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Adicionar um enredo no seu idiomaWhat could be worse for two cavalry officers than to battle with native tribes? To battle each other for the same woman.What could be worse for two cavalry officers than to battle with native tribes? To battle each other for the same woman.What could be worse for two cavalry officers than to battle with native tribes? To battle each other for the same woman.
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Although producer Arnold Laven got the directorial credit he did this film along the lines laid out by Sam Peckinpah who wrote the script and started directing the film. The usual 'creative differences' were the official reason given for Peckinpah leaving the film, but more than likely it had something to do with Sam's undisciplined nature.
The Glory Guys is a wonderful cavalry western with a plot borrowed partially from Fort Apache and part from the story in the Bible about David, Bathsheba, and Uriah the Hittite. Uriah in this case is Captain Tom Tryon and not because of jealousy, but because of his lust for glory and medals, General Andrew Duggan has decided that a troop of raw recruits is to be the Judas Goat led to the slaughter, a troop which Tryon commands and has a month to whip in some kind of shape so they can have a fighting chance against the Sioux.
Fort Apache itself is a southwestern version of the Custer and the Little Big Horn story and The Glory Guys takes much of its tone about the camaraderie of the soldiers from those Ford westerns. The characters you see played by Slim Pickens, Michael Anderson, Jr., and James Caan could easily have been found at and in Fort Apache.
Romance is a rough thing at this army post as Tryon and scout Harve Presnell have a nice rivalry going for Senta Berger. But when it comes to the business of the cavalry, these two bury the hatchet lest an Sioux hatchet be buried in them.
Without the presence of some big box office stars The Glory Guys tends to get overlooked. But if you see it broadcast, don't you overlook it.
The Glory Guys is a wonderful cavalry western with a plot borrowed partially from Fort Apache and part from the story in the Bible about David, Bathsheba, and Uriah the Hittite. Uriah in this case is Captain Tom Tryon and not because of jealousy, but because of his lust for glory and medals, General Andrew Duggan has decided that a troop of raw recruits is to be the Judas Goat led to the slaughter, a troop which Tryon commands and has a month to whip in some kind of shape so they can have a fighting chance against the Sioux.
Fort Apache itself is a southwestern version of the Custer and the Little Big Horn story and The Glory Guys takes much of its tone about the camaraderie of the soldiers from those Ford westerns. The characters you see played by Slim Pickens, Michael Anderson, Jr., and James Caan could easily have been found at and in Fort Apache.
Romance is a rough thing at this army post as Tryon and scout Harve Presnell have a nice rivalry going for Senta Berger. But when it comes to the business of the cavalry, these two bury the hatchet lest an Sioux hatchet be buried in them.
Without the presence of some big box office stars The Glory Guys tends to get overlooked. But if you see it broadcast, don't you overlook it.
Great acting and based on the Custer debacle. Peckinpah does a great job with little blood and gore but great scenes of combat. I note that a viewer says he saw additional scenes so let me comment on that; I saw the movie at the drive-in my first time and the version currently on video from MGM/UA is complete. TV versions cut out one specific scene for extra commercials, the entire scene where the troop leaves the fort with no weapons and suffers a simulated Indian attack, with Duggan nearly strangling one acting Indian (about 12-15 min.)The only thing missing is the widescreen version as the video is P&S. I also saw the movie in France, dubbed in French in widescreen and the many off-screen elements show that this movie needs a WS release. Of note is the historical accuracy of the weapons and uniforms. WIDESCREEN please!
The story of how General George Armstrong Custer led his troops to their deaths at the Battle of Little Big Horn in 1876 is a textbook example of military megalomania writ large in American history, and clearly a story ripe for a budding writer, which is what Sam Peckinpah was in the 1950s, when, at the request of the production team of Arthur Gardner, Jules Levin, and Arnold Laven (for whom he would create the legendary TV western series "The Rifleman"), he was commissioned to write the screenplay for Hoffman Birney's novel "The Dice Of God", loosely based on the Custer story, and which was to become the basis for THE GLORY GUYS. But by the time the story went behind the cameras in mid-1964, Peckinpah, due to the fury that he had caused in Hollywood with the extreme production conflicts on MAJOR DUNDEE, was about to be virtually blackballed from Hollywood. And while the end result is nowhere near a terrible product, one has to wonder just how much further this film would have gone had Peckinpah been given the opportunity to direct his own script, which he in fact never did, contrary to what has been reported here at the Internet Movie Database (I for one would like to see corroborating evidence of that claim that he directed even a small part of it).
Even in the finished film, there are themes Peckinpah had broached upon that are still there--the conflict between two men (Harve Presnell; Tom Tryon) and their commanding officer, a steely-eyed, almost dictatorial Cavalry commander (Andrew Duggan) out to put the Sioux in their place. As this kind of scenario had loosely played itself out in MAJOR DUNDEE, however, Laven, who directed the film, seemed to shift the film away from this critical look at personal and military obsession to the love triangle between Tryon, Presnell, and a pioneer woman (Senta Berger, returning from MAJOR DUNDEE) at their fort. It was a point that Peckinpah strongly (and unsurprisingly) found highly disagreeable, since his focus was on the near-fundamentalist behavior of Duggan's character. In the meantime, Laven does stage plenty of good action scenes, including the attack on the Sioux, but they don't have the kind of raw (let alone bloody) energy that Peckinpah would have bought to them, and the editing of these scenes, while more than competent, isn't quite up to what was even done in the action scenes of the unfairly butchered DUNDEE.
Still, it's hard to say too many bad things about a film that is still as far removed from the old John Ford/John Wayne cavalry films as MAJOR DUNDEE had been; and Tryon and Presnell are extremely competent in their roles (though rumor has it that Lee Marvin and James Coburn were both considered first, before salary conflicts forced Laven to settle for the other two). There are also early roles for James Caan as an Irish-born cavalryman; and Wayne Rogers, later to star in the long-running TV series M*A*S*H, as another cavalry officer. Slim Pickens, who is never anything less than memorable, also does a good turn as one of the members of the cavalry. Perhaps the best thing about THE GLORY GUYS, besides those moments when the film lays Duggan's military megalomania bare, is the superb cinematography, most of it done on location near Durango, Mexico, of James Wong Howe, who had won an Oscar in 1963 for HUD.
All in all, THE GLORY GUYS does hold up as an extremely competent film. But it still leaves one to wonder just how much further up the ladder of quality sagebrush film making it would have gone had Peckinpah been the one in the director's chair, as opposed to the more workmanlike direction of Laven. One can, unfortunately, only speculate.
Even in the finished film, there are themes Peckinpah had broached upon that are still there--the conflict between two men (Harve Presnell; Tom Tryon) and their commanding officer, a steely-eyed, almost dictatorial Cavalry commander (Andrew Duggan) out to put the Sioux in their place. As this kind of scenario had loosely played itself out in MAJOR DUNDEE, however, Laven, who directed the film, seemed to shift the film away from this critical look at personal and military obsession to the love triangle between Tryon, Presnell, and a pioneer woman (Senta Berger, returning from MAJOR DUNDEE) at their fort. It was a point that Peckinpah strongly (and unsurprisingly) found highly disagreeable, since his focus was on the near-fundamentalist behavior of Duggan's character. In the meantime, Laven does stage plenty of good action scenes, including the attack on the Sioux, but they don't have the kind of raw (let alone bloody) energy that Peckinpah would have bought to them, and the editing of these scenes, while more than competent, isn't quite up to what was even done in the action scenes of the unfairly butchered DUNDEE.
Still, it's hard to say too many bad things about a film that is still as far removed from the old John Ford/John Wayne cavalry films as MAJOR DUNDEE had been; and Tryon and Presnell are extremely competent in their roles (though rumor has it that Lee Marvin and James Coburn were both considered first, before salary conflicts forced Laven to settle for the other two). There are also early roles for James Caan as an Irish-born cavalryman; and Wayne Rogers, later to star in the long-running TV series M*A*S*H, as another cavalry officer. Slim Pickens, who is never anything less than memorable, also does a good turn as one of the members of the cavalry. Perhaps the best thing about THE GLORY GUYS, besides those moments when the film lays Duggan's military megalomania bare, is the superb cinematography, most of it done on location near Durango, Mexico, of James Wong Howe, who had won an Oscar in 1963 for HUD.
All in all, THE GLORY GUYS does hold up as an extremely competent film. But it still leaves one to wonder just how much further up the ladder of quality sagebrush film making it would have gone had Peckinpah been the one in the director's chair, as opposed to the more workmanlike direction of Laven. One can, unfortunately, only speculate.
GLORY GUYS is a beautifully photographed Cavalry Western. The Story reminds a lot on John Ford's "Fort Apache". Like in John Fords Masterpiece Glory Guys retells the battle on Little Big Horn but with fictional names and changed locations. Like in Fort Apache the audience see the life in the Fort and the training of the young soldiers. All the Military Aspects and the battle at the end are really a joy to watch. There is another TV- Soap storyline too in that movie. A Woman named Lou Woddard played by the gorgeous Austrian Actress Senta Berger has a love liaison with two men: a Captain Demas Harrod (Tom Tyron) and the scout Sol Rogers (Harve Persnell). Lou Woddard is a very attractive and self confident woman and it's no wonder that two hard guys are fighting for her. Next to this Soap plot line there are some comedy elements with the young recruits. As one of the young soldiers we see a young and good James Caan. So before the battle starts you see a lightweight movie. The battle itself is really amazing and I have to say one of the best Indians against Cavalry Battles ever seen. The Movie is wonderful photographed by James Wong Howe and the Music Score by Riz Ortolani is good too. James Wong Howe was also the photographer for Hud, The Old Man and the See, Funny Lady and many others. Italian Composer Riz Ortolani is still a very active composer mostly for European Productions. Not to forget the realistic looking design and equipment. The Movie is very beautiful and a joy to watch.
The Scriptwriter is by nobody else than Sam Peckinpah after the novel of Hoffman Birney and he did some directing too but was replaced later by Arnold Laven. So he is not credited as Director. No wonder this movie has some similarities to Major Dundee. Maybe because of the change of the Director GLORY GUYS have some flaws in the directing style. Next to the training of the recruits and the Love Story there is another Plot line in Glory Guys too: Capt. Harrod has a troubled past with his commanding officer General McCabe. McCabe should represent General Custer and as in the real Battle of Little Big Horn McCabe is making a some mistakes. Andrew Duggan is doing a good job as McCabe but his role is underused in this Movie. IMO the story should have focused more on the McCabe/ Harrod relation and the Military Aspects as on the Love Story.
GLORY GUYS is a beautiful and very rare movie. It reminded me a lot on the John Ford Cavalry Western and all the other older Cavalry Movies like "They died with their boots on". Because this Movie includes Aspects of War many would believe in a connection to the Vietnam War. I'm not sure about it and wouldn't say Glory Guys wants to make a statement about it. The Indians are like invisible but very scary enemies. The Soldiers and Officers are just following Orders even if these orders are stupid and would cause their deaths. I liked that they tried to show that even in that period how Soldiers are trying to survive in such a conflict. If you see this movie somewhere screening try to watch it.
The Scriptwriter is by nobody else than Sam Peckinpah after the novel of Hoffman Birney and he did some directing too but was replaced later by Arnold Laven. So he is not credited as Director. No wonder this movie has some similarities to Major Dundee. Maybe because of the change of the Director GLORY GUYS have some flaws in the directing style. Next to the training of the recruits and the Love Story there is another Plot line in Glory Guys too: Capt. Harrod has a troubled past with his commanding officer General McCabe. McCabe should represent General Custer and as in the real Battle of Little Big Horn McCabe is making a some mistakes. Andrew Duggan is doing a good job as McCabe but his role is underused in this Movie. IMO the story should have focused more on the McCabe/ Harrod relation and the Military Aspects as on the Love Story.
GLORY GUYS is a beautiful and very rare movie. It reminded me a lot on the John Ford Cavalry Western and all the other older Cavalry Movies like "They died with their boots on". Because this Movie includes Aspects of War many would believe in a connection to the Vietnam War. I'm not sure about it and wouldn't say Glory Guys wants to make a statement about it. The Indians are like invisible but very scary enemies. The Soldiers and Officers are just following Orders even if these orders are stupid and would cause their deaths. I liked that they tried to show that even in that period how Soldiers are trying to survive in such a conflict. If you see this movie somewhere screening try to watch it.
I cringed when the opening credits started and some horrible song invaded my ear drums, but then things got better and I was pleasantly surprised while watching this film in its widescreen version. The acting was very good, the Calvary life on a dusty western post was well depicted, and the direction, albeit cheesy in some of chivalry scenes between the two leading men and typical bar fights of the genre, was pretty good considering the simple and predictable plot line.
I think James Caan's part of Pvt. Anthony Dugan was well acted and gives us a hint to his impending stardom. Beautiful Senta Berger was just okay in her part of Lou Woddard but there wasn't much for her to do except officiate the battle between Tom Tryon and Harve Presnell for her hand. The other parts weren't that special either but what made the film play out well in my eyes was the appearance of authenticity of a western Calvary company. From the initial gathering of a bunch of green troops through their training and drilling, and complaining, to the final well oiled product that had at least a fighting chance of survival in a big campaign against the Indians.
I would recommend this film for those who like westerns and give it 6.5 stars out of 10.
I think James Caan's part of Pvt. Anthony Dugan was well acted and gives us a hint to his impending stardom. Beautiful Senta Berger was just okay in her part of Lou Woddard but there wasn't much for her to do except officiate the battle between Tom Tryon and Harve Presnell for her hand. The other parts weren't that special either but what made the film play out well in my eyes was the appearance of authenticity of a western Calvary company. From the initial gathering of a bunch of green troops through their training and drilling, and complaining, to the final well oiled product that had at least a fighting chance of survival in a big campaign against the Indians.
I would recommend this film for those who like westerns and give it 6.5 stars out of 10.
Você sabia?
- CuriosidadesSam Peckinpah later claimed that his screenplay had been ruined by the miscasting of all three of the leading cast members.
- Citações
Sgt. James Gregory: You're government property now, son.
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- How long is The Glory Guys?Fornecido pela Alexa
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- Tempo de duração1 hora 52 minutos
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- 2.35 : 1
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By what name was Assim Morrem os Bravos (1965) officially released in India in English?
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