Ginetes Intrépidos

The Rounders is directed by Burt Kennedy and Kennedy adapts the screenplay from Max Evans' novel. Music is by Jeff Alexander and cinematography by Paul Vogel. It stars Glenn Ford, Henry Fonda, Sue Ane Langdon, Hope Holiday, Chill Wills and Edgar Buchanan.

Two ageing bronco-busting rounders get into (mis)adventures with a crafty old equine along for the ride...

It's one of those films that has amiable blood coursing through its veins. We are in very good company with Ford and Fonda, two likable and most reliable veterans of the silver screen, and crucially it looks like they are having fun - and it's infectious. Teamed up with a splendid comedy horse who gets up to mischief when ever possible, the boys also find some sexy lady love interests that puts a nice little risqué cheek on things, cheek actually being a very literal word at times.

Technically it's a very good production. Filmed in Metrocolor/Panavision, the vistas are superbly photographed by Vogel, with Arizona locations including Coconino National Forest, Red Rock Crossing, San Francisco Peaks and Village of Oak Creek. The stunt work is high quality, well shot by the wily Western movie veteran Kennedy, while Alexander's musical compositions have the desired jolification. Rounding off is a splendid and comforting support cast that sees Denver Pyle joining Buchanan and Wills for further Western genre reassurance. 7/10

This is truly the number 1, modern cowboy "cult" movie. The film captures the true life of a modern day working cowboy. All aspects of this film are the most realistic and true, day to day accounts of the REAL cowboy. The mundane, humor, drama, suspense and romance of the American Cowboy are captured in The Rounders. A must see!

Glenn Ford and Henry Fonda star in this slowly paced but amiable picture of two modern cowboys who just drift through life. They are older but only in a chronological sense--as they drink, bust broncos and party through life. At the same time, there are a couple of women who want to get them to settle down and grow up--and this is the main theme throughout the film.

What works best in the film is the dialog--particularly the repartee between the two leads. While the film itself never really seems to go anywhere, it seems enough just to sit back and watch this relationship unfold. An odd but satisfying film.

I was quite surprised when I watched this, thinking it was a western when actually it wasn't. The picture is set in 1950s or 60s and the locations at times makes you wonder if it was set in 1800s.

The director makes some interesting comparisons between the lonely west and the modern town. The performances are good, especially the horse. The director made excellent use of the widescreen frame. This is unwatchable in pan and scan.

Not a great film but certainly worth watching for locations and direction. Could've done with a better screenplay.

My husband and I saw this film when it was first released and all I remembered these many years later was that we had liked it, so I taped it when TCM reran it and loved it! The fellow from England who complained that it seems more like the 1880s just didn't know that in S. Texas, where we're from, and I guess AZ where the film was set, cowboying was still much the same. All of this, including the small town parade rang really true. I absolutely fell in love with the horse all over again; he should have had top billing. I wonder where there might be a bio of him...anybody know? And for the one who regrets they didn't show baby animals being killed...I thank them for that. I see movies for entertainment!