AVALIAÇÃO DA IMDb
6,3/10
1,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDuring the 1950s, a man's car trip from L.A. to Texas turns into a Cold War espionage drama after his car breaks down and he accepts a lift from a stranger.During the 1950s, a man's car trip from L.A. to Texas turns into a Cold War espionage drama after his car breaks down and he accepts a lift from a stranger.During the 1950s, a man's car trip from L.A. to Texas turns into a Cold War espionage drama after his car breaks down and he accepts a lift from a stranger.
- Direção
- Roteiristas
- Artistas
Karl Ludwig Lindt
- Kissel
- (as Karl Lindt)
John Frederick
- Sheriff
- (as John Merrick)
Leonard Bremen
- Collision Shop Owner
- (não creditado)
Sidney Clute
- Mechanic
- (não creditado)
Ken Curtis
- FBI Agent Jim Anderson
- (não creditado)
Harry Hines
- Motel Owner
- (não creditado)
Tom McKee
- Man from Sanitarium
- (não creditado)
Bert Stevens
- Motorcycle Cop
- (não creditado)
Avaliações em destaque
Low-budget but suspenseful Cold War yarn, with Sterling Hayden & Ruth Roman. Hayden is gruff John Emmett, whose car breaks down in California on his road to nowhere (supposedly en route to visit his folks in Texas). The suspiciously friendly Ann Nicholson (Roman) offers Emmett a lift, as long as he'll drive some. She's going to New Mexico.
Along the way, her psychiatrist (the future Col. Klink, Werner Klemperer) & his nurse pop up; with sundry likewise suspicious characters: cops, a university dean, CIA, FBI (Ken "Festus" Curtis), & hired killers. Ann's carrying missile secrets, which are carved into a ladies' mirror. There's a fine sudden twist to the showdown with the guy for whom the missile secrets are meant.
For a low-budget thriller, the acting's surprisingly low-key. Hayden does restrained bewilderment very well: quite contrary to his lead role in "The Killing," a couple years before. Roman is also restrained in her role as a suspected spy, with secrets of her own culled from both sides of the globe. As our Dad used to say, "A goody to see again!"
Along the way, her psychiatrist (the future Col. Klink, Werner Klemperer) & his nurse pop up; with sundry likewise suspicious characters: cops, a university dean, CIA, FBI (Ken "Festus" Curtis), & hired killers. Ann's carrying missile secrets, which are carved into a ladies' mirror. There's a fine sudden twist to the showdown with the guy for whom the missile secrets are meant.
For a low-budget thriller, the acting's surprisingly low-key. Hayden does restrained bewilderment very well: quite contrary to his lead role in "The Killing," a couple years before. Roman is also restrained in her role as a suspected spy, with secrets of her own culled from both sides of the globe. As our Dad used to say, "A goody to see again!"
This is a clever directing job to make a film noir mystery into a good film.
Film noir often stumbled from being too Hollywood, with heroes and heroines automatically acting creepy just for the sake of acting creepy.
Here, we get the opposite. The best mysteries have the woman being the "woman of mystery", because that is part of being a woman, while being a man means having your mystery come out of your very straight forward approach.
Sterling Hayden often acted gruff for the sake of acting gruff. A modern day guy who thought there was always a camera on him.
But here he acts more like a believable man from the fifties, or any era before the twenty first century.
He becomes the "everyman" who is introduced to a mysterious world, which involves espionage.
The CIA and FBI are put in a likable light, which doesn't go over well with those who like the post 1965 cliché. Being 1957, this goes under the old cliché, which really wasn't around long enough to be a cliché. That's why such CIA and FBI characters are still fresh, and in the long run, more believable than the silly assassins of today.
What helps here is a great atmosphere. We get some road, and not too much of the cars. We have a few pit stops, and changing scenery, which makes this flow very well.
Film noir often stumbled from being too Hollywood, with heroes and heroines automatically acting creepy just for the sake of acting creepy.
Here, we get the opposite. The best mysteries have the woman being the "woman of mystery", because that is part of being a woman, while being a man means having your mystery come out of your very straight forward approach.
Sterling Hayden often acted gruff for the sake of acting gruff. A modern day guy who thought there was always a camera on him.
But here he acts more like a believable man from the fifties, or any era before the twenty first century.
He becomes the "everyman" who is introduced to a mysterious world, which involves espionage.
The CIA and FBI are put in a likable light, which doesn't go over well with those who like the post 1965 cliché. Being 1957, this goes under the old cliché, which really wasn't around long enough to be a cliché. That's why such CIA and FBI characters are still fresh, and in the long run, more believable than the silly assassins of today.
What helps here is a great atmosphere. We get some road, and not too much of the cars. We have a few pit stops, and changing scenery, which makes this flow very well.
Stranded in a small California town after experiencing car trouble, vacationing John Emmett is spared the tedium of bus travel when he has a chance meeting with Ann Nicholson-who offers him a lift if he'll agree to split the driving duties to Santa Fe. He soon learns that Ann is actually a patient recovering from a nervous breakdown, however, and a simple little road trip blossoms into a Cold War nightmare as the couple are ensnared in a web of mystery involving vital national security secrets!
Directed by Henry Kessler, Danger also features several familiar classic TV faces among its supporting cast: Werner Klemperer, a two-time Emmy winner as Colonel Klink on Hogan's Heroes, portrays a psychiatrist, and daytime drama doyenne Jeanne Cooper (The Young and the Restless) is Roman's concerned nurse. Stir in uncredited contributions from Sidney Clute (Cagney & Lacey) and Ken Curtis (Gunsmoke), and you have in 5 Steps to Danger a crackling good suspense thriller that will keep you guessing to the very end!
Directed by Henry Kessler, Danger also features several familiar classic TV faces among its supporting cast: Werner Klemperer, a two-time Emmy winner as Colonel Klink on Hogan's Heroes, portrays a psychiatrist, and daytime drama doyenne Jeanne Cooper (The Young and the Restless) is Roman's concerned nurse. Stir in uncredited contributions from Sidney Clute (Cagney & Lacey) and Ken Curtis (Gunsmoke), and you have in 5 Steps to Danger a crackling good suspense thriller that will keep you guessing to the very end!
Entertaining chase drama with a cold war twist. Ruth Roman, one of the more under appreciated actresses of the fifties, gives an excellent portrait of a woman pursued. Intelligent and capable with an underlying edge of hysteria since she's never completely sure of what's happening. Made just as the Cold War was starting to really make an impact on public consciousness the film uses that to it's advantage.
The requisite romantic subplot is the weakest part of the story but part of that is due to having that stolid block of wood Sterling Hayden in the lead. A stronger actor would have made this even better.
A minor spy film but one that keeps the tension taut and is strengthened by the strong work of its leading lady.
The requisite romantic subplot is the weakest part of the story but part of that is due to having that stolid block of wood Sterling Hayden in the lead. A stronger actor would have made this even better.
A minor spy film but one that keeps the tension taut and is strengthened by the strong work of its leading lady.
Do you remember "the thirty-nine steps"?Do you remember Robert Donat and Madeleine Carroll chained together by handcuffs ?Sterling Hayden and Ruth Roman (who was in Hitchcock's "strangers on a train") have the same misadventure;besides,the doctor and the nurse who "take care" of Mrs Nicholson recall Claude Rains and his mother poisoning Ingrid Bergman in "notorious".It goes without saying that "5 paces to danger" is Hitchcockesque to the core.The plot is bizarre but the two leads make a good pairing and the film ,which begins as a road movie ,then features an almost irrelevant flashback in Germany to continue as a spy thriller ,is rather entertaining.Best scene comes at the end when they visit the so called Kessel in the base: we feel something odd in the air and the bag is a good trick.
Você sabia?
- CuriosidadesFilmed before, but released after Ruth Roman's fateful trip aboard the luxury liner, Andrea Doria. The ship collided with another and sank on July 26, 1956. Miss Roman and her young son were among the survivors. During their rescue, they became separated and she arrived in New York before her son did. She was hounded by the press and paparazzi while she waited for her son's ship to arrived at the dock.
- Erros de gravaçãoAt the motel where Ann and John have a handyman bring them food and a hacksaw, there is no lock on the door to their room - not a chain or deadbolt or even a lock in the doorknob.
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- How long is 5 Steps to Danger?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Five Steps of Terror
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 500.000 (estimativa)
- Tempo de duração
- 1 h 21 min(81 min)
- Cor
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