Situação Crítica Porém Jeitosa

Some excellent acting and several funny scenes but apart from that not much, I am afraid. A very weak plot, I dare say.

Although most Americans have little knowledge of his work other than Star Wars, Alec Guinness produced an amazing body of work--particularly in the 1940s-1950s--ranging from dramas to quirky comedies. I particularly love his comedies, as they are so well-done and seem so natural and real on the screen--far different from the usual fare from Hollywood.

This movie stars Robert Redford and Mike Connors as two aviators who are shot down over Germany during WW2. They are captured by civilian Guinness who doesn't have the heart to turn them in to the Nazis. So what does he do? That's right--creates his own jail and keeps them himself!! The problem is, Guinness is a lonely man and grows to like having these prisoners in his life. So much that when the war ends, he doesn't tell them and keeps them! Where this weird movie goes from there is something you'll just have to see for yourself. However, for some inexplicable reason, this movie has been panned by many. I'm not sure why, as I enjoyed it and admire it for its originality.

A recent biography of Alec Guinness says that he did not think too much of this film. He felt it was a rehash of characters he played before like in The Lavendar Hill Mob or The Man In The White Suit. Why he took it is a mystery unless this was the best he was being offered at the time. One thing he did note to his wife Merulla was that he felt that Robert Redford was going to be a big star.

Situation Hopeless...But Not Serious is one weird film. It has some interesting and funny moments in it, but it's just way too weird.

Guinness is some quiet and nebbish like German who in the waning days of World War II when two American fliers Captain Robert Redford and Sergeant Michael Connors take refuge in his basement, he locks them up there and they become his own private prisoners. Not that he treats them bad, he just craves company since he has no friends. On V.E. Day had he let them go, no harm no foul. But Guinness keeps them on through 1946.

I could probably draw a lot of conclusions as to why Guinness's character was so wanting their company, but the Code was still somewhat in place. And as Guinness was a repressed gay Catholic man his whole life, this film must have hit close to home.

For the strangest Alec Guinness film out there, check out this one.

The premise of the ironically titled Situation Hopeless - But Not Serious is a bit zany, and that's exactly what you'll get when you watch the entire movie. A meek, friendless German man, empowered by his Nazi uniform, captures two American parachuters and keeps them in his basement in hopes of gaining their friendship. They try to sweet-talk him into releasing them so they can get back to the war, but he's determined to keep them. He feeds them well, washes their clothes, gives them regular friendly conversation, lets them listen to music, and allows regular baths and shaves if they want. At Christmastime, he even brings them a little Christmas tree. However, the movie takes a very weird turn when the war ends and he doesn't want to release his 'friends'.

Why did I watch this obscure pseudo-comedy, you ask? It was Alec Guinness's time as Star of the Week, and I happened to get my hands on this very hard-to-find movie. Imagine my surprise to see the opening credits: the two American soldiers were Mike Connors and Robert Redford! This was only his second theatrical movie, but after five years of television, he must have been popular enough to get the "and" in the credits. Because of The Great Gatsby, I'm a forever fan of his. So, no matter how silly or boring the movie got (and it got very silly and very boring) I refused to turn it off. I did nod off a couple of times during the second half, but I'm sure even Robert Redford would forgive me. Unless you really love wacky movies from the 1960s, just watch The Great Gatsby again instead, and whatever is your favorite Alec Guinness movie.

Another film to be avoided by those currently being traumatised by lockdown. Or simply traumatised by lousy movies.

Even those who consider themselves knowledgeable about the cinema are unaware that Robert Redford ever made a film with Alec Guinness, and when they've seen this leaden travesty of Robert Shaw's 1960 novel 'The Hiding Place' they'll know why. Saddled with a noisy music score by Harold Byrns, director Gottfried Reinhardt seldom gets the tone right, the occasional bursts of slapstick being among the unfunniest things in it.

Poor Shaw's original story could have made a great film; but he must have watched this mess between his fingers. Alec Guinness hated both Munich and the film, writing that he couldn't "act comedy any more" and dismissing himself in the film as "a sort of lifeless doll impersonating myself in 'Lavender Hill' or 'Fr Brown'".

Austria ironically would have been a more apt setting, as there have been a couple of cases in recent years of maniacs keeping prisoners in their cellars; although their victims tend to be young girls (as in the same year's 'The Collector') rather than grown men.