A Corrida do Século

Although "It's A Mad, Mad, Mad, Mad World" was the first comedy to get the epic film treatment, "The Great Race" is in my opinion the best epic comedy. It's just a much funnier film with so many laughs in its first half that the more serious part dealing with the palace intrigues and the straight sword fight acts more as a breather for the viewer before it revs up again with the funniest pie fight of all time and the smashing (literally) finale. Jack Lemmon shows why he was probably the most versatile comic actor of the 50-60s next to Peter Sellers (this is a long ways from the Lemmon of "The Apartment" or "Irma La Douce"!). Peter Falk, a decade before "Columbo" is hysterical too, while Natalie Wood never looked more sexy (except for the last part of "Gypsy") than she does here.

They don't make this kind of simple comedy devoid of crudity any longer. That's what makes a film like "The Great Race" something to keep coming back to and enjoying again and again.

The Great Race is a marvelously entertaining cartoon of a movie. Everyone is a broad character and slapstick abounds. The actors are great and the comedy is lively. If it has a fault, it's that it is a bit longer than necessary. However, it never slows down too much to make you lose interest.

Jack Lemmon steals the show as the deliciously despicable Professor Fate. Lemmon brings melodramtic greatness to what would normally be the Terry Thomas role (and I love Terry Thomas). His partner in crime is Peter Falk, as the harried, but loyal Max. Together, they make this film great.

Tony Curtis is the perfect true-blue hero, even if that becomes a bit obnoxious. He's so great that you just can't wait for Prof. Fate to get one up on him.

Natalie Wood gets a bit annoying, too, as Maggie Dubois. Her strident proclamations about equality start to get on your nerves fairly rapidly. She's not quite intrepid enough for Nellie Bly, and not quite smart enough for Gloria Steinum. She has some good comedic moments, though.

The film is episodic in nature and a bit uneven, but there a great moments throughout. Scenes to look for: The early daredevil rivalry between the Great Leslie and Prof. Fate, the saloon brawl in Borracho, the Prisoner of Zenda send-up, and the pie fight.

Hollywood doesn't make great slapstick farces like this anymore. Humor now revolves around groin injuries and stupid one-liners and catch phrases. We don't see great character pieces anymore. It's a shame as these kinds of movies hold up well; especially as family fare.

The DVD is pretty bare-bones. It would have been nice to have some commentary from Blake Edwards and Tony Curtis. Warner Brothers has but out some pretty substandard DVD packages, this one included. Still, it's worth the price just to watch the movie.

Now I've read most of the comments on this film and while I might agree with some of the more specific comments regarding the looser and less plausible plot in the last third of the film and that Natalie Wood might have been more of a contribution and less of a distraction, these are moot points. The film is funny, enjoyable and a great tribute to the heyday of silent villains and heroes in a way that doesn't overdo it. Curtis' flashing smile, Wynn's turn-of-the-century mechanic character, the harried and frazzled O'Connell as Goodbody, and especially Falk's on-again, off-again sycophant/lackey/nobody's fool Max are memorable and fun. But as much as I like the main movie, my fave bits are the early scenes in which Professor Fate, always in black and macabre emblems, tries to outdo the stunts of the gleaming white, perfect and popular Great Lesile Gallant III. The stunts are fun, witty and totally unbelieveable. The plane pickup, the rocket train, the garishly painted torpedo with a mawkishly wonderful gramaphone speaker on top are priceless Victorian images of a time that we all imagine existed but never really did. Lemmon is a gem as Fate, right from the great use of his eyes under thick brows and black hat, to the spooky house in his own Munster's décor to the crème de la crème, the Hannibal Twin 8 race car. That car is a masterpiece of mechanical and artistic design. I wonder where it is now. Even the sound it generates in the film, that sinister and harmonious hum are perfect for Fate's élan.

What I've never understood is why I never heard more of Lemmon's comments on this film. It had to be fun to make and work with Curtis, but the role of Fate is so underrated. You never see it mentioned in Biography or any anthologies of Lemmon's work. I still roll in peals of laughter at his dizzy 'Let's see the Great Leslie try THAT one on for size...' as he passes out in the mud. Or when Max breaks off the moustache in the freezing storm, and all you see is Fate's astonished look of shock followed by a sideways glare that could cut glass. The last part of the film, the entire Prince Hapnik and Potsdorf sequences are less than helpful, and they really aren't needed, despite a record pie fight, but it does serve to give Lemmon another role, diametrically different from Fate. Again he uses his eyes and his voice to great effect. `Baron Rolf von SHTUPP!!'(Any relation to Lilly von Shtupp in Blazing Saddles?) With perfect timing. I mean it. Try it some time and you'll never match that unique panache which Lemmon displayed. All in all, a wonderful and fun film. No deep message, just good turn-of-the-century atmosphere, great gags and lively dialogue. Enjoy, and don't take it too seriously. After all, it's not PEARL HARBOR, is it? **** our of **** for me.

Tony Curtis and Jack Lemmon, memorably paired in "Some Like It Hot", tried it again in "The Great Race". Natalie Wood was a reluctant addition, with a new biography of this actress repeating her displeasure with the film and its director. Peter Falk, not yet Columbo, rounded out a globetrotting quartet chasing first prize in the 1908 New York to Paris automobile race.

Much has been made of how the script's "Prisoner of Zenda" subplot slows the action. Yet these scenes shot in Salzburg have contributed several zingers to the stock of movie quotes floating around in general circulation. Someone must have liked the "Potzdorf" episode, as "More brandy!" and "Drat!

I never mix my pies!" remain among Jack Lemmon's most cited lines.

Surviving participants in the real-life 1908 competition did not care for this trashing of their personal history. I loved it on its first release way back when, and it remains a pleasant (if long) watch on cable TV and home video.

In the classic opening credit sequence just before where we are transported back to the days of the "Magic lamp" slide projection shows, we are given a hint of what is to come when a tribute salute " For Mr Laurel & Mr Hardy " appears on the screen. Yes this movie does owe something to the slapstick routines of those two gentlemen yet it has a life of it's own which in many ways far surpasses slapstick. For those people who can only see the sight gags then this movie will only provide mild appeal. Look deeper and appreciate the marvellous comedic talents of Jack Lemmon, Tony Curtis, Peter Falk, Keenan Wynn and Natalie Wood.

Comedy is always a thing of personal taste. I suspect that there will be those who will rave about how wonderful The Great Race is while others will call it a waste of time and money. There will be few in the middle ground. I fall into the rave category. To me this movie is sheer FUN.

The visuals are splendid and awesomly huge. The costumes fabulous and the location settings vast. Everything is over the top, yet there is still room for small subtleties and in-jokes. The actors have a ball. Jack Lemmon just sneaks in as the best scene stealer but the able cast hold their own too. The Great Race just cries out for a restoration job and a release on DVD - please !