Todos ao Mar!

It was a bit of a shock that, when Alec Guinness passed away many, so many of his obituaries insisted that "Star Wars" was his most memorable film. For those unfortunates who remember him that way, the Ealing Films he made during the 1950s are absolutely essential viewing.

Not least among those films is this little opus, in which Guinness portrays an ex-naval officer who suffers from catastrophic mal-de-mer. Unable to go at sea but not wishing to be away from it, he assumes command of the only type of "vessel" he can endure, an amusement pier.

It is Guinness's characterization that makes this film work. The very fact that he plays Captain Ambrose absolutely straight is what makes the character so funny, including a wonderfully spot-on parody of Noel Coward's speech to his crew from "In Which We Serve": "An efficient pier is a happy pier". Of course, it is granted that audiences back in 1957 undoubtedly picked up on allusions such as that much more readily than audiences would today.

The film also features a running theme prevalent in many British comedies of that period, namely the individual overcoming big bureaucracy or big business. In this case, when the local town council threatens to close down his amusement pier, the imperturbable Captain Ambrose outwits them by means of the clever expedient of registering his pier as a ship, under a foreign flag of convenience. It's just the sort of solution one would expect from the inventive studio that brought audiences "Passport to Pimlico".

I understand this film was also released under an alternative title, "Barnacle Bill". However, under any title, it is a worthy addition to the seemingly limitless pantheon of characters portrayed by the remarkable Alec Guinness.

From Ealing Studios comes "All At Sea," a 1957 film starring Alec Guinness and a cast that includes names which were or became familiar names/familiar faces in British film and theatre productions (and in one case, books): Irene Browne, Maurice Denham, Lionel Jeffries, Joan Hickson, George Rose, Jackie Collins, Donald Pleasence, and Eric Pohlmann, most of these actors in small roles.

Captain Ambrose comes from a long line of sailors who had sketchy histories, but he himself can't get on the water because of seasickness.

After the war, he buys an amusement pier in a resort town, which the town council wants to tear down. However, he is too clever for them. He has it registered as a ship, thus making it impossible for them to get rid of it.

He is able to make the pier profitable and becomes friends with the woman (Irene Browne) who has rental huts on the beach that are about to become displaced by the grand plans of the council. And they haven't given up yet.

Amusing film with Alec Guinness playing Captain Ambrose -- and like most great actors, he does the part seriously, which makes it funnier. He carries the film as the other actors have small roles. Browne's is a little bigger and she is wonderful as first an enemy of the captain and then as a warm friend.

The final scenes are excellent, as Ambrose's heritage comes into play. Really fine film.

Low key citizens versus the establishment comedy from Ealing Studios stars Alec Guinness as a would-be naval captain, prevented from of a life spent at sea by acute sea sickness, his consolation is to convert a peer into a amusement park depicting a luxury cruise liner, but the local council led by Maurice Denham wants to close him down.

Guinness has multiple roles (as visions) while Irene Browne plays his ally in the fight against Denham and his cronies (principally Lionel Jeffries and Victor Maddern), with growing sympathy from members of the council who see his amusement park as a positive investment for tourism (Alan Cuthbertson, principally). Prolific Percy Herbert plays Guinness' faithful first mate, while Richard Wattis and Donald Pleasance have minor cameos.

Though it's probably one of Guinness' most obscure movies (there's a reference to a better known Guinness' 1950 film "The Mudlark"), it remains a capable comic farce, middle of the road comedy carrying most of the hallmarks that made Ealing the manufacturer synonymous with traditional British comedies in the 1950's.

Saw this as "All At Sea" in the mid 1980's and actually had a copy from TV on tape, but lost it. I'd love to have a copy in my video/DVD library, but none to be found... Really fun and a great cast. Guinness plays the part(s) well, and there are lots of familiar faces if you are at all familiar with British comedy, or British Films in general for that matter. I believe that "All At Sea" was the US Title (US release also in 1957). It is interesting to note that it was made the same year as "The Bridge on the River Kwai" and that Percy Herbert also shares the screen with Guinness in both films.

The great Alec Guinness gives one of his usual fine performance in this lightweight comedy, wrapped around a typically wacky Ealing conceit - the sailor who can't go to sea buying a pier and running it like a ship. The early set-up sequences, featuring a montage of Guinness playing his ancestors at sea through the ages, are the usual silly, slapstick fun, and our hero's exploits getting his 'ship' up and running, fending off the crooked local council, and generally having a good time are heartwarming and cannot fail to raise a smile. One sequence, where he tries to run a dance hall at the end of the pier and is merrily strutting his stuff on the dancefloor with some local hottie when the authorities arrive to complain, is particularly memorable if only for the mad grin on Guinness' face as he boogies. Lacking the deeper satirical bite or wealth of really hilarious moments and characters powering the true classics of Ealing, this is nevertheless a thoroughly enjoyable little film, featuring the standard role-call of vaguely familiar faces (watch out for a youngish Donald Pleasence in an early scene). Not brilliant, but fun.