[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
IMDbPro

Account Rendered

  • 1957
  • 59 min
AVALIAÇÃO DA IMDb
6,0/10
406
SUA AVALIAÇÃO
Account Rendered (1957)
Filme NoirCrimeDramaMistério

Adicionar um enredo no seu idiomaPolice find that everyone had a motive for the murder of a wealthy woman.Police find that everyone had a motive for the murder of a wealthy woman.Police find that everyone had a motive for the murder of a wealthy woman.

  • Direção
    • Peter Graham Scott
  • Roteiristas
    • Pamela Barrington
    • Barbara S. Harper
  • Artistas
    • Griffith Jones
    • Ursula Howells
    • Honor Blackman
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    406
    SUA AVALIAÇÃO
    • Direção
      • Peter Graham Scott
    • Roteiristas
      • Pamela Barrington
      • Barbara S. Harper
    • Artistas
      • Griffith Jones
      • Ursula Howells
      • Honor Blackman
    • 18Avaliações de usuários
    • 4Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos2

    Ver pôster
    Ver pôster

    Elenco principal18

    Editar
    Griffith Jones
    Griffith Jones
    • Robert Ainsworth
    Ursula Howells
    Ursula Howells
    • Lucille Ainsworth
    Honor Blackman
    Honor Blackman
    • Sarah Hayward
    Ewen Solon
    Ewen Solon
    • Detective Inspector Marshall
    Carl Bernard
    • Gilbert Morgan
    Mary Jones
    • Nella Langford
    • (as Mary Tenes)
    Philip Gilbert
    Philip Gilbert
    • John Langford
    John Van Eyssen
    • Clive Franklyn
    Robert Raikes
    Robert Raikes
    • Detective Sgt. Berry
    Gordon Phillott
    • Rigby
    Doris Yorke
    Doris Yorke
    • Landlady
    Vernon Smythe
    • Col. Jarvis
    Gerda Larsen
    • Blondi
    Harry Ross
    • Bernard Goodman
    Barry Steele
    • Barman
    Edwin Richfield
    Edwin Richfield
    • Porter
    Philip Johns
    • Detective Sergeant
    • (não creditado)
    Joe Wadham
    • Police Driver
    • (não creditado)
    • Direção
      • Peter Graham Scott
    • Roteiristas
      • Pamela Barrington
      • Barbara S. Harper
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários18

    6,0406
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    9clanciai

    The problem of a too beautiful wife of a too prosperous banker

    This is a brilliant thriller on a small scale, the restricted format of less than 80 minutes comprising a considerable mess of intrigues, as this wife already from the beginning shamelessly confesses to her infidelity, while her husband receives an alarming note which we are never initiated in, there is a reckless artist involved also who gets mixed up in some fights, and there is extortion and embezzlement, all in a wonderful complex of a mystery where everyone could be guilty wile they all are proved innocent by alibis. Honor Blackman is the leading actress here, not far from a Lizabeth Scott character, while the fast action makes it difficult for all the men involved to catch on, but it all makes sense in the end with great satisfaction to the audience after a Hitchcockian train finale.
    5bensonmum2

    Okay little British mystery

    When a wealthy woman with a closet full of skeletons is murdered, there are no shortage of suspects. From a jealous husband to secret lovers, Lucille Ainsworth's death leaves the police with several paths they'll need to go down to find the killer.

    Overall, Account Rendered is a decent little British mystery, but doesn't have enough gong for it to call it much more than average. While several plot twists work quite well, there are instances where the film can get a bit dull. It's all filmed in a matter-of-fact style that, while efficient, doesn't allow for much story or character development. It may have been a product of the film's age or the transfer I watched, but it's not a very good looking movie either. Drab would be the word I'd use to describe it. The movie was released in 1957 , but it looks more like 1937. Finally, Account Rendered ends with a satisfactory conclusion, which is always nice in a mystery.

    Just as I described the film, I'd also call the film's group of unknown actors (well, unknown to me) "efficient". The only real name in the cast is Honor Blackman. She does fine in a small role. The standout performance is Ewen Solon as Inspector Marshall. He easily brings the most life to the proceedings.

    5/10.
    6malcolmgsw

    Interesting to see hampstead in the fifties

    This film was shot around Hampstead Heath.There is a glimpse of Hampstead police station.The film works as a whodunit because nearly everyone seems to have a motive to kill the victim.Though it has to be said that Griffith Jones is quids in.Losing a hated wife and gaining the delectable Honor Blackman who would go on to far better films than this.
    5jefadlm-1

    Not what i expected ......

    Peter Graham Scott , Decades have passed since Subterfuge he made around 1966 (ish) and it only now clearly indicates that he was a very busy quick on the draw director,! Sub was a flop from which the unique Joan Collins was the only value in a weak and tiresome spy plot.

    This made for tv rated a B ( for the uninitiated meant for those far off years when cinemas screened TWO films, the weaker story always took screening precedence with the stronger one to finally follow ) 'Account 'was a well written plot during which Mr. Scotts usual tight and taught mystery was unevenly directed and in 2 glaring scenes was abysmally over acted and possibly experimented with an aspiring assistant director to take the reins , which resulted in some pretty harsh flack ! Apart from that , the narrative does hold our interest as to who was the murderer ? As a previous viewer said, she or he thought they realized the answer and got it wrong, as did I also !

    Over all interesting with a dash of mirth added for good measure ? Worth watching, as long as the viewer accepts the occasional wallowing over dramatization here and there ?
    5sol-

    My brief review of the film

    A pretty run-of-the-mill, but yet still reasonably entertaining British murder mystery, there are a few well-done bits, but not quite enough for them to really be notable. The characters, the acting and the story never rise above the ordinary, however it can at least be said that they never fall below the mark either. The special weather effects for lightning, achieved by scratching actual film, are a sight to see, even if they look quite fake. There is not much else to strongly recommend this early English film on, but if comes to television, it is perhaps worth a look. Honor Blackman would, of course, later go on to be Pussy Galore.

    Mais itens semelhantes

    Fate Takes a Hand
    6,1
    Fate Takes a Hand
    Laxdale Hall
    6,3
    Laxdale Hall
    Confession
    6,4
    Confession
    The Great Game
    6,1
    The Great Game
    A Fortuna é Mulher
    6,8
    A Fortuna é Mulher
    The High Terrace
    6,1
    The High Terrace
    O Alvo Ambulante
    6,0
    O Alvo Ambulante
    Perseguição Sem Tréguas
    6,2
    Perseguição Sem Tréguas
    The Crowded Day
    6,4
    The Crowded Day
    O Regresso de um Estranho
    5,6
    O Regresso de um Estranho
    A Maldição de Caim
    6,1
    A Maldição de Caim
    Volúpia de Assassino
    6,2
    Volúpia de Assassino

    Interesses relacionados

    Lauren Bacall and Humphrey Bogart in À beira do abismo (1946)
    Filme Noir
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Família Soprano (1999)
    Crime
    Mahershala Ali and Alex R. Hibbert in Moonlight: Sob a Luz do Luar (2016)
    Drama
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mistério

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      This was first released to theaters in England as a second feature. Four years later it was screened on American television as the third episode of Kraft Mystery Theater (1961).
    • Citações

      Clive Franklyn: I'm glad she's dead. I feel free for the first time since I've known her. She obsessed me, she... I couldn't live with her, couldn't live without her. She had everything and nothing. She looked passionate; she was sexless. She had the face of truth; she didn't know the meaning of the word. She was an illusion... nothing.

    • Conexões
      Edited into Kraft Mystery Theater: Account Rendered (1961)
    • Trilhas sonoras
      Without Hope
      (uncredited)

      Music by Trevor Duncan

      Published by Boosey & Hawkes

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Detalhes

    Editar
    • Data de lançamento
      • 8 de agosto de 1957 (Reino Unido)
    • País de origem
      • Reino Unido
    • Centrais de atendimento oficiais
      • Streaming on "Hollywood Classics Film Channel" YouTube Channel
      • Streaming on "Lucky Dip Cinema" YouTube Channel
    • Idioma
      • Inglês
    • Também conhecido como
      • Die Rechnung ist beglichen
    • Locações de filme
      • Southall Studios, Southall, Middlesex, Inglaterra, Reino Unido(Studio)
    • Empresa de produção
      • Major Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 59 min
    • Cor
      • Black and White

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.