Paladino do Oeste

Richard Boone was a thoughtful and serious actor, and so must have felt a great satisfaction in playing a 'thoughtful gunman' in the Old West.

Although Paladin often professed the desire to settle every situation without gunplay if possible, his rivals in most shows didn't afford him that opportunity. It's a rare show that Paladin didn't have to shoot someone ... sometimes a few someones.

Despite many story corners having to be cut to fit these stories into a 30-minute format, each story is interesting and compelling, virtually always with a twist that keeps them from being some of the many Western clichés.

Now that the series has been resurrected on Encore Westerns, generations who had no opportunity to appreciate this fine series in years past can now discover it for themselves. This is yet another example of how many television shows from the 50s and early 60s were far superior to most of what is filmed now.

As the proud owner of both the first and second seasons of "Have Gun - Will Travel", I am continually impressed with the quality and complexities of this "forgotten" treasure. Created during an age of western storytelling that was inundated with cardboard, do-gooders that were so clean they squeaked when they walked, Paladin stands out as an effective genre bridge between the over idealistic cowboy typified in John Wayne and the anti-hero "The Man With No Name" Clint Eastwood. "Have Gun - Will Travel" is a series that remembers the key to great storytelling is a believable character being true to himself at all times. Paladin is a combination rogue who works within the system, Robin Hood, and a crusader for the downtrodden. Quick with both a gun and a sarcastic wit, this professional problem solver is as at home in a drawing room as he is around a campfire. While this may sound hokey if you are as cynical as I am, I can assure you it is not. Besides casting the perfect actor for the role, the late Richard Boone, the creators used a talented group of writers {including Gene "Wagontrain to the Stars" Roddenberry} who used every second of screen time to move you through story lines that were frequently only westerns in their setting. I particularly enjoy the fact that you are never given more than an occasional hint as to Paladin's back-story. While this may frustrate some viewers, I find the air of mystery that it lends to the character adds to his complexity. For anyone that truly enjoys well crafted escapism or simply wonders if new life can be brought to an already overworked concept, you could not find a finer example of the true artistic potential of cinema's "bastard" child than "Have Gun - Will Travel".

Intelligent, principled, competent, courageous, educated and suave. A bit ruthless perhaps, but a hero. Such was Palladin, who could quote Shakespeare as well as he used his perfectly balance Cavalry model 1873 Colt Single Action Revolver. This was the perfect counterpoint to Maverick's irony. For a school boy who also loved Shakespeare, Palladin became a justification. If a Western hero could be literate, then a literate boy was OK. Richard Boone was excellent, as we all know and yet... I wonder if John Dehner (who played Palladin on radio and who could not take the role on television because of contractual difficulties) had played the role, what would that have been like? Dehner vs Boone... speculation only but Dehner's greater sophistication against Boone's rugged masculinity. Both the radio and TV versions of Palladin were excellent. There has been little or nothing like it since.

Richard Boone was brilliant as Paladin and the opening where he draws his gun to tension-building music was one of the best of any program made during the late-fifties. The half hour programs were always socially and politically poignant, with the hero always prevailing over injustice, discrimination and hate.

The craggy-faced Boone dresses in black, making him a possible icon for the motorcycle sub-culture of our society. A typical "anti-hero"....establishing his OWN justice and being an avenging angel, tormenting those who have been unjust. Seemingly of the opinion that less is more, Paladin never EVER used his gun unless absolutely necessary and somehow, in the process, scared all malefactors crap-less. We could use more of that humbleness today.

Shows like "Dog - Bounty Hunter" and "Orange County Chopper" once had the potential to be modern versions of Paladin, but are quite lost on me, due to today's propensity away from mental and moral stability and toward "quirkiness." Today producers feel more is best and less is nothing. This disease is epidemic in the entertainment productions of the early 21st century. Television was truly meant for great programs like Have Gun - Will Travel.

The plot and the character, Paladin (which is not actually the gunfighter's name; he takes the moniker after being challenged by a character named Smoke) were ahead of the times for 1957. Paladin is a multilingual gentleman of letters who sees no need for macho bravado, is a champion of human rights (regardless of race or nationality) and who proves that real men can be literate, eloquent, and even wear a satin robe.

Having viewed the Columbia House re-release of twenty-one episodes of "Have Gun", it amazes me how much Paladin is a renaissance man. Paladin laughs up his sleeve as his adversaries fumble in comic absurdity, trying to prove just how masculine they are. Psychology, not a pistol, often is the weapon of choice. Even so, after twenty-two minutes of clever strategy and elocution, the fist and the forty-four are often called upon to end the story, lest we run out of time.

No small surprise that "Have Gun" provided writer Gene Roddenberry with a creative garden to develop ideas for another series (deemed by the omniscient sages of networkdom to be "too cerebral"), "Star Trek".