AVALIAÇÃO DA IMDb
7,1/10
16 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn American POW leads a group of mainly British prisoners to escape from the Germans in WWII.An American POW leads a group of mainly British prisoners to escape from the Germans in WWII.An American POW leads a group of mainly British prisoners to escape from the Germans in WWII.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 1 vitória e 3 indicações no total
Raffaella Carrà
- Gabriella
- (as Raffaella Carra)
John Van Dreelen
- Col. Gortz
- (as John van Dreelen)
Ian Abercrombie
- English POW
- (não creditado)
Don Ames
- Prisoner of War
- (não creditado)
Avaliações em destaque
During his acting career, Frank Sinatra took a lot of hits from people who thought he couldn't act. While his early films are a tad rough, I've always thought this criticism was entirely undeserved. With films like SUDDENLY, MAN WITH THE GOLDEN ARM, THE MANCHURIAN CANDIDATE and this film, he proved pretty conclusively that in addition to singing, he was a heck of an actor. I wonder if some of the criticism of Sinatra was more a criticism of him as a person. Sure, he was in many ways difficult, but say what you want about this--he still could act.
In VON RYAN'S EXPRESS, Frank plays the leader of a huge group of soldiers who escape from an Italian prison camp. The Italian government is in shambles and the soldiers have no desire to press the war, but when an entire camp of Allied soldiers bolts, the Germans come in force to stop them and save face.
This is a big scope picture--with exciting prison camp scenes, chases, railroad scenes, etc. While not the best prison film I have seen, it's among the best and apart from a small handful of films (such as THE DIRTY DOZEN and THE GUNS OF NAVARONE), it's one of the best of the genre made in the 1960s. Give it a look--you won't be disappointed.
In VON RYAN'S EXPRESS, Frank plays the leader of a huge group of soldiers who escape from an Italian prison camp. The Italian government is in shambles and the soldiers have no desire to press the war, but when an entire camp of Allied soldiers bolts, the Germans come in force to stop them and save face.
This is a big scope picture--with exciting prison camp scenes, chases, railroad scenes, etc. While not the best prison film I have seen, it's among the best and apart from a small handful of films (such as THE DIRTY DOZEN and THE GUNS OF NAVARONE), it's one of the best of the genre made in the 1960s. Give it a look--you won't be disappointed.
what a marvellous performance by Sinatra and Trevor Howard in this classic World War 11 movie.A great script and some strong supporting roles make this movie a wonderful piece of entertainment.Sharp movie fans may even notice a young James Brolin in a small role,but the greatest thing about this movie is the wonderful line uttered by Trevor Howard to Frank(as Von Ryan)when Sinatra tries to tie a knot to show how to strangle a german guard (which fails) and Trevor Howard shows Sinatra how to really tie a strangle knot ,and says the immortal line"learn that from the cowboy films did you?".what a great put down,its worth watching just for that.The ending is a surprise and really leaves one a bit flat but all in all wonderful escapism.
Buoyed by the success of 'The Great Escape' - the one cast member the two films having in common being John Leyton - and set in Italy in 1943, this time it's Frank Sinatra's turn to sashay about in German uniform surrounded by an otherwise European cast.
For a change the captors were Italians rather than Germans, with Adolfo Celi's function as chief baddie anticipating his role as Largo in 'Thunderball' (although this time its his subordinate officer who gets to wear the eye patch).
Aided by a rollicking score by Jerry Goldsmith, like 'The Great Escape' it all treats war as a bit of a lark, and if like the earlier film the ending (SPOILER COMING:) is a real downer its the part of the film everybody remembers.
For a change the captors were Italians rather than Germans, with Adolfo Celi's function as chief baddie anticipating his role as Largo in 'Thunderball' (although this time its his subordinate officer who gets to wear the eye patch).
Aided by a rollicking score by Jerry Goldsmith, like 'The Great Escape' it all treats war as a bit of a lark, and if like the earlier film the ending (SPOILER COMING:) is a real downer its the part of the film everybody remembers.
Maybe not the best war movie ever made but an excellent one, thanks to Frank Sinatra's performance as well as character, who steals the show. It is typical of the sixties, tense, with a terrific suspense and action pace. You are never bored in this movie, a drama, war thriller taking place aboard a train. Mark Robson will make more or less the same topic a decade later with the same atmosphere: AVALANCHE EXPRESS, during which he will die, before the end of the shooting. But I prefer VON RYAN'S EXPRESS, no problem, the other one was a spy thriller. But none of those Robson's features will surpass John Frankenheimer's THE TRAIN, the best of the best ever about trains during the war.
*** Warning ***: I make a few references to this film's plot in the comments below.
I think if I was living during 1943 and was involved in World War II then being with Frank, Trevor and the rest of the boys as portrayed in this film is where I'd want to be. Racing up Italy in a captured POW train, honorable American and British soldiers fighting pesky Nazis, and just trying to make it to beautiful Switzerland. Who could ask for more? You have adventure, killing in self-defense (well mostly), outsmarting the enemy, and a gorgeous young Italian woman on the train with you! Sure beats being a German soldier stuck in Stalingrad in 1942!
And let's face it, if you're looking for a WW II film with historical accuracy about specific WWII events or a "war is heck, here's why" kind of film then this is not the kind of film you're going to like.
But to me this film offers something many others don't by how it relates to everyday life and its struggles. So what am I saying, escaping from a German POW camp and fighting Nazis is a daily life struggle for anyone nowadays ?? No, of course not. But I like the way misfortune then opportunity seem to go hand in hand in this movie. A misfortune is turned into another opportunity simply by trying or moving forward. The following two lines best sum up this film: Captured German Major: "But still you have NO choice!" British Major: "And nothing to lose by trying to make one!"
Nothing is mapped out they way they want it and each misfortune has its cost in lives lost, but they push on. Each loss looks like it is rewarded with something positive... British physician (who up 'till now has been supportive of Colonel Ryan): "Roll, roll where?...Maybe this is the end of the line". Italian Captain (just running in): "Colonel Ryan, the conductor has a plan, he thinks he can get us all to Switzerland!" British Major: "Switzerland?...You're mad!" (The Italian major explains the conductor's plan) British Major: "You know it may just work" Colonel Ryan: "Let's move!"
Sometimes we are all fighting those "Nazis/demons" in our life and we are all just trying to escape to "Switzerland" and like the end of the film says: "I once told you Ryan, if only one gets out it's a victory".
I read in another review of this film where it was said Frank Sinatra looked like he was sleep walking through it -- well then way to go Frank! No award grabbing performance from "ol' blue eyes" here, just a man who acts and feels like he's just been in a POW camp (the Rat Pack must've just broken up or a gig in Vegas got canceled or something). I think this is one of Frank S.'s best movies, yes much better than that depressing "Manchurian Candidate" (1962).
And give this film credit for one thing: Here at least the Germans speak German and the Italians speak Italian. There's none of that English with a heavy German or Italian accent stuff here. And filming outside when possible with picturesque Italian and Switzerland scenery are an added bonus.
I know there are several other WWII films made during the 1960s that get mentioned a lot, but off-hand I think there are only two or three made during the '60s that offer or have any value: "The Train" (1965) and "Closely Observed Trains" (1966) are the only two I can think of (hmmm...that's odd, but all three involve trains).
If you liked "Von Ryan's Express" then please recommend other war films from any decade. I'm always on the look out for a good war film. And if you didn't care for this film, well then when you're through picking this one apart tell me of one you did like. Thanks.
I think if I was living during 1943 and was involved in World War II then being with Frank, Trevor and the rest of the boys as portrayed in this film is where I'd want to be. Racing up Italy in a captured POW train, honorable American and British soldiers fighting pesky Nazis, and just trying to make it to beautiful Switzerland. Who could ask for more? You have adventure, killing in self-defense (well mostly), outsmarting the enemy, and a gorgeous young Italian woman on the train with you! Sure beats being a German soldier stuck in Stalingrad in 1942!
And let's face it, if you're looking for a WW II film with historical accuracy about specific WWII events or a "war is heck, here's why" kind of film then this is not the kind of film you're going to like.
But to me this film offers something many others don't by how it relates to everyday life and its struggles. So what am I saying, escaping from a German POW camp and fighting Nazis is a daily life struggle for anyone nowadays ?? No, of course not. But I like the way misfortune then opportunity seem to go hand in hand in this movie. A misfortune is turned into another opportunity simply by trying or moving forward. The following two lines best sum up this film: Captured German Major: "But still you have NO choice!" British Major: "And nothing to lose by trying to make one!"
Nothing is mapped out they way they want it and each misfortune has its cost in lives lost, but they push on. Each loss looks like it is rewarded with something positive... British physician (who up 'till now has been supportive of Colonel Ryan): "Roll, roll where?...Maybe this is the end of the line". Italian Captain (just running in): "Colonel Ryan, the conductor has a plan, he thinks he can get us all to Switzerland!" British Major: "Switzerland?...You're mad!" (The Italian major explains the conductor's plan) British Major: "You know it may just work" Colonel Ryan: "Let's move!"
Sometimes we are all fighting those "Nazis/demons" in our life and we are all just trying to escape to "Switzerland" and like the end of the film says: "I once told you Ryan, if only one gets out it's a victory".
I read in another review of this film where it was said Frank Sinatra looked like he was sleep walking through it -- well then way to go Frank! No award grabbing performance from "ol' blue eyes" here, just a man who acts and feels like he's just been in a POW camp (the Rat Pack must've just broken up or a gig in Vegas got canceled or something). I think this is one of Frank S.'s best movies, yes much better than that depressing "Manchurian Candidate" (1962).
And give this film credit for one thing: Here at least the Germans speak German and the Italians speak Italian. There's none of that English with a heavy German or Italian accent stuff here. And filming outside when possible with picturesque Italian and Switzerland scenery are an added bonus.
I know there are several other WWII films made during the 1960s that get mentioned a lot, but off-hand I think there are only two or three made during the '60s that offer or have any value: "The Train" (1965) and "Closely Observed Trains" (1966) are the only two I can think of (hmmm...that's odd, but all three involve trains).
If you liked "Von Ryan's Express" then please recommend other war films from any decade. I'm always on the look out for a good war film. And if you didn't care for this film, well then when you're through picking this one apart tell me of one you did like. Thanks.
Você sabia?
- CuriosidadesMichael Goodliffe, who plays Capt. Stein, was an actual Prisoner of War during WWII. He was captured at Dunkirk and spent the next five years in a German POW camp.
- Erros de gravaçãoAfter Italy's surrender is announced, Ryan claims that Battaglia is now a civilian, not an army officer. This is incorrect, and the characters would have known his proper (and unchanged) status. Although it surrendered, Italy continued to be a country with a proper government and military forces. Battaglia would have been an officer in a non-belligerent (but untrusted) military.
- Citações
Maj. Eric Fincham: [Final lines voiceover] I once told you, Ryan, if only one gets out, it's a victory.
- Cenas durante ou pós-créditosThe film credits and all promotion publicity still say "A Cinemascope Picture", and Alfred Newman's "extended" 20th Century-Fox fanfare is still heard on the soundtrack as the picture begins, but most of the film was actually shot in Panavision, at Frank Sinatra's insistence.
- Versões alternativasWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'U' rating. All cuts were waived in 1988 when the film was granted a 'PG' certificate for home video.
- ConexõesEdited into Galactica 1980: Galactica Discovers Earth: Part 2 (1980)
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- How long is Von Ryan's Express?Fornecido pela Alexa
- Is this movie based on a book?
- On which railway line were the action scenes at the end of the movie shot?
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- El expreso de Von Ryan
- Locações de filme
- El Churro, Málaga, Andalucía, Espanha(final shootout on rail track on mountain)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.760.000 (estimativa)
- Tempo de duração1 hora 57 minutos
- Cor
- Proporção
- 2.35 : 1
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What is the Brazilian Portuguese language plot outline for O Expresso de Von Ryan (1965)?
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