AVALIAÇÃO DA IMDb
7,9/10
7,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA docudrama depicting a hypothetical nuclear attack on Britain.A docudrama depicting a hypothetical nuclear attack on Britain.A docudrama depicting a hypothetical nuclear attack on Britain.
- Ganhou 1 Oscar
- 5 vitórias no total
Michael Aspel
- Self - Commentator
- (narração)
Peter Graham
- Self - Commentator
- (narração)
Dave Baldwin
- Schoolmaster
- (não creditado)
- …
Kathy Staff
- Interviewee
- (não creditado)
Peter Watkins
- Documentist
- (não creditado)
Avaliações em destaque
The War Game is one of the most amazing films I have ever seen. It's a pseudo-documentary made in 1965, about the possible effects of a nuclear attack on Great Britain. The director's premise is that Britain (and indeed the world) is hopelessly unprepared for such a thing. Some classic scenes: befuddled Brits receiving civil defence booklets. Blank stares greeting the interviewer when he asks Brits on the street about radioactive fallout. The footage is all made to look horribly real. Some of it looks a little hokey - the use of a shaky camera to simulate a desperate ground battle stands out - but there are also very convincing scenes of firestorms raging out of control, sucking the oxygen out of the air for blocks around. Also, incredible scenes of radiation burn victims, food riots, police polishing off the near dead, etc... The killer part is at the end - an interview with some young blast victims will haunt you for a long time.
"Do you know what Strontium-90 is, and what it does to the human body???"
"Do you know what Strontium-90 is, and what it does to the human body???"
'The War Game' is a fascinating and deeply disturbing documentary which dramatizes what might happen in the event of a nuclear strike. Of course in many ways it is dated but I still think its central message is as powerful and as frightening as ever. It was banned (either officially or non-officially, there is some debate) by the BBC for many years, and it's no wonder. The film is political dynamite. This is not a film you would choose to watch for entertainment, but I highly recommend it to anyone who is willing to look at something confrontational and REAL. The Cold War is long over but the threat of nuclear annihilation remains, and therefore 'The War Game' still deserves to be seen by a mass audience before it's too late.
Just watched this for the first time, having heard and read much about it. It's still powerful stuff, and for 1966 this must have been particularly strong. The British Film Institute have just released this on DVD including an interesting documentary about the BBC's banning of the film, and a copy of Watkins' earlier film 'Diary of an unknown soldier'. Good stuff.
I saw The War Game thanks to my local branch of CND in 1979 when they showed it in a hall in our town. My mum was vehemently anti-communist so I had to sneak out to see it. The local paper kicked up at 14-year olds being encouraged to see an 'X' film. Was it worth the fuss? Yes, without a doubt. I had already seen Watkin's definitive 'Culloden' earlier that year and was bowled over by the documentary style applied to a drama, but The War Game surpassed even that. I will never forget the scenes of the helmeted English bobbies shooting people in the head to put them out of their misery, or the bucket full of wedding rings or most of all, the line of kids being asked what they wanted to be when they grew up and the replies of 'nuffink.'
For me, that summed up the futility of war, nuclear or otherwise.
'Threads' is good, but 'The War Game' is still the best portrayal of a nuclear attack on Britain ever made. It should be shown more often.
For me, that summed up the futility of war, nuclear or otherwise.
'Threads' is good, but 'The War Game' is still the best portrayal of a nuclear attack on Britain ever made. It should be shown more often.
The War Game........ I saw this movie in a limited engagement in Toronto at an underground theater when it was first shown here. For the time the film was very " in your face " and I recall people coming from the small theater with shocked looks on their faces, one couple I recall the man was being sick at the curb, others seemed to have just blank stares on their faces.
It was a very impacting movie, very much ahead of its time and no where could have Hollywood or any other film makers here or in the US could have come close to making. It was an very intense for the subject and it was the ending that did it to everyone there who saw it. For 46 minutes of black & white film it had impact that I have not seen since in any of the much vaunted films over the last 40 odd years or so. If you do get a chance to see it do so, and try to see it in the temper of the times that it was produced in..........Enjoy
inquist4
It was a very impacting movie, very much ahead of its time and no where could have Hollywood or any other film makers here or in the US could have come close to making. It was an very intense for the subject and it was the ending that did it to everyone there who saw it. For 46 minutes of black & white film it had impact that I have not seen since in any of the much vaunted films over the last 40 odd years or so. If you do get a chance to see it do so, and try to see it in the temper of the times that it was produced in..........Enjoy
inquist4
Você sabia?
- CuriosidadesDespite being produced by the British Broadcasting Corporation (BBC), the film was banned from television. The official reason was violence and depiction of human suffering, but others hinted that the real reason was because it went against the official government line concerning the survivability of a nuclear attack. The ban didn't forbid cinematic distribution, so the film had a wide theatrical release and won four major film awards.
- Erros de gravaçãoLight can be seen reflecting off a woman's "broken" teeth.
- Citações
Scientist: Technically and intellectually, we are living in an atomic age. Emotionally, we are still living in the Stone Age. The Aztecs on their feast days would sacrifice 20,000 men to their gods in the belief that this would keep the universe on its proper course. We feel superior to them.
- Versões alternativasSome prints replace the stills of Lyndon B. Johnson and Alexey Kosygin with stills of the White House and the Red Square
- ConexõesFeatured in Peter Watkins reflects on the War Game and the media (1983)
- Trilhas sonorasStille Nacht, heilige Nacht (Silent Night, Holy Night)
(uncredited)
Music by Franz Xaver Gruber
Lyrics by Joseph Mohr
Played on phonograph at Dover refugee compound
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Detalhes
- Tempo de duração
- 48 min
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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