AVALIAÇÃO DA IMDb
6,9/10
1,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn Paris, a Polish gigolo marries a rich Jewish doctor and stands to inherit her estate when she is deported to Dachau by the Nazis.In Paris, a Polish gigolo marries a rich Jewish doctor and stands to inherit her estate when she is deported to Dachau by the Nazis.In Paris, a Polish gigolo marries a rich Jewish doctor and stands to inherit her estate when she is deported to Dachau by the Nazis.
- Direção
- Roteiristas
- Artistas
Jacques B. Brunius
- 1st Detective
- (as Jacques Brunius)
Henri Vidon
- Man in Train
- (as Henry Vidon)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
TCM gave this movie two stars. Ridiculous. I saw this film YEARS ago. I never forgot it and at one point, I tried to find out the name of it and was directed to another film. I suspected when I read the plot on the channel guide that this was the movie.
Set in flashback in pre-war Paris and in the present in post-war Paris, the story concerns a doctor, Michele, (beautiful Ingrid Thulin) hopelessly in love with Stanislaus, a chess-playing roué, excellently played by Maximillian Schell.
He doesn't pretend to love her - he likes her, but what he loves is her money. They marry, but because she's Jewish, she's picked up and sent to Dachau.
During the time she's gone, her husband becomes involved with her now grown-up albeit unstable stepdaughter Fabienne (Samantha Eggar). After the war ends, and Michele doesn't return, Fabienne and Stan assume she's dead. However, because of the laws in France they can't get their hands on her money.
The truth is that Michele is alive, but had to go to a sanitarium after the war to recover from her horrendous experiences in the camp. She's scarred and aged, and when she finally returns to Paris, she stays in a hotel and turns to an old colleague, Charles (Herbert Lom) to fix her up.
When Fabienne spots what she thinks is a Michele-lookalike (actually Michele), she comes up with a plan to have her stepmother return from the dead, with the imposter taking a cut.
A really good movie, very intriguing, with good performances all around and excellent photography. I'm so sick of being burned by TCM's ratings - four stars for trash and two stars for a fine movie like this (not all the time, but occasionally).
By the way, this story is based on a novel by Hubert Monteilhet called "Return from the Ashes," and was remade into the magnificent German film "Phoenix."
Highly recommended.
Set in flashback in pre-war Paris and in the present in post-war Paris, the story concerns a doctor, Michele, (beautiful Ingrid Thulin) hopelessly in love with Stanislaus, a chess-playing roué, excellently played by Maximillian Schell.
He doesn't pretend to love her - he likes her, but what he loves is her money. They marry, but because she's Jewish, she's picked up and sent to Dachau.
During the time she's gone, her husband becomes involved with her now grown-up albeit unstable stepdaughter Fabienne (Samantha Eggar). After the war ends, and Michele doesn't return, Fabienne and Stan assume she's dead. However, because of the laws in France they can't get their hands on her money.
The truth is that Michele is alive, but had to go to a sanitarium after the war to recover from her horrendous experiences in the camp. She's scarred and aged, and when she finally returns to Paris, she stays in a hotel and turns to an old colleague, Charles (Herbert Lom) to fix her up.
When Fabienne spots what she thinks is a Michele-lookalike (actually Michele), she comes up with a plan to have her stepmother return from the dead, with the imposter taking a cut.
A really good movie, very intriguing, with good performances all around and excellent photography. I'm so sick of being burned by TCM's ratings - four stars for trash and two stars for a fine movie like this (not all the time, but occasionally).
By the way, this story is based on a novel by Hubert Monteilhet called "Return from the Ashes," and was remade into the magnificent German film "Phoenix."
Highly recommended.
In a flash of incredible foresight, I recorded this gem as I watched it for the first time (maybe like 2 years ago...) The signature music has a waltzy, hypnotic cadence that completely draws you in, & a fascinating story unfolds in "post-war Paris", shot in appropriately atmospheric black & white. >From the very opening train scene, I was riveted. This one is on my shelf of films that I watch over & over again. Maximilian Schell is brilliantly handsome/wicked, as Stanislaus. I'd never even heard of Ingrid Thulin before -- someone on here mentioned her character, Michele, as "middle-aged" - that's not the impression I got. Michele is a jaw-droppingly gorgeous, dazzling blonde Swede{?}, who was married to a much older man, with a daughter. So she appears to be a young widow with a step-daughter in her late teens. On top of her late husband's sizable estate, Michele is also an X-ray technician. Ingrid Thulin is wonderful as Michele, combining just the right balance of high intellect yet vulnerability - very believable central character. Herbert Lom & Samantha Eggar also give stand-out performances.
I'm completely amazed that this incredible film has never "made it to video".... I'd really love to know who/how/why these decisions are made - seems like some really great work is allowed to sink without a trace.
I'm completely amazed that this incredible film has never "made it to video".... I'd really love to know who/how/why these decisions are made - seems like some really great work is allowed to sink without a trace.
10grantch
Once upon a time, before the giallos and the slasher films took over, there was an undercurrent of clever thrillers ... where you knew who had done it, but the question was could they get away with it? The earliest one I can remember is The Unsuspected with Claude Raines as a DJ with a mission ... In the '60's we had director William Castle's twisted thrillers (Homicidal is my favorite) and Bette Davis as Baby Jane and Charlotte ... then along came Return from the Ashes, at about the same time as Bunny Lake Is Missing. Ladies and gentlemen, RftA is a stunning thriller which will keep you enthralled from the expositionary opening to the wonderfully complex plot developments. Why is this not available to viewers today? This is a movie I would like to show friends. Hard to believe it was 40 + years ago I sat in a darkened theater enraptured by the clever plot with more twists and turns than you could believe. If you see this movie in any listings, record it! Ingrid Thulin, Samantha Eggar and Maximilian Schell pull out all the stops but they make you BELIEVE the lurid goings-on. Too bad movie makers can't look at these old classics and learn how to pace and plot a good thriller.
I want this movie. I saw this as a child many times and this is my favorite movie of all time. Last time I knew it was going to be shown was when the Gulf War broke out and it never aired. I can't find it on video and it hasn't been on tv in 10 years. The plot, the actors, everything about this down to the black and white film was excellent. I have never seen another movie that I have enjoyed so much!
I just want to briefly agree with the previous comments here. I haven't seen this movie in over thirty years, since high school, but it stands out vividly in my memory. Intriguing story beautifully acted by three outstanding stars. Why do films fall by the wayside? I hope this isn't one of the lost films that we keep hearing about. I guess our only hope of seeing this now is if TCM broadcasts it....or if it becomes a Criterion DVD release. Criterion has been wonderful in giving us beautiful prints of rare or hard to find classics. If anyone hears of Return from the Ashes returning from the ashes (LOL) please post the info here.
Você sabia?
- CuriosidadesJulius J. Epstein, the screenwriter of this film, also co-wrote the screenplay for Casablanca (1942).
- Erros de gravaçãoIngrid Thulin's clothes and hairstyle in the beginning of the film are very mid-1960s, although the film begins around 1940.
- Citações
Dr. Michele 'Mischa' Wolf: Don't grovel. If I have to remember you at all I want to remember Stan the actor, the cynic, the complete bastard.
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- How long is Return from the Ashes?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Return from the Ashes
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 44 minutos
- Cor
- Proporção
- 2.35 : 1
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By what name was De Volta das Cinzas (1965) officially released in India in English?
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