Repulsa ao Sexo

Roman Polanski's movies divide movie fans. Even admirers of his output will single out a particular movie that just doesn't work for them (in my case it's 'The Fearless Vampire Killers', which for me is an utter waste of time). But I would bet that virtually every Polanski buff would list 'Repulsion' as one of his very best movies. It's a brilliant exercise in unease and paranoia that has lost none of its power of the years. It is still one of the most disturbing movies ever made, and manages to evoke an atmosphere filled with dread and fear without resorting to obvious shock tactics. Catherine Deneuve is perfect as a beautiful and disturbed girl slowly lost to delusion and phobia. This is arguably her most memorable role along with Bunuel's equally brilliant 'Belle De Jeur'. The rest of the cast is interesting, and includes Yvonne Furneaux ('La Dolce Vita'), underrated Brit character actor Ian Hendry ('The Hill', 'Theatre Of Blood', 'Get Carter'), John Fraser ('The Trials Of Oscar Wilde'), and Patrick Wymark ('The Conqueror Worm', and Hendry's co-star in the fascinating but almost forgotten 'Journey To The Far Side Of The Sun'). All the cast are excellent, but Deneuve's unforgettable performance is what really sticks in your mind long after the movie is over. That and Polanski's accomplished and tense direction make this movie essential viewing for all movie buffs. One of the most important and impressive movies of the 1960s, and one of the most chilling horror movies ever made.

In "Repulsion" the gorgeous Catherine Deneuve suffers from an industrial-strength case of sexual repression, coupled with a hefty dose of sibling rivalry which foists upon her a succession of rape fantasies and delusional hallucinations. Polanski's direction is unparalleled as he elicits a creepy terror through the use of some fairly unconventional special-effects. The subjective world created for the heroine is a series of dreams and visions of a decaying apartment and psycho-sexual fantasy and this is what the film seems to be about. The cracking walls are perhaps one of the most ingeniously horrifying special-effects in cinematic history. The lack of dialogue that runs throughout complements the restrained narrative design as the neurotic obsessions remain largely unexplained. But for better or for worse, I think better, Polanski's final frame settles on an image which cryptically resolves the entire enigma with a kind of devastating efficiency. All in all, one of the great films of the 1960s.

This is only my second comment on a film on here as normally just read others but i had to leave a short comment on this film. I consider myself pretty scare proof as I'm a massive fan of psychological horror but i just caught Repulsion on TV tonight at 1.40am alone, in the dark. As i write its now 6am as all i can think about is this film.

I have never been affected by a film as much this before. Whilst some may consider the first part rather slow i found its a wonderful set-up for what follows. I wont review it as many others already have but all i wanted to say is that this film truly haunted me, genuinely made me jump and kept me tense as hell!.....i cant put it into words

The cinematography is amazing, much better than anything current. The lead actress is astonishing to say the least and unlike other films, this film is truly disturbing. I advise watching alone, in total peace, in the dark.

I can see where lynch got many of his ideas but this is far superior.The last shot is pure genius and very unsettling.

I can honestly say this is now my favourite film of all time.

"Repulsion" is a great example of how to make a truly scary movie: The trick is not to fill the screen with monsters or indestructible serial killers, it is to portray fear in a way that will be familiar to the audience. It is clear from early on in the film that the lead character, Carol, played brilliantly by an extremely young-looking Catherine Deneuve, is not exactly normal. When her sister leaves her alone in their shared London apartment for a few days, however, the things that scare Carol are the sorts of things that have scared a lot of people spending the night alone, such as hearing (imagined) footsteps in the hallway and the like. Of course, while normal people get a brief fright from such a thing, Carol descends into a madness of hallucinations. The movie is seen almost entirely from her point of view, using techniques borrowed by later directors such as Darren Aronofsky for his movie, "Pi", which gives the entire movie a claustrophobic feeling that enhances the impact of Carol's hallucinations.

There are no doubt people who would like to explicate this film as an exploration of sexual repression or the like, and perhaps they are indeed hitting the mark in doing so, but this film works brilliantly as pure cinema, with no metaphoric subtext needed.

Overall Rating: 4 stars (out of 4), or 9 (out of 10)

This young woman's descent into insanity is so well documented that you truly thank God that it is not you that is going through this. Leave it to Roman Polanski to scare the hell out of you! I was grieving the death of someone who was very close to me when I saw this movie, and this movie snapped me out of that grief; the awareness that it could always be worse helped. Highly recommended.