Rei de um Inferno

I saw this movie again recently and had forgotten how great it was. It shows how people behave towards each other when the thin veil of civil society is torn away.In a brilliant performance, George Segal plays the wheeler-dealer 'King Rat, a cynical hustler whose only real interest is himself. His counterparts in the Japanese POW camp are the British officers who seem to maintain the rules and courtesies of civilized life. As the movie, unfolds, though, we see the senior officers using their position to steal food from the lower ranks. Even the British provost marshal, or camp policeman (another great performance by Tom Courtenay), is shown to be a weak character, vengeful and sanctimonious, who must believe in retribution to bolster his fragile ego.

'King Rat's' one true friend in the camp is played by James Fox. But the Segal character can't really be a friend to anyone. One of the prices of cynicism is emotional shallowness. In the end Segal tells his best friend - 'You worked for me, I paid you a few bucks, that's all there was between us.' The film makes it clear that the action applies to the wider world. Unlike the other prisoners, the Segal character is neither shocked nor excited by liberation. To him, the everyday world is as pitiless as the POW camp.

I don't know exactly what I expected from "King Rat," but what I got definitely wasn't it, and I liked what I got much more than whatever it was I thought I was going to get.

I guess I thought "King Rat" was going to be something along the lines of "Stalag 17," a serious story in a serious setting, but with a buddy movie vibe and a lot of comedy thrown in. That is most certainly NOT what this movie is. "King Rat" is instead a bleak, haunting, and rather strange film about the simple act of survival in a Japanese prisoner camp during the last days of WWII. It's episodic in nature, detailing one grueling incident after another. It explores the degree to which imprisoned military men will impose a hierarchy one way or another, one that either does or doesn't always match the hierarchy of their military lives when free men. For example, at the top of the pecking order in this prison camp is George Segal, the eponymous king rat, who will stop at nothing to ensure his own comfort and who's an object of awe and even fear to those around him, even officers who outrank him. But then the war ends, the prisoners are set free, and everything goes back to the way it was. Where does that leave things like friendship, community, and just simple camaraderie, and where does that leave the conscience of men like King Rat, who exploited his brothers for all they were worth when times were tough.

The movie is tremendous, the performances are all uniformly fine, and director Bryan Forbes gives everything a naturalistic tone that makes the film feel like a product from a later date.

"King Rat" received Oscar nominations for its truly impressive art direction and cinematography, both in the black and white categories back in the days when distinctions were made between B&W and color films.

Grade: A

Many unforgettable films are to be found in the annals of World War II. Avid movie goers know which ones they are. Among my favorites are 'The Great Escape, The Blue Max, Cross of Iron, and of course, Sink The Bismark," But occasionally, a film is made which deviates from the superficial and ventures into the realm of the incredible. That is the essence of "King Rat." Here viewers are exposed to the harsh realities of what it takes to survive in a hell hole, like a Japanese Prisoner of War Camp. Our hero, one, Cpl. King (George Segal) dwells amid hundreds of starving British and a few American P.O.W.s. However, unlike the rest, who are seen as listless, emaciated and dying , King is for the most part, healthy and appears none the worse for wear. One individual who daily wants to know why King, walks about nearly impervious to the obvious conditions is Lt. Robin Grey (Tom Courtenay, convincing in this role). It is his job as Camp Provost Marshal, to maintain order in a camp where smuggling, trading with the enemy and outright theft is common place. Knowing King is secretly dealing with the enemy, Robin daily waits for him to make a mistake. This will be difficult as King relies on the fact, everyone, regardless of rank seeks to stay alive by whatever means. Aiding King is Peter Marlowe (James Fox) who despite his higher rank readily joins King's other 'employees' such as Tex, (Todd Armstrong), Top Sgt. Max (Patrick O'Neal, Lt. G.D. Larkin, (Denholm Elliott), and Col. George Smedley-Taylor (John Mills). But it is the camp Doctor (James Donald) who asks the pertinent question of King. "What is your secret Cpl? Medically, it should be worth a fortune." Throughout this stark and tragic Black and White film, one is equally curious, until we discover King's dark secret. Once we know it, the anger is dissipated by the fact, the war will eventually be over. Then Cpl. King will be called upon to reveal it. A superior movie with top notch acting by every actor. ****

I saw "King Rat" on television shortly before going to Vietnam. A few months later I was reading the James Clavell novel while serving on DaNang Air Base with air force communications intelligence. It struck me that this book and this movie, which was "researched" by James Clavell when he was a POW in a camp near Singapore during World War II, have the real feel of what it is to be surrounded by enemy forces one almost never sees while being kept isolated on a hot, humid, dusty encampment It's an environment that brings out the best and the worst in mankind. The novel, the movie, and my own war zone experience also point out that adapting to a war zone and mastering the skills that enable one to survive and even prosper there do not necessarily mean that the individual will subsequently be adaptable to "civilization" when he returns to it. The novel, the movie, and my own experiences also raise the questions that are raised in "The Man in the Gray Flannel Suit" (and even in "Rambo" for that matter): Which is more of a challenge and which is the "real" life: adapting to the war zone as a youth or the expectations by "civilization" that you readjust to life back in "the world" as if nothing had happened?

It has always bothered me that King Rat is so underrated. On one list of top the thousand films in history, it gets no mention. I think it's because George Segal's character, Corporal King wasn't a totally likable person. He is not the standard Hollywood hero. But he is a hero of mine. Were I in that prison camp, I guarantee you, I would have been Corporal King's best friend. One thing I learned in life was how to survive, and everyone around Corporal King survived. The movie misses a very important point that was in James Clavell's novel on which it is based. In case the war turned bad for the Japanese and they started taking revenge on the prisoners, King had planned an escape route. Not just for himself, for everyone close to him. Put that in the film and you've got a major American hero. The movie is totally cliché free. One never knows where it is going or how it is going to end. Winning the war, you see, will not guarantee the safety of the prisoners. How it ends is perfectly logical in retrospect, but difficult to predict. It is a near perfect motion picture.