O Expresso de Von Ryan

what a marvellous performance by Sinatra and Trevor Howard in this classic World War 11 movie.A great script and some strong supporting roles make this movie a wonderful piece of entertainment.Sharp movie fans may even notice a young James Brolin in a small role,but the greatest thing about this movie is the wonderful line uttered by Trevor Howard to Frank(as Von Ryan)when Sinatra tries to tie a knot to show how to strangle a german guard (which fails) and Trevor Howard shows Sinatra how to really tie a strangle knot ,and says the immortal line"learn that from the cowboy films did you?".what a great put down,its worth watching just for that.The ending is a surprise and really leaves one a bit flat but all in all wonderful escapism.

Von Ryan's Express which was a best selling action adventure novel in the sixties combines some of the best elements of The Great Escape and Bridge Over the River Kwai.

Culture clashes abound in Von Ryan's Express, Britsh versus American, Italian versus German. Sometimes the participants seem to forget just who was the enemy.

Frank Sinatra is an American Army Air Corps flier shot down near Rome before the invasion of Italy. The Italians grab him and take him to an Italian prisoner of war camp run by a strutting Mussolini wannabe in Adolfo Celi. The prisoners are mostly British and in fact members of a single regiment, the 9th Fusiliers. Command has now devolved to Major Trevor Howard with the death of their colonel. Sinatra becomes the ranking POW when he arrives.

Sinatra and Howard clash over several issues. Watching the film you'll see I believe that Howard was right. But Sinatra has the rank.

When the Italians switch sides as the landing at Salerno commences, the Italian soldiers desert and Sinatra and Howard have to make some hard decisions. They opt to move towards the sea, but are captured by the Germans and put on a train north. They recapture the prison train from the Germans and decide to keep going north to Switzerland.

It'a pretty impossible tale, but that doesn't mean it ain't entertaining. Sinatra keeps his swinging hipster persona in check and Trevor Howard was born to play those British military roles.

Of the rest of the cast my favorite performance is that of the British regimental chaplain Edward Mulhare. The fact that he went to graduate study in Germany and speaks it fluently is of inestimable help to the escaping prisoners.

For those who like action war films, this is your cup of British tea.

During his acting career, Frank Sinatra took a lot of hits from people who thought he couldn't act. While his early films are a tad rough, I've always thought this criticism was entirely undeserved. With films like SUDDENLY, MAN WITH THE GOLDEN ARM, THE MANCHURIAN CANDIDATE and this film, he proved pretty conclusively that in addition to singing, he was a heck of an actor. I wonder if some of the criticism of Sinatra was more a criticism of him as a person. Sure, he was in many ways difficult, but say what you want about this--he still could act.

In VON RYAN'S EXPRESS, Frank plays the leader of a huge group of soldiers who escape from an Italian prison camp. The Italian government is in shambles and the soldiers have no desire to press the war, but when an entire camp of Allied soldiers bolts, the Germans come in force to stop them and save face.

This is a big scope picture--with exciting prison camp scenes, chases, railroad scenes, etc. While not the best prison film I have seen, it's among the best and apart from a small handful of films (such as THE DIRTY DOZEN and THE GUNS OF NAVARONE), it's one of the best of the genre made in the 1960s. Give it a look--you won't be disappointed.

Von Ryan's Express (1965) : Brief Review -

A thrilling POW escape adventure on the running track. I have been through almost hundreds of POW escape flicks, but this one will have its own space and magic for running on the track. First, we are in a prisoner camp, and then we move on to tracks against the Nazis. John Frankenheimer made "The Train" (1964), a thrilling and classic train adventure set in World War II, and gave me the most memorable film of my life that runs on the tracks. Now you ask me, What's after that? Von Ryan's Express would be my answer for now. "If only one gets out, it's a victory," but Ryan believes in taking everyone out. Well, he does it. But who is that one who doesn't get out? That's where this film touches your heart. No matter how adventurous and action-filled this film is, by the end you realise that it's a patriotic film at heart. The last frame and this quote will remain with you. It's a two-hour film, but it never feels boring. At one moment, I thought this film was made a little late. It would have been more effective in the 1940s-the decade it is set in. But then I realised that these filmmaking techniques like colour and cinemascope looked better in the 1960s only. The film is about a pilot who is taken to a POW camp, and then he takes charge as a senior officer. It felt a little weird to see such funny scenes in POW camp in the first half hour. Ryan and other prisoners are freed once Italy surrenders, and there begins their escape journey. From the Italian countryside to getting captured again and then again planning to escape on the train, Ryan and his team take you on a thrilling ride. Frank Sinatra and Trevor Howard are the best performers here. The entire cast is brilliant, actually. Drama, thrill, adventure, action, and patriotism-Mark Robson packs every brick in the right place to build a solid wall. Easily my favourite Sinatra movie from the 60s after The Manchurian Candidate.

RATING - 7/10*

By - #samthebestest.

Buoyed by the success of 'The Great Escape' - the one cast member the two films having in common being John Leyton - and set in Italy in 1943, this time it's Frank Sinatra's turn to sashay about in German uniform surrounded by an otherwise European cast.

For a change the captors were Italians rather than Germans, with Adolfo Celi's function as chief baddie anticipating his role as Largo in 'Thunderball' (although this time its his subordinate officer who gets to wear the eye patch).

Aided by a rollicking score by Jerry Goldsmith, like 'The Great Escape' it all treats war as a bit of a lark, and if like the earlier film the ending (SPOILER COMING:) is a real downer its the part of the film everybody remembers.