O Santo

This may be a short film, but it is packed with clever dialogue. And a comedy that uses words to be funny is worth celebrating.

Charuprakash Ghosh plays a holy man (Birinchi Baba) who talks a good game of spiritual enlightenment. He travels with his assistant (played by Rabi Ghosh), looking for believers who might be tricked by his "wisdom". Actually, many of the things he says are somewhat meaningful or half-truths, and he is quite intelligent. But he really goes overboard, claiming to have known and educated everyone from Albert Einstein to Jesus and the Buddha.

The monk-ish mountebank and his attendant meet a grieving man and his daughter on a train, dazzle them with petty witticisms and cheap tricks, and establish a cushy existence in their care. But there are others who are not so easily duped; they seek a way to expose the charlatans.

It's a funny story that reminds me of O. Henry's humorous tales. Director and co-writer Satyajit Ray deserves credit for this comedy with a cautionary core.

Watch for the trick with the fingers that must have had viewers trying to replicate it.

I was there said the Holy Man and many other claims were made by the clever con from India who has camped out at a believers house. However Love conquers Con and a camp fire puts the Holy man on the run, but not without compensation!

Those who are into the afterlife, this a a must movie to see. Beware of false prophets and you will overcome such scams.

A short, simple & straightforward comedy released as one half of the double bill presentation along with Kapurush, Mahapurush (The Holy Man) concerns a devout Hindu family that falls victim to a charlatan posing as a holy man and a group of rational, intelligent men who take it upon themselves to expose him.

Co-written & directed by Satyajit Ray (The Music Room, The Big City & The Hero), the film may lack the scope of his best-known works but it still does well with the little material, thanks to its rich script, excellent cast & brief 65 mins runtime. Ray only keeps what advances the story and narrates it with aplomb while keeping things lighthearted.

The film shows the so-called god-men for who they really are and how they seduce the pious & vulnerable people into their swindling schemes without mocking the ignorance & blind following of their victims. The plot is easy to follow, even allows the viewers to catch up when it drops too many details, and maintains its neat composure from start to finish.

Overall, Mahapurush features a premise that could've been expanded upon for greater impact but it still goes past the finish line with the elegance that Ray films are known for. Not amongst his finest but a fun & enjoyable outing nonetheless that delivers both as a satire & farce and is patient in its approach & execution of the proceedings despite the limited runtime.

On a railroad trip back home, a retired lawyer meets holy man Charuprakash Ghosh and falls under his spell. So does his daughter, which worries the young man who loves her. He investigates and soon becomes convinced he is a fraud.

Satyajit Ray's comedy credits an Indian writer as its source, but strikes me as owing a good deal to Moliere's TARTUFFE. Ghosh's babbling line includes being friends with all the great holy man of the past, and urging followers to achieve enlightenment by going onto the roof at noon and staring at the sun while they recite a prayer 972 times. I don't find this one of Ray's more compelling movies; the nonsensical things his con man continually says are arrant nonsense..... but that may be a reaction due to the fact that as a westerner, what he says makes no sense and is offensive. The offensiveness is probably deliberate on Ray's part, but makes the whole thing seem trivial.

This is one of Ray's short stories. It lacks the intensity of his full-length features. Its a satire which appropriately captures the post-independence Indian zeitgeist. Its a sweet tale of how a charlatan is exposed with help from basic science and motivation from a lover boy in distress. Be it a short story or not, in every one of his movies, Ray has been a beacon by conveying his socially progressive ideas. He's a master at exposing the fault lines in the Indian society and delivering his wisdom packaged in a entertaining manner. I saw the movie in a combination pack with another one of his shorts - Kapurush. Kapurush is an emotion-packed drama. It captures the anxiety and rekindling of emotions of a chance meeting between two estranged lovers.