A Arma de um Bravo

Gun Glory is directed by Roy Rowland and adapted to screenplay by William Ludwig from Philip Yordan's novel, Man of the West. It stars Stewart Granger, Rhonda Fleming, Chill Wills, James Gregory and Steve Rowland. Music is by Jeff Alexander - with the title song "The Ninety and the Nine" song by Burl Ives - and cinematography is by Harold J. Marzorati.

What we have here is a very familiar tale. Granger is gunslinger Tom Early, who returns to his home town after a number of years to find his wife has died and his son (Rowland) is unsurprisingly miffed at his father having abandoned them. The townsfolk, also, are not exactly enamoured to have him back either, but since they are in the grip of terror brought about by violent cattle baron Grimsell (Gregory), a chance for Early to make peace with all is in the offering.

Granger was winding down his contract with MGM and this could hardly be seen has a triumphant fanfare finale. Yet for committed Western film fans there's still plenty to enjoy. Handsome is a word that springs to mind, Granger and Fleming positively ooze sexual beauty, the Calif locations (Bronson Canyon - Whoosh!) are magnificently brought to life via CinemaScope (Metrocolor), while costuming and set designs are most appealing.

The script is weak, though, and familiarity of story demands that elsewhere the pic needs to cover the shortcomings. Action scenes are all too brief, but the stunt work on show is impressive and the construction of shoot-outs, and a rockslide sequence, certainly stirs the blood. Elsewhere, Jacques Aubuchon's lecherous windbag act gets tiresome pretty quickly, and the overt religion angles are heavy handed (even the musical score is full of biblical swirls) - the latter of which a shame because Chill Wills as The Preacher turns in the best perf in the pic.

Hardly a must see movie, then, but Oater fans, and fans of the stars, are not short changed (Gregory does good villainy as well). Even if ultimately it comes off as a "going through the motions" movie that's very pretty but of little substance. 6.5/10

Above Average 50's Western with a few Edgy Things that Elevate beyond the mundane. Stewart Granger and Rhonda Fleming are Attractive Stars and Competent Actors.

The Film was Shot in Cinemascope that adds to the Wide Open Landscape. The Colorful Setting is used to advantage and the Simple Story is Spiced with some Atypical Shacking Up and Lustful Scenes. That alone is against the grain of most Fifties Fodder and Preaching.

Although, it must be said there is a Heavy Amount of Preaching in the Screenplay. Chill Wills as a Bible Toting Preacher is a Major Character and the Dialog often reverts to Philosophy from the Pulpit. It almost becomes too much but not quite.

The Tension and Action are Amped Up in the Second Half as things become Violent and Explosive. The Solid Direction from Old Pro Rowland keeps things from becoming Clichéd and/or Standard Stuff.

Overall, a Well-Done Entry in the Abundance of 1950's Westerns and is, Unlike the Majority of Output in the Decade, well Worth a Watch.

Stewart Granger as gunfighter Tom Early rides back into his home town tired of life on the trail. He'd like to settle down with his wife and kid. A lot like Gregory Peck in The Gunfighter. But his wife is dead and his kid is sullen and resentful.

There's a cattle baron played by James Gregory who's looking to drive a herd through the valley where Granger's and other ranches are. If he needs to Granger is more than willing to lend his gun in defense of the valley like Alan Ladd. But the others want to try it peaceful.

Granger and his kid played by Steve Rowland also have Rhonda Fleming living with them now as a housekeeper. Another reviewer likened that to Rachel and the Stranger, but in that one Loretta Young was forced by convention to marry Bill Holden.

So we've got parts of three previous films and I probably could think of more. Yet it's three good films and while this one isn't great, it's enjoyable.

One theme that was thrown in there for reasons I don't understand. At one point Steve Rowland, feeling his teenage oats, tries to take advantage of Rhonda Fleming. She stops his advances and there's no more made of it. I'm not sure why that was included in the film, since there was no confrontation with the father over Fleming.

Two other key roles are Arch Johnson as Gregory's hired gun who's on his own mission against Granger. And Chill Wills plays the town preacher. The town is too small to have any kind of organized governing body, so the preacher is the unofficial town political as well as moral leader. Theocracy in the old west.

Chill Wills also sings in this film. During a scene at his unfinished church he leads the congregation in When the Roll is Called Up Yonder. Chill Wills was a singer in fact before he became a character actor. His screen debut was in Bing Crosby's first Anything Goes as part of the Avalon Boys Trio.

Not a great western, but a mix of a few films to create a good afternoon's entertainment.

Westerns were in fashion after the surprise smash of "Fastest Gun Alive", 1956.

"Gun Glory" opens with a gunfighter (Stewart Granger), facing community rejection upon returning home to settle down... He finds his wife dead and his son resentful...

Granger's personal magnetism is fair enough to carry a tedious story... He manages to be quiet fast in the gun... Strong, warm, sure and tender while remaining a father and a man in love...

Rhonda Fleming comes out graceful but her character loses some of its translation to Western lead... She seems more comfortable with her lighthearted love interest...

Despite a few pretentious action moments, "Gun Glory" - photographed in color and CinemaScope - is, on the whole, good only for its two stars...

GUN GLORY reminds me once again what a pleasure it is to watch Stewart Grainger and Rhonda Fleming. Grainger took a relaxed approach to his roles, much like Van Johnson but without as much smugness. Grainger plays a family man who has become a drifter, a gambler and a gunfighter. Coming home after learning the futility of "chasing rainbows," he returns to his ranch, only to discover his wife is dead and his son wants no part of him. He hires Rhonda Fleming to keep house for him, and she works to bring father and son together. Fleming is, without doubt, the most beautiful and shapely redhead to ever grace the movie screen (yes, including Maureen O'Hara). Here, once again, she proves she can act as well. It's a pity Hollywood didn't take her more seriously. All of the adults are top notch; however, the actor who play the son is only OK, and the actor who plays the young gunfighter is laughably bad. Top acting honor goes to Chill Wills as a wise, nonjudgemental reverand. Exquisitely photographed in Metrocolor and Cinemascope, GUN GLORY is always easy to watch. The story could have used a few more twists, and the climax seems a bit too easy. However, this is a movie that can, for the most part, be enoyed by the entire family.