Drango

The director and writer of this movie, Hall Bartlett knew the far-west because he made a documentary fiction about a Navajo Indian who was brought up in a white school (Navajo 1952). You can see that this movie looks more real than other westerns. Jeff Chandler as Major Drango is an officer who understands this villagers and he has self-reproach because he sacked the village during the civil war. He did it by order but anyway he wants to make it good. The officer of the confederation, Captain Marc Banning (John Lupton) is full of lust for revenge and at the end there will be the confrontation with his own father -the past- and with Major Drango who claims a peaceful future for the people who lost the war. After each war people have to try to live together again but all wounds cannot be healed in some months. This movie is a serious attempt to show the psychological difficulties in the reconstruction of a nation after a civil war.

Either previous reviewers are confused as to exactly who John Lupton is or they're not watching the same movie I am. Previous reviewers state that Lupton's character Capt. Banning is out for revenge against the south-Incorrect! Banning is Major Drango's adjutant. His role in the film is more of a "spear carrier" than anything else. "Capt. escort the lady home"-"Capt. Go get the Doctor"- He expresses almost no opinion through out the film except on Christmas day when he tells the Major he needs to take a day off.

Another reviewer has confused the characters completely and has Capt. Banning as the son of the Judge when in actually it is Ronald Howard, the Confedrete Villin...

On the whole I thought this was a good plot but to squeezed into a short film to explore the subject properly. I like Jeff Chandler, but he overacts way to much in this one.

Intriguing bit of history circa 1865, as a Union Army major is assigned to bring law and order to a burnt-out, starving Georgia town, but finds the residents hostile to post-Civil War change. Director Hall Bartlett also wrote and co-produced this forgotten film for United Artists, which deals with some complex issues and fiercely tangled emotions and loyalties. Jeff Chandler is forthright in the lead, attempting to do his job politely and carefully, unarmed, but forced to fight an entire town seemingly bent on destruction and savagery. The dramatic scope of the proceedings is minimized for a 90-minute format, and the circumstances Bartlett chooses to focus on--a local man's trial, a tyrannical land baron's desired leadership--nearly reduces the power the director manages to build up in smaller corners (such as Chandler bringing a winter coat to an orphaned youngster). The absence of blacks (the freed slaves) is noticeable, though judging the movie on what is presented culls up much bigger problems. The townsfolk flip-flop laughably between the two sides (vicariously cheering evil, glinty-eyed Southerner Ronald Howard one minute, then turning inward and solemn once Chandler's Major Drango takes the floor). We don't see a full-scale view of what is transpiring personally within these people's lives (probably due to a limited budget), and so are forced to rely on the performances (which are adept) and the direction (the writing being alternately too soft and too harsh). The brutalities inherent to the scenario are discreetly presented--with one very important murder happening off-screen--but the affects are still quite strong. An intriguing drama for history buffs. ** from ****

Its worth a watch because it is a decent Western with all the right mix except this one takes place right after the Civil War and shows you quite effectively the hatred the South had for the rest of the country. I found this depiction rather accurate right down to the prejudice, murders and realism as this really happened. Remember, people were so opposed to this war that they went to war to make their point. We got whiskey drinking, fighting, horses, love interest, lynchings, farms and a good look at things back then. The plot is a good one and it cost many people their life (in the move and out) to make the point of stopping what doesn't work and doing what does. Killing always starts with a reason and ends with a reason to stop as well. I had a hard time with the name of this movie i.e. "Drango". It makes no sense, doesn't capture a personality or point and leaves you with a sense of unfinished business even though it is the name of the main character. Obviously whoever named this movie wanted to get it over with or had an appointment elsewhere. Even when I accepted the name, hearing others say it took effort. It just doesn't have the Western flavor and in fact detracts. Pay close attention how people lived with the seasons as you needed a crop in one season to make it through the next one. Miss an opportunity and it can cost you your life and your farm in other words everything. Nice little portrait of an orphan family whose mom & dad were killed. They had shelter but lacked food and clothing. This is as real as it gets as well as the solution given. I like to eat during movie watching. This one is a sandwich or even some beef jerky with a tasty drink. Confederate or rebel, ride into this, dismount and sit a spell

Jeff Chandler in the title role of Clint Drango has a disagreeable and difficult duty to perform as military governor of a small Georgia town that not even a year before he had ridden through with General Sherman's army. They did not leave much standing and when the town learns of his military record, Chandler's not left with much support for the difficult job he's trying to do. To bring peace to a conquered and proud people.

The film starts with the lynching of northern sympathizer Morris Ankrum and his daughter Joanne Dru though she hates Chandler at first for not sending Ankrum to safety, she becomes his biggest supporter mainly because she has nowhere else to go.

Behind the resistance is former Confederate officer Ronald Howard who never looked more like his father Leslie than in this film. He was certainly evocative of Ashley Wilkes another Georgia aristocrat. Donald Crisp is Howard's father here and Julie London is another southern aristocrat who Howard uses to gain information. Of course Ashley's attitude toward the conquering Yankees was light years different than than Ronald Howard's in Drango.

Drango's not a bad western, but quite frankly the total absence of blacks from the film is puzzling. There are places in the south which did not have cotton plantations and hence no significant black population at the time of the Civil War. But looking at the mansions that Crisp and London have belies that notion for this section of Georgia.

That absence makes Drango a decent, but very flawed picture.