Um penhorista judeu, vítima da perseguição nazista, perde toda a fé em seu colega até que percebe tarde demais a tragédia de suas ações.Um penhorista judeu, vítima da perseguição nazista, perde toda a fé em seu colega até que percebe tarde demais a tragédia de suas ações.Um penhorista judeu, vítima da perseguição nazista, perde toda a fé em seu colega até que percebe tarde demais a tragédia de suas ações.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 6 vitórias e 10 indicações no total
- Jesus Ortiz
- (as Jaime Sanchez)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Apparently "playing the system" for years, allowing king-pin thugs to use his store as a money laundering "front", while collecting his "cut", the no-nonsense pawnbroker is suddenly plagued by flashbacks, showing how his young wife and son are killed, and at once wanting to stop the evil workings of his hoodloom infested slum neighborhood. When the young "apprentice" he hired lays his own life on the line to protect him from being shot during a robbery, the pawnbroker shows his first human emotions since the horrific day he lost his family.
The flawless direction, masterful black & white cinematography, haunting Jazz score, along with innovative handling of the themes (racism, prostitution, social reforms, etc.), make this nothing less than a masterpiece. There is a sequence with prolonged nudity, considered daring during the "Hayes Code" years, even if it appears tame by today's standards. The scenes are not gratuitous, but essential to the plot. Still these scenes may make this film unsuitable for pre-teens.
Like Shindler's List, this is a film many may find painful to watch. By 1965 standards, the mere attempt of giving insight into the evils of the Holocaust was a strong move. The resulting product withstood the test of time and will endure. Named as his personal favorite work, "The Pawnbroker" gives us Rod Steiger's finest performance! Highly recommended.
Rod Steiger as Sol Nazerman, the pawnbroker of the title is brilliant in the role. I doubt if there is anyone else who could have brought froth the depths of despair that Nazerman was experiencing. He lost everything, not just a family, but his who reason for living, and, as he says, there was nothing he could do about it. He was utterly helpless as his world crumbled.
He was a man without compassion or felling. His only comfort was money, and that really did him no good. It did not help him when he was reliving the flashbacks from the Holocaust. All he wanted to do was die, but apparently did not have the will to do it himself, so he set himself up for killing.
Steiger wasn't the only person that made this film worth watching. There was Brock Peters as a gangster, Thelma Oliver as the girlfriend of his assistant (Jaime Sánchez), and Sánchez himself.
The gritty and dark setting was perfect for the film. Sidney Lumet was excellent as the director.
Rod Steiger,a gifted actor, is at his very best here portraying Sol Nazerman, a pawnbroker who is completely shut down emotionally.
Through flashbacks, some fast, mostly slow, we see both the joy and subsequent horror of Sol's life in Nazi Germany, when his wife and children are swept into the camps and killed. Sol's deepest pain is that he survived and he carries it visibly. Nothing touches him. He is removed from humanity, living a life outside anyone else's.
This is never more exemplified than at his shop, where he is behind bars, often in shadow, while humanity moves outside, sometimes pleading with him, sometimes just wishing to make an emotional contact to no avail.
Brilliant black and white photography. Quincy Jones' music underscores this, it is jazzy 60s type of music, loud and vibrant, totally contrasting with the dark, dead world of Sol.
The supporting cast are terrific and the outdoor location shooting in New York is riveting. The movement of street life against the heaviness of Sol's plodding.
I still find it hard to believe that Rod lost the Oscar to Lee Marvin in the forgettable "Cat Ballou" (!!) that year.
This has to be seen by any serious lovers of movies. The last scene, done in one continuous take is heartbreaking, Sol finally getting in touch with the pain he has buried so deeply. Gut wrenching stuff. 9 out of 10.
Você sabia?
- CuriosidadesRichard Sylbert's set was deliberately designed to be a series of cages--wire meshes, bars, locks, alarms, etc.--to symbolize that even though Sol was no longer in a concentration camp, he was effectively still imprisoned by his memories.
- Erros de gravaçãoAs Jesus runs down the street, his shirt changes from a V-neck to a turtle neck, and then back again.
- Citações
Jesus Ortiz: Say, how come you people come to business so naturally?
Sol Nazerman: You people? Oh, let's see. Yeah. I see. I see, you... you want to learn the secret of our success, is that right? Alright I'll teach you. First of all you start off with a period of several thousand years, during which you have nothing to sustain you but a great bearded legend. Oh my friend you have no land to call your own, to grow food on or to hunt. You have nothing. You're never in one place long enough to have a geography or an army or a land myth. All you have is a little brain. A little brain and a great bearded legend to sustain you and convince you that you are special, even in poverty. But this little brain, that's the real key you see. With this little brain you go out and you buy a piece of cloth and you cut that cloth in two and you go and sell it for a penny more than you paid for it. Then you run right out and buy another piece of cloth, cut it into three pieces and sell it for three pennies profit. But, my friend, during that time you must never succumb to buying an extra piece of bread for the table or a toy for a child, no. You must immediately run out and get yourself a still larger piece cloth and so you repeat this process over and over and suddenly you discover something. You have no longer any desire, any temptation to dig into the Earth to grow food or to gaze at a limitless land and call it your own, no, no. You just go on and on and on repeating this process over the centuries over and over and suddenly you make a grand discovery. You have a mercantile heritage! You are a merchant. You are known as a usurer, a man with secret resources, a witch, a pawnbroker, a sheenie, a makie and a kike!
Jesus Ortiz: [long pause] You really some teacher, Mr. Nazerman. You really, really 's the greatest.
Principais escolhas
- How long is The Pawnbroker?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- The Pawnbroker
- Locações de filme
- 1642 Park Avenue, Manhattan, Nova Iorque, EUA(Nazerman's pawn shop)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 930.000 (estimativa)
- Faturamento bruto mundial
- US$ 108
- Tempo de duração
- 1 h 56 min(116 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1