007 Contra a Chantagem Atômica

After the legendary success of Goldfinger , expectations were understandably astronomical for the next Bond installment, with 007 producers determined to consistently push the envelope, delivering a "bigger and better Bond" than ever before. Unfortunately, this determination proved to be both the strength and weakness of Thunderball, the resulting sequel. On the whole, the film is by no means a failure, but the producers' determination to cash in on elements which made Goldfinger such a success led to overkill excesses which sink Thunderball's overall quality.

The plot is even more outlandish than Goldfinger's radiation of the fort Knox gold reserve, pushing the threat to a more global context with the destruction of major world cities by atomic weapons. As well as being a particularly poignant plot device at the time, in the midst of the Cold War, the gist of Thunderball may seem quite familiar to those who frequent more modern political action thrillers, such as The Sum of All Fears. Despite the larger than life premise, Thunderball remains far more grounded in reality than several later Bond exploits (including You Only Live Twice and Moonraker) which tended to drift into being overly silly and ludicrous. Thunderball still takes itself relatively seriously, with several surprisingly dark moments, which help counterbalance the slightly comical yet still thrilling sight of of seeing Connery in a jet pack, and dramatically aid the overall quality of the film.

However, Thunderball's significantly larger budget is mostly misused through underwater photography sequences, which, although interesting to look at (and were likely moreso back in the 1960s, where such a sight was very seldom visible to the public eye) for the most part fail to further the plot in any way, and drag on excruciatingly long. However, the film does boast some strong cinematography (and some stunning locations), the action sequences (including a tense chase sequence through a Mardi Gras parade) are solid, and an unreasonably catchy Tom Jones title track surprisingly helps not hinders the film.

Unfortunately, for however many of the film's previous strengths, the film descends into utter chaos during the film's final quarter with a painfully repetitive and indecipherable underwater battle (it is increasingly difficult to tell which underwater army is which, who is winning, or why it should even retain our interest) a boat chase flaunting special effects which have dated decidedly unfavourably, and laughably inexplicable character motivations seemingly thrown in to finally tie up the increasingly unravelling mess. It is a disappointment indeed to see what started out with such promise sink into such a banal conclusion.

The character of Bond himself is surprisingly reduced to far less screen time than is usual for a 007 film, which is unfortunate, as Connery gives arguably one of his strongest performances as Bond, oozing self assurance and panache, yet an unprecedented darkness amidst the one liners ("I think he got the point" being the most classic). This time around Bond not only gets hurt, but is not afraid to hurt, unflinchingly bestowing surprisingly vicious physical punishment against his adversaries

The supporting cast proves to be a very hit and miss affair. While former model Claudine Augere certainly looks the part of a sixties Bond girl, but unfortunately for the most part retains the static lack of emoting also associated with them. Adolfo Celi's eye-patched frown makes a visually iconic Bond villain, and is suitably menacing, but as the film progresses, he loses his threat element more and more, eventually degrading to a flimsy carbon copy of an adversary by the final act. Luciana Paluzzi steals the show from all but Connery, making one of the most chilling Bond femme fatale figures in the franchise. Paluzzi, despite the potential to coast by on her sensual looks, refuses to play the part on autopilot, and exudes laudable charisma and threat throughout. The unfortunately named Rik Van Nutter makes the most generic and forgettable CIA agent Felix Leiter of the Bond series, but Bernard Lee and Desmond Llewelyn are on top form as the ever endearing M and Q.

As overlong and let down by some unfortunate overuse of budget and dated special effects as the film may be, Thunderball is nonetheless a noteworthy and suitably engaging early Bond effort. Connery himself, in one of his most charismatic renditions of the role is enough to merit watching, and the film for the most part runs along at a brisk enough pace to retain audience interest. While the film is less likely to enthrall those who are not already Bond purists, fans of the character or series should easily be able to extract moments of enjoyment from Thunderball.

-6/10

Two nuclear warheads are stolen from a British Vulcan by the secret criminal organization known as SPECTRE. With only a small time to meet the blackmail demands the British send James Bond (Sean Connery) to the Bahamas to try to find the warheads and the people responsible. Anyway, what I liked about this film was that it had just about all of the ingredients that have made this series so entertaining. It has action, suspense, sly humor, innovative gadgets and a bevy of beautiful women to include Claudine Auger (as "Domino) who won the title of "Ms. France" in 1958, Luciana Paluzzi as the evil assassin named "Fiona", Molly Peters as the attractive masseuse named "Patricia" and Martine Beswick ("Paula") who played the role of one of the gypsy women in the James Bond film "From Russia with Love" in 1963. It even won an Academy Award for special effects. Along with that, I especially liked the underwater battle between the frogmen at the end of the film. In short, I thought that this was an enjoyable film in an equally enjoyable series. Definitely recommended for all fans of James Bond.

Do you have an enthusiasm for water sports like Bond? If you do then you will probably love Thunderball. For me, however, there were too many boring underwater scenes (snorkeling, diving, or whatever he was doing), and that drags the rating down to a 6/10. This film is still a fun adventure. It just doesn't compare favorably to the other Bond films. I actually liked the remake, Never Say Never Again, more than this. On the plus side, Thunderball has more than the usual number of Bond girls. I counted four (two good, one henchwoman, and one which was not involved in the plot). The bad guy (No. 2) was also one of the more memorable Bond villains. A 6/10 is still a good score for me, so don't get the wrong impression. I still like this film. It just has some boring parts that make it a below average Bond film.

Over-the-top James Bond movie in which he confronts Spectra and killer hoodlums around the world . World is threatened with destruction James Bond (a magnificent , as usual, Sean Connery) then goes to Bahamas and meets Emilio Largo (Adoldo Celi , as a formidable Bond villain) , a high-ranking nasty agent and involving a beauty (Claudine Auger) in order to retrieve atomic missiles that were stolen by Spectre and its Agent nº 2 . In Bahamas James has an ally character , another agent named Felix Laiter (Rick Van Nutter) . 007 is being lured into a deadly trap , and he will need all of his force , intelligence and cutting-edge technology to triumph over the enemies that seek to destroy him . Bond is pursued by Largo and his hoodlums .

This solid , slick thriller with magic mix of action-packed , dazzling stunts , gadgetry , self-deprecating humor and romance provided by sexy company as Claudine Auger ; in addition , Luciana Paluzzi as a memorably sexy villainess , after being rejected for the role of Domino . This is a very amusing installment , though when was released suffered from comparison to its two admittedly superior predecessor ¨From Russia with Love¨ and ¨Goldfinger¨ . Fourth entry Sean Connery as James Bond is very fine , he does remarkably well , he has toughness , irony, humor and sympathy, however also has coldness ,cunning , intelligence and roughness . Sean Connery said that this movie was his personal favorite out of the Bond films he did . Here Bond is an efficient , relentless agent trying to chase obstinately the criminals , traveling around the world as always , as this time is mostly set in Islas Bahamas . Bond to achieve his aims , along the way uses violent means , pulling off brutal killings against enemies who wreak all sorts of havoc . As always Bond will use "state of the art" and fantastic gadgets provided by ¨Q¨ interpreted , as usual , by Desmond Llewelyn , he would reprise the role of "Q" in 16 subsequent Bond films . In addition , there appears the usual as Lois Maxwell, ¨MoneyPenny¨ and Bernard Lee as M . Here appears four wonderful women ; Claudine Auger , Molly Peters Luciana Paluzzi and Martine Beswick who formerly played in ¨From Russia with love¨ as a gypsy at a memorable fight . This was the second James Bond movie to provide key elements for the series' success ; it was the first of Maurice Binder's opening titles sequences created in the form that they would become most famous for. It was also the first to have movie posters which had panoramic adventure-scene artwork.

The picture contains Connery's stylish acting , comic-strip adventure , sensational pursuits , spectacular set pieces , great stunts , tongue-in check humor , frantic unstopped action , amazing gimmicks and stimulating images like are the spectacular chases , the overwhelming underwater scenes made by Ricou Browning , and the breathtaking fights . As is like a roller-coaster , as is fast-paced , light, excitement, funny and entertaining ; it's a winner for oo7 fans and non-fans alike . The chase and suspense formula wears strong in this entry . The action-packed includes : impressive chase scenes in his Aston Martin , underwater battles and Bond escape in a rocket-propulsion Jet Pack originally designed and invented for military use , it is also known as the Small Rocket Lift Device . Hoping for an end to the Cold War, producer Kevin McClory didn't want James Bond's main enemy to be Russian, so for the film version his nemesis is the fictitious criminal organization Spectre . Enjoyable title song and stirring musical score fitting to action by John Barry in his classic style , the score allegedly still contains riffs from Monty Norman's work on ¨Doctor No¨. In premiere , ¨Thunderball¨was panned by reviewers , ; however , time has proved it to be one of the more amusing films based on Ian Fleming novels . . It was remade eighteen years later as ¨Never say never again¨ by Irvin Kershner , with Klaus Maria Brandauer (Adolfo Celi role) , Kim Basinger (Claudine character) and Barbara Carrera (Luciana Paluzzi role) .

Riveting and fancy main titles by habitual Maurice Binder , he returned to the series to design the main title sequence for this movie after being absent from the previous two Bond movies ; for the opening main title sequence, title designer Binder filmed swimmers swimming naked in black and white before adding in the color by an optical process afterward. Furthermore , eye-popping and overwhelming production design by Ken Adam . It's brimming with colorful and fascinating cinematography by cameraman Ted Moore . Evocative photography ,much of the film was shot on location, with only a bare minimum of back projection used ; something quite unusual for a film of 1965 . The motion picture was well directed by Terence Young ,author of three best James Bond films : ¨Dr No¨ , ¨From Russia with love¨ and ¨Thunderball¨ and directed to Audrey Hepburn in a good thriller titled ¨Wait until dark¨ and a failed film titled ¨Bloodline¨.

Connery is back, better and more buff than ever, as super agent James Bond 007, this time seeing him on a mission in the Bahamas to prevent a nuclear catastrophe from happening. The cinematography is beautiful, as the Bond Girl Claudine Auger, who looks smoking hot in her bikini.

For the acting, Connery is always there to take the spotlight. He zigs and zags his way around friends and foe in order to succeed. He is still the charming, witty, and deadly secret agent we have come to know him for. The villain is also good here, because not only he has one of the most diabolical plans ever, he also looks diabolical (an eye patch).

The action here is non-stop, especially the underwater scenes. Some call these scenes overlong, thus causing the length of the film to be 2 hours and 10 minutes, quite long, but to me, it's just breathless and pulse-pounding. Also, the beginning of the film will want you begging for more Connery. Most of the action sequences rely on the team's special effects, but it's no problem, since the special effects are damn good for a 1965 movie, even by today's standard. Which is why it deserved to win the Oscar for Best Visual Effects.

Crew also reigns here. Producers Brocolli and Saltzman return once again, as well as Terence Young, director of the first two Bond films. This was his final James Bond film before he went on to direct Audrey Hepburn in her Oscar-nominated performance in the 1967 thriller Wait After Dark. It shows that you have a class filmmaker at the helm. John Barry gives us a beautiful and fast-paced score that mounts up the tension every time.

Overall, probably the most entertaining Bond ever.

7.73/10

Delton