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IMDbPro

Bom Mesmo é Amar

Título original: I'll Take Sweden
  • 1965
  • Approved
  • 1 h 37 min
AVALIAÇÃO DA IMDb
5,3/10
1 mil
SUA AVALIAÇÃO
Bom Mesmo é Amar (1965)
An executive, unhappy with his daughter's choice for a future husband, accepts a transfer to his firm's Stockholm branch and takes her along, only to discover that Sweden is far more sexually liberal than the United States.
Reproduzir trailer3:23
1 vídeo
75 fotos
Comedy

Adicionar um enredo no seu idiomaAn executive, unhappy with his daughter's choice for a future husband, accepts a transfer to his firm's Stockholm branch and takes her along, only to discover that Sweden is far more sexuall... Ler tudoAn executive, unhappy with his daughter's choice for a future husband, accepts a transfer to his firm's Stockholm branch and takes her along, only to discover that Sweden is far more sexually liberal than the United States.An executive, unhappy with his daughter's choice for a future husband, accepts a transfer to his firm's Stockholm branch and takes her along, only to discover that Sweden is far more sexually liberal than the United States.

  • Direção
    • Frederick De Cordova
  • Roteiristas
    • Nat Perrin
    • Bob Fisher
    • Arthur Marx
  • Artistas
    • Bob Hope
    • Dina Merrill
    • Tuesday Weld
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,3/10
    1 mil
    SUA AVALIAÇÃO
    • Direção
      • Frederick De Cordova
    • Roteiristas
      • Nat Perrin
      • Bob Fisher
      • Arthur Marx
    • Artistas
      • Bob Hope
      • Dina Merrill
      • Tuesday Weld
    • 27Avaliações de usuários
    • 6Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer
    Trailer 3:23
    Trailer

    Fotos75

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    Elenco principal33

    Editar
    Bob Hope
    Bob Hope
    • Bob Holcomb
    Dina Merrill
    Dina Merrill
    • Karin Granstedt
    Tuesday Weld
    Tuesday Weld
    • JoJo Holcomb
    Frankie Avalon
    Frankie Avalon
    • Kenny Klinger
    Jeremy Slate
    Jeremy Slate
    • Erik Carlson
    Rosemarie Frankland
    Rosemarie Frankland
    • Marti
    Walter Sande
    Walter Sande
    • Bjork
    John Qualen
    John Qualen
    • Olaf
    Peter Bourne
    • Ingemar
    Fay DeWitt
    Fay DeWitt
    • Hilda
    • (as Fay deWitt)
    Alice Frost
    Alice Frost
    • Greta
    Roy Roberts
    Roy Roberts
    • Ship's Captain
    Maudie Prickett
    Maudie Prickett
    • Spinster
    Beverly Powers
    • Electra
    • (as Beverly Hills)
    Siv Marta Aberg
    • Inger
    The Vulcanes
    • Vocal Group
    Don Anderson
    Don Anderson
    • Restaurant Patron
    • (não creditado)
    Phil Arnold
    Phil Arnold
    • Hotel Guest Watching TV
    • (não creditado)
    • Direção
      • Frederick De Cordova
    • Roteiristas
      • Nat Perrin
      • Bob Fisher
      • Arthur Marx
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários27

    5,31K
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    Avaliações em destaque

    6wes-connors

    Fun with Frankie Avalon

    Wise-cracking widower Bob Hope (as Robert "Bob" Holcomb) arrives home to discover his pretty blonde daughter Tuesday Weld (as JoJo Holcomb) is engaged to pseudo-rock 'n' roll singer Frankie Avalon (as Kenny Klinger). Mr. Avalon has dropped put of college, rides a motorcycle, lives in a small trailer, and takes Ms. Weld out to strip clubs. Hope is horrified. In order to get Weld away from Avalon, he accepts a job transfer to Stockholm. There, Hope discovers a Swedish custom regarding pre-marital sex...

    We are told, in order to determine how well they are "suited for each other," Swedes have sex before getting married. This insures a low divorce rate. Hope romances attractive Dina Merrill (as Karin Granstedt Martoni) and Weld prepares to lose her virginity during a two week vacation with playboy Jeremy Slate (as Erik Carlson). Hope declares, "Nobody's gonna chalk up any mileage on JoJo without getting a driver's license first!" To make Weld change her mind, Hope contacts Avalon in America...

    Avalon returns to the storyline and gives the film a final burst of energy. The highlight is his performance of "I'll Take Sweden, Ya Ya Ya!" In brief blue swim trunks, Avalon gyrates around a boatyard, attracting Rosemarie Frankland in a white bikini. The beauty queen with obvious assets moved from Hope (one of the comedian's many alleged companions) to Grass Roots singer Warren Entner. Avalon was no longer selling rock 'n' roll records, but he is funnier and more appealing than all others, herein.

    ****** I'll Take Sweden (6/2/65) Frederick de Cordova ~ Bob Hope, Frankie Avalon, Tuesday Weld, Dina Merrill
    4spizzmole23

    The shadow on Bob Hope's Head

    Everyone should watch this film, not because it is funny (it isn't), but as a guide to show you what lengths studios & stars will go to cover up a stars physical flaw.

    Whenever Bob Hope is on screen not wearing a hat, there is an annoying shadow on top of his head. At first I thought this was just a case of a bad director shooting the shadow of a boom mike, but as this is present throughout the whole film, and the shadow is only on Hope's head, I figured out that is was their way of hiding the fact that Bob Hope was balding. I was fascinated by this, so much in fact, that I eventually tuned out the movie (a pretty easy feat), and just starting watching the shadow on Bob Hope's head.
    3JasparLamarCrabb

    Impossible

    In an effort to keep daughter Tuesday Weld away from bad boy Frankie Avalon, Bob Hope takes a job in Sweden. This is just another of the egregiously unfunny movies Hope was making in the 1960s. The film has one distinguishing feature: it manages to cast Weld and make her completely unappealing! Surprisingly cast to begin with, Weld has little to do but roll her eyes or wince at Hope's unfunny wisecracks. Perhaps Annette Funicello or Deborah Walley would have been a better choice for Weld's role. She's far too intelligent to have us believe she'd be smitten with the empty headed Avalon. The presence of classy Dina Merrill, as Hope's love interest, is a plus even if her Swedish accent is a bit half-hearted. Directed, in the style of the average 60s sitcom, by the undistinguished Fred DeCordova.
    6tavm

    I'll Take Sweden was quite an enjoyable '60s Bob Hope vehicle for me

    After weeks ago taping this and the one that preceded it-Kings Go Forth-on DVR off the THIS movie channel, I finally decided to watch Bob Hope's I'll Take Sweden. Unfortunately, while the previous picture's enjoyment was marred a little bit by having the scenes freeze and then fade out constantly while the audio was still running during the ending scenes, so it was with this one during the beginning ones. Still, once that was fixed, I did find this one quite amusing if not completely hilarious despite, or maybe because of, the silly contrivances that permeated the whole screenplay written by Nat Perrin, Robert Fisher, and Arthur Marx, the latter of which happens to be the son of the one and only Groucho. I mean, Mr. Hope still has a way with a punchline and Frankie Avalon provides some energy with his slacker role with enjoyable, if a little forgettable, music interludes. Dina Merril is appealing enough as Bob's paramour and Tuesday Weld provides her own charms as his stunning daughter. Then there's Jeremy Slate as the Swedish rival with Avalon for Ms. Weld's attentions. While he and Ms. Merril are close to overdoing the Scandinavian accent, his is almost close to irritating. Good thing it all turns out the way it does. But all in all, with competent direction from Frederick De Cordova, I rather enjoyed I'll Take Sweden.
    dougdoepke

    Not The Usual Hope Romp !

    For a Hope fan like me, the flick was a disappointment. Don't look for his comically flustered style til the last part, when he runs amusingly through the many stranger-filled hotel bedrooms -- and just what is it those bedroom couples are doing? It's then that the movie really gels.

    That's not to overlook the opening scene where gyrating teens of the mid-1960's could light up a city, while Hope's strait-laced father looks on disapprovingly. So how's he going to keep daughter Weld from marrying into Avalon's reckless crew. By moving to sophisticated Sweden, of course. Trouble is, as Dad finds out, Sweden's even looser sexually than back in the good old USA. Good thing Sweden's Dina Merrill is there to help ease his protective tension. But what about the stiffly handsome Slate whose got his Swedish eye on Weld. So what's Dad to do.

    Basically the movie's about sexual innuendo at a time when American mores were changing from the conformist 1950's. (A couple more years and the free-wheeling Hippie movement would appear.) So in that cultural sense the movie appears unfortunately dated with its cutting-edge emphasis of the time. I'm surmising, but I suspect Hope was hoping to connect with the younger generation, given the flick's key aspects. Too bad his brand of delightful humor wasn't better served.

    Anyway, for Hope fans, hang on til the last part when the tempo picks up. In the meantime, there's cutie Weld to entertain the eyes of hormonal guys like me.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      As a publicity stunt, the studio offered a role to one of then-US President Lyndon B. Johnson's daughters. She declined.
    • Erros de gravação
      All of the boats at the dock have California registrations even though the scene is supposed to be in Sweden.
    • Citações

      JoJo Holcomb: Kenny doesn't have to work: his grandmother left him *twelve hundred* dollars!

      Bob Holcomb: [touch of sarcasm] Twelve hundred dollars? With that kinda' dough and a credit card, you got it made.

    • Conexões
      Referenced in Primetime Glick: Eugene Levy/Conan O'Brien (2001)
    • Trilhas sonoras
      Watusi Jo
      Composed by Jimmie Haskell and Jim Economides

    Principais escolhas

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    Perguntas frequentes14

    • How long is I'll Take Sweden?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 18 de junho de 1965 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Sueco
    • Também conhecido como
      • I'll Take Sweden
    • Locações de filme
      • Lake Arrowhead, San Bernardino National Forest, Califórnia, EUA
    • Empresa de produção
      • Edward Small Productions
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 37 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 1.66 : 1

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