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This entry in the "Doctor At Large" series has a great cast but little direction. The film is really little more than a series of picaresque encounters, enlivened by a solid support cast that largely manages to overcome Ralph Thomas's heavy-handed direction. Dirk Bogarde and Muriel Pavlow are both okay, but it's a pity so much of the plot is given over to Donald Sinden, who is the least graceful member of the cast. He tries vainly to give a Kenneth More edge to the part. Shirley Eaton looks great. It's a real shame her role is so small. And speaking of small roles, Dr Richard Gordon can be spotted in the brief scene with James Robertson Justice. He's the diminutive doctor in the green (? -- my still is in black-and-white) cap and gown.

One of best of the series, the everlasting adventures of the Dr. Simon Sparrow that is running for a contest for surgery site, however the hospital was directed by the dictator and bad temper Dr. Sir Lancelot (James Robertson Justice) who don't like him, he moves away to a small town on countryside to aid the old Dr. Hackett (Lionel Jeffries) a kind of narrow-mind man, there Hackett's youngest wife Mrs. Jasmine always harassed Dr. Simon in the absence of Hackett, putting the Doctor's life in dangerous by the jealous Doctor, then he resigns and back to London and got a three mounts job at high class Clinic, to work with ladies with severe depressions of love, also prescribing medicines to wealthy old customers, after that going back to St. Swithins Hospital to start all over again, once more he screw up to believe in an insane patient that complains to him that was throw up nuts and bolts after a surgery, falling down on Dr. Lancelot's concept, which already was bad stays worst, further he has a friend the "bon vivant" Dr. Tony Benskin who haven't a proper ability to be a Doctor, the suddenly receives 15.000 pounds of an heritage to working for an eccentric old lady, although it wasn't exactly true, this series driven forces on light sexploitation, without be appealing, also displayed a unique British humoresque, although a slight dated, it stands the test of time!!!

Resume:

First watch: 2020 / How many: 1 / Source: DVD / Rating: 7.25

I hadn't seen this since I was a young teenager in the early 1970s and on rewatching it yesterday I realised that this film, along with Richard Gordon's book "Doctor in the House", inspired me to apply for medical school. Mind you, if I'd behaved like the students and doctors portrayed here I would have been struck off. I sure kissing patients, even private ones is not encouraged any more. It's not at all far fetched. If anything a rather restrained and gentle version of medical life.

The film is a succession of set-piece comedy sketches some of which are very creaky in a Carry On Doctor style but what must have got to the younger me was the time Simon Sparrow spent as a locum GP in Scotland (poached fish - I've certainly had some of them from patients) and his reassurance to a scared pre-operative patient which I used as a model in my own career.

'At large' turns out to be a polite term for 'out of work' - but never for long, in the orderly Fifties, when there would always be another job just round the corner. This makes a good basis for a picaresque tour of medical surgeries from the highest to the humblest, as the Dirk Bogarde character is repeatedly told to take his talents elsewhere.

It comes at the cost of a steady, developing narrative, but it provides opportunities for an exceptionally large cast of popular performers. Donald Sinden gets plenty of exposure as an old-style moustachioed seducer, Michael Medwin as the governor's blue-eyed boy, Shirley Eaton as every man's fantasy of a blonde nurse, Dandy Nichols as the nuisance patient who just wants yet another repeat prescription. A most watchable duo are Lionel Jeffries as the weird-looking head of a run-down surgery in the North, and his playful blonde wife acted by Dilys Laye - the only time I've seen her outside the Carry Ons, where she's always made-up to look goofy, but genuinely glamorous here. James Robertson Justice simply acts himself, though that quarterdeck roar is a bit too Fifties to stomach now. And I can't think why they wheeled-on the eccentric Edwardian leftover A.E. Matthews, whose talent never seemed to me to compensate for the trouble he always caused on-set. But if you know who to look out for, you may catch the author of the Doctor books, Richard Gordon, doing his few seconds' walk-on, à la Hitchcock.

This is not rated as the best of the series, the dialogue being pretty clichéd, and the comic sub-plots mostly silly (especially the piece of business over a rich patient leaving her fortune to the Donald Sinden character), and we now know that Bogarde was getting bored with just doing his matinee-idol every time. But his career was just about to take some interesting turns...

After his adventures at sea Dr Sparrow returns to real life and a proper job in a hospital. Messing up his chances of getting a high level position within the hospital Sparrow heads out looking for another job but finds that nothing is going to come easily to him. Meanwhile his colleague Beskin cheats his way into greener pastures with a roguish mix of charm and good humour. Right, well I've done the best I can at providing a short plot summary to the film and I don't think it is that bad considering that in reality the plot is more a series of scenarios with Sparrow drifting around in the working world.

The tone is very much gentle British humour – i.e. not a lot of laughs to be had. It moves slowly enough due to the lack of plot and it is difficult to follow or care about because it does just seem to be drifting aimlessly from one thing to the next. I laughed once or twice at most ("big breaths") but the film just seems happy to exist on a gentle tone rather than having anything sharp or that good in regards material. The cast try hard to raise a laugh or two and push the material as hard as they can but all they can really do is contribute to the gently comic mood. Bogarde is OK in the lead role, hardly memorable but suitable smooth and gentle for the lead. Sinden has fun with a more interesting character and he is funny by force of personality. Justice is hardly in the film but makes his usual impact.

Overall this is an OK entry in an OK series of film. It isn't particularly funny and doesn't really have a plot worth speaking of but it has a gently comic air that might appeal to those looking for undemanding British fare to fill the television on a west Sunday afternoon. Nothing special but not bad so to say.