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Account Rendered

  • 1957
  • 59 min
AVALIAÇÃO DA IMDb
6,0/10
406
SUA AVALIAÇÃO
Account Rendered (1957)
Filme NoirCrimeDramaMistério

Adicionar um enredo no seu idiomaPolice find that everyone had a motive for the murder of a wealthy woman.Police find that everyone had a motive for the murder of a wealthy woman.Police find that everyone had a motive for the murder of a wealthy woman.

  • Direção
    • Peter Graham Scott
  • Roteiristas
    • Pamela Barrington
    • Barbara S. Harper
  • Artistas
    • Griffith Jones
    • Ursula Howells
    • Honor Blackman
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    406
    SUA AVALIAÇÃO
    • Direção
      • Peter Graham Scott
    • Roteiristas
      • Pamela Barrington
      • Barbara S. Harper
    • Artistas
      • Griffith Jones
      • Ursula Howells
      • Honor Blackman
    • 18Avaliações de usuários
    • 4Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos2

    Ver pôster
    Ver pôster

    Elenco principal18

    Editar
    Griffith Jones
    Griffith Jones
    • Robert Ainsworth
    Ursula Howells
    Ursula Howells
    • Lucille Ainsworth
    Honor Blackman
    Honor Blackman
    • Sarah Hayward
    Ewen Solon
    Ewen Solon
    • Detective Inspector Marshall
    Carl Bernard
    • Gilbert Morgan
    Mary Jones
    • Nella Langford
    • (as Mary Tenes)
    Philip Gilbert
    Philip Gilbert
    • John Langford
    John Van Eyssen
    • Clive Franklyn
    Robert Raikes
    Robert Raikes
    • Detective Sgt. Berry
    Gordon Phillott
    • Rigby
    Doris Yorke
    Doris Yorke
    • Landlady
    Vernon Smythe
    • Col. Jarvis
    Gerda Larsen
    • Blondi
    Harry Ross
    • Bernard Goodman
    Barry Steele
    • Barman
    Edwin Richfield
    Edwin Richfield
    • Porter
    Philip Johns
    • Detective Sergeant
    • (não creditado)
    Joe Wadham
    • Police Driver
    • (não creditado)
    • Direção
      • Peter Graham Scott
    • Roteiristas
      • Pamela Barrington
      • Barbara S. Harper
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários18

    6,0406
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    10

    Avaliações em destaque

    5jefadlm-1

    Not what i expected ......

    Peter Graham Scott , Decades have passed since Subterfuge he made around 1966 (ish) and it only now clearly indicates that he was a very busy quick on the draw director,! Sub was a flop from which the unique Joan Collins was the only value in a weak and tiresome spy plot.

    This made for tv rated a B ( for the uninitiated meant for those far off years when cinemas screened TWO films, the weaker story always took screening precedence with the stronger one to finally follow ) 'Account 'was a well written plot during which Mr. Scotts usual tight and taught mystery was unevenly directed and in 2 glaring scenes was abysmally over acted and possibly experimented with an aspiring assistant director to take the reins , which resulted in some pretty harsh flack ! Apart from that , the narrative does hold our interest as to who was the murderer ? As a previous viewer said, she or he thought they realized the answer and got it wrong, as did I also !

    Over all interesting with a dash of mirth added for good measure ? Worth watching, as long as the viewer accepts the occasional wallowing over dramatization here and there ?
    6blanche-2

    Decent mystery with plenty of suspects

    Lucille Ainsworth is married to Robert Ainsworth (Griffith Jones). She has commissioned her portrait to be painted by an artist, Clive (John van Eyssen) as a gift to her husband. Clive is also her lover.

    When Lucille sees the portrait, she hates it. She goes to Hampstead Heath, where she is later found murdered.

    Afraid he is going to be accused, her husband fakes an alibi with his business partner, Gilbert Morgan (Carl Bernard).

    Meanwhile, Lucille's best friend (Honor Blackman) is in love with Robert. It falls to two police detectives to discover the murderer, which they do with careful police work. They trace a coat back to its original owner, and figure out how one person could be at the murder site, despite having an alibi -- too far away to reach the murder scene at the right time.
    sevreschool

    excellent 'b' picture

    Imagine you have gone to the pictures in the fifties, possibly with mum and dad. You start by seeing this little jewel of a film, then the forthcoming attractions, Pearl and Dean adverts and then Pathé News!!! Before the main feature, sit back and enjoy a choc-ice. The main film could have been....... (use your imagination). Brings it all back, doesn't it?

    If only all 1 hour TV police stories made today were as well written as well acted and as well directed.
    9clanciai

    The problem of a too beautiful wife of a too prosperous banker

    This is a brilliant thriller on a small scale, the restricted format of less than 80 minutes comprising a considerable mess of intrigues, as this wife already from the beginning shamelessly confesses to her infidelity, while her husband receives an alarming note which we are never initiated in, there is a reckless artist involved also who gets mixed up in some fights, and there is extortion and embezzlement, all in a wonderful complex of a mystery where everyone could be guilty wile they all are proved innocent by alibis. Honor Blackman is the leading actress here, not far from a Lizabeth Scott character, while the fast action makes it difficult for all the men involved to catch on, but it all makes sense in the end with great satisfaction to the audience after a Hitchcockian train finale.
    7dj_kennett

    Workable and enjoyable

    This strangely short murder-mystery is a good reminder of why the English film industry was so strong during this period.

    The cast of relative unknowns (with the exception of a young Honor Blackman) deliver a tight story in a precise way. The sub texts of the story are not laboured, creating an involving story.

    It's worth the time.

    Interesses relacionados

    Lauren Bacall and Humphrey Bogart in À beira do abismo (1946)
    Filme Noir
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Família Soprano (1999)
    Crime
    Mahershala Ali and Alex R. Hibbert in Moonlight: Sob a Luz do Luar (2016)
    Drama
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mistério

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      This was first released to theaters in England as a second feature. Four years later it was screened on American television as the third episode of Kraft Mystery Theater (1961).
    • Citações

      Clive Franklyn: I'm glad she's dead. I feel free for the first time since I've known her. She obsessed me, she... I couldn't live with her, couldn't live without her. She had everything and nothing. She looked passionate; she was sexless. She had the face of truth; she didn't know the meaning of the word. She was an illusion... nothing.

    • Conexões
      Edited into Kraft Mystery Theater: Account Rendered (1961)
    • Trilhas sonoras
      Without Hope
      (uncredited)

      Music by Trevor Duncan

      Published by Boosey & Hawkes

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    Detalhes

    Editar
    • Data de lançamento
      • 8 de agosto de 1957 (Reino Unido)
    • País de origem
      • Reino Unido
    • Centrais de atendimento oficiais
      • Streaming on "Hollywood Classics Film Channel" YouTube Channel
      • Streaming on "Lucky Dip Cinema" YouTube Channel
    • Idioma
      • Inglês
    • Também conhecido como
      • Die Rechnung ist beglichen
    • Locações de filme
      • Southall Studios, Southall, Middlesex, Inglaterra, Reino Unido(Studio)
    • Empresa de produção
      • Major Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 59 min
    • Cor
      • Black and White

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