreme, especially the few twists in the plot towards the end that give this film that extra push that makes it just that little bit better than Hugo's other work.
Frank can't stand Gus's new wife at first (or so it seems) but secretly he is also crazy about Julie, when she finally seems to fall for him after a few advances he hatches a plan to get rid of Gus.
Hugo Haas dared to do something that many bigger film makers would rather avoid, and that is portraying the nastiness and evil of women, here that plot story is less extreme, especially the few twists in the plot towards the end that give this film that extra push that makes it just that little bit better than Hugo's other work.
Another highly original production by Hugo Haas with his one choice actress Cleo Moore, but this became her last film, but as usual her performance is memorable. It's the same old story again, an old fool gets enamoured with a young splendid blonde and marries her, while she after the marriage betrays him with another, and that other man is his closest associate, a fellow worker and mechanic at his garage, and it's actually he who insists on seducing her, while naturally her protests are not enough. There is a circus involved also, which appears towards the end, with a real bombshell for a female director, Dolores Reed, who brings some real titbits of sequences to the film. She even tries to seduce Cleo Moore's lover, which of course infuriates Cleo Moore who while drinking gives the whole plot away - there always seems to be a lot of drinking in Hugo Haas' films, which adds to their charm and comic touch, although Haas never reaches the height of the great jokes of Hitchcock. Still, Hugo Haas is brilliant in his own way, writing his own scripts and producing his own films and giving them a solid direction, and their plots are always ingenious. So don't miss any detail of this very carefully blended drink of a wondrous film thriller.
The king of low budget film noir with cleavage, Hugo Haas, is to be commended. Haas had the knack for remaking classic films, like THE POSTMAN ALWAYS RINGS TWICE, and with him starring as the old man in the way, accompanied by lovely femme fatale Cleo Moore.
Nice to see some of his films surface of late, a rerun favorite back in the days of black and white tv. HIT AND RUN is a campy gem, all about young hunk Vince Edwards working at Haas' garage and discovering flirtatious Moore. Haas (who plays Gus) gets run over (why not?) and Vince and Cleo live happily ever after --OR do they?
Let the grade-B suspense begin, and what a tangled web these two weave. I would bet even Hitchcock watched some of these films, getting ideas for his offbeat tv show, which had similiar mechanics. It fits.
Recommended late show stuff and with all the cheap trimmings. Some of Haas films are on dvd, but you have to do your homework. Double bill or box sets floating around. Check ebay for best results. Worth your time.
Nice to see some of his films surface of late, a rerun favorite back in the days of black and white tv. HIT AND RUN is a campy gem, all about young hunk Vince Edwards working at Haas' garage and discovering flirtatious Moore. Haas (who plays Gus) gets run over (why not?) and Vince and Cleo live happily ever after --OR do they?
Let the grade-B suspense begin, and what a tangled web these two weave. I would bet even Hitchcock watched some of these films, getting ideas for his offbeat tv show, which had similiar mechanics. It fits.
Recommended late show stuff and with all the cheap trimmings. Some of Haas films are on dvd, but you have to do your homework. Double bill or box sets floating around. Check ebay for best results. Worth your time.
The Hugo Haas Bio Deserves Attention from Anyone Interested in B-Movies, Especially of the Film-Noir Type,
that He Made His Specialty in the Last-Act of a Long and Rich Career in the Movies, that Ended where He Did Everything but Sweep the Floor.
In this one, He Follows the Film-Noir Mainstay that He Repeated Now and Then of an Older, Well-to-Do Man who Manages to Snare a Young, Pretty, Bad-Girl.
Only to be Set-Up for the Knock-Off by a Femme Fatale (Cleo Moore who made 7 Movies with her discoverer).
The Handsome-Hunk on the Side-Lines Willing and Able to Do the Deed is Vince Edwards (a smoldering, sexy, Body-Builder in real life), whose Claim-to-Fame was Playing "Ben Casey" on TV for 5 Years. (1961-66).
"Hit and Run" has a Number of Thrills (check out that lion tamer Dolores Reed), Twists, and Spills, and Like Always Hugo's Bang-for-the-Buck, Delivers.
This Would be Cleo Moore's Last Film After Giving Hollywood a Try in a Few Films with some Minor Success, but Never Hit the Big-Big-Time. Just Like Her Mentor Hugo.
Once Again Check Out His Bio. A Fascinating Immigrants Hollywood History if there ever was One.
He was one of the Most Hard Working Talents that was Chewed Up by the Movie-Industry that He Loved and was Dismissed as a "Bottom Feeder" and in Later Years was Given the Undeserved Nick-Name of the "Foreign Ed Wood".
He was Once Gregory Peck's , among others, Acting Coach for Heaven Sake.
that He Made His Specialty in the Last-Act of a Long and Rich Career in the Movies, that Ended where He Did Everything but Sweep the Floor.
In this one, He Follows the Film-Noir Mainstay that He Repeated Now and Then of an Older, Well-to-Do Man who Manages to Snare a Young, Pretty, Bad-Girl.
Only to be Set-Up for the Knock-Off by a Femme Fatale (Cleo Moore who made 7 Movies with her discoverer).
The Handsome-Hunk on the Side-Lines Willing and Able to Do the Deed is Vince Edwards (a smoldering, sexy, Body-Builder in real life), whose Claim-to-Fame was Playing "Ben Casey" on TV for 5 Years. (1961-66).
"Hit and Run" has a Number of Thrills (check out that lion tamer Dolores Reed), Twists, and Spills, and Like Always Hugo's Bang-for-the-Buck, Delivers.
This Would be Cleo Moore's Last Film After Giving Hollywood a Try in a Few Films with some Minor Success, but Never Hit the Big-Big-Time. Just Like Her Mentor Hugo.
Once Again Check Out His Bio. A Fascinating Immigrants Hollywood History if there ever was One.
He was one of the Most Hard Working Talents that was Chewed Up by the Movie-Industry that He Loved and was Dismissed as a "Bottom Feeder" and in Later Years was Given the Undeserved Nick-Name of the "Foreign Ed Wood".
He was Once Gregory Peck's , among others, Acting Coach for Heaven Sake.
Cleo Moore was one of the sexiest blonde starlets of the 1950's but sadly this 1957 release was her swan song. She had starred in around ten films and was well known by the public but I guess there was just too many beautiful blondes around at the time. She's the best thing in this standard little film noir of the beautiful young wife, middle-aged husband, and the young hunk who comes between them. Looking fantastic as a platinum blonde, Cleo gives an excellent performance and her love scenes with hunky Vince Edwards are fairly torrid. Director-costar Haas seems a little too sympathetic to his own character for my liking, a boisterous auto repair shop owner who woos option-less showgirl Moore. Never a particularly good director (to say the least), Haas notably wastes the potential in one scene in the wrecked car "graveyard" beside his repair shop which manages an eerie touch nevertheless. The movie quite low budget but that proves to be an asset in capturing the angst of low-income 50's America.
Você sabia?
- CuriosidadesThe Evans-Childers Circus shown in the film was a real circus. Although little can be found about the history of the show, its posters occasionally come up for auction.
- Erros de gravaçãoWhenever there is an outside nighttime scene, with the sounds of crickets and frogs, there is a noticeable "gap" of silence (repeated in longer scenes), indicating the sound effect is being looped.
- Citações
Gus Hilmer: Frankie, give the lady my card .. here; come to me anytime you need new tires, lubrication, change oil; everything on the house.
Julie Hilmer: You're very generous Mr. Hilmer; but I don't have car.
- Trilhas sonorasWhat Good Will It Do Me?
Sung by Ella Mae Morse
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- How long is Hit and Run?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 27 min(87 min)
- Cor
- Proporção
- 1.37 : 1
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