Gonks Go Beat

Connoisseurs of dreadful movies cherish the memory of this British equivalent of "Santa Claus Conquers the Martians", stuffed with acts whose plot opposition reflects the clash between post-Beatles rock and slushy romance in the mid-1960s charts. Yes, folks, for every Amen Corner there was an Engelbert Humperdinck, and for each "Hard Day's Night" there was a pop flick like this, with comedians mugging and strutting about the set to give the mums and dads something to laugh at. It should be explained that a gonk was a round, stuffed toy whose gormless features often gaped from the counterpanes of girls' bedrooms. In the catalogue of forgotten UK musical cash-in movies, this one ranks with "Just for Fun" and "The Cool Mikado".

A Space diplomat is deployed to prevent the two countries of Earth from fighting, Beat land and Ballard Isle. They are going to have a show down in the annual music contest. This movie isn't that weird once you get past the premise, it's 5 minutes of plot then a musical performance. The breakup is a lot in the style of a pantomime. The premise is better than the movie, I found myself bored while watching my eyelids fell a few times. It's Trolls world tour but made 60 years before it. This is beats vs ballards, trolls world tour is pop vs rock. If you want a really weird movie this isn't it.

Incredibly rare, mid-60's rock and roll sci-fi obscurity. So rare, most film books don't even LIST the title.

A recent screening of the sole surviving print at Hollywood's AMERICAN CINEMATEQUE, shows that the film is no great shakes, but worth seeking out for the completists.

GONKS tells the story of an Alien who comes to earth to settle a dispute between the two great nations of our future planet. One nation loves rock and roll, the other, ballads. The Alien befriends a bizarre former Record Exec (Mr. A & R) who looks suspiciously like Buddy Holly (if had he lived to join Elvis in Vegas!). The pair hatch a scheme to set up a Romeo and Juliet-like romance to bring the warring nations together.

It works, but not before a bunch of mediocre rock songs and warbled ballads are sung, cheap stage-bound sets are trampled and the audience's patience is worn thin. Meanwhile, on planet Gonk, a bunch of hand puppets runs amok. Gonks were furry toys popular in England at the time.

The biggest highlight is a thrilling 9 Drummer jam session (led by Ginger Baker and Alan White) held in a prison cell (don't ask). Otherwise, it's fairly dull with only a little schlock value.

CARRY ON regulars Kenneth Connor and Terry Scott co-star with Are You Being Served?''s Frank Norton as Mr. A & R. The recording artists include Lulu, The Nashville Teens and the Graham Bond Organization (which included Baker and Jack Bruce).

This is a totally weird 60s rock-n-roll musical send-up of Romeo and Juliet centering on two squabbling islands: Beatland and Ballad Isle. Intergalactic ambassador Wilco Roger is summoned to resolve the differences between the communities, employing the tactic of uniting a Beatland boy and a Ballad Isle girl; if he is unsuccessful he faces exile to Planet Gonk (inhabited by some strange doll-like creatures that apparently were based on a popular toy of the time). Despite the presence of Ginger Baker, Jack Bruce, Graham Bond and Lulu, the music here is nothing special. The music by the Beatlanders is typical of mid 60s rock rave-ups (watch for the lead singer/guitarist for The Long and the Short doing his best "Enzyte Bob" impression during their number "Love is a Funny Thing"!) , while the music favored by Ballad Isle consists of some of the sappiest ballads imaginable (the best way I could describe them would be to imagine the late 50s light pop group The Fleetwoods on Prozac). We're also treated to musical sequences featuring a band playing instrumental rock while driving down a deserted airstrip and a nine drummer prison jam session (neither of which serve much purpose other than padding the movie's run time) and a wacky "battle" sequence between both factions with musical instruments used as weapons. All this leads to the Golden Guitar contest pitting both islands against each other (which usually ends in a draw). Lulu's song "I'm the Only One" is pleasant but not exactly memorable, and The Nashville Teens' "Poor Boy" comes nowhere close to matching their hit "Tobacco Road". The bargain basement budget is readily apparent in the cheap set designs and the minimal special effects (watch for Wilco Roger ducking into the cloud of smoke as he makes his first entrance). If there was anything resembling a highlight here it would be the opening credits sequence featuring the Gonks grooving among construction paper/contact paper animation (to the song "Choc Ice", sung by Lulu with her voice altered almost to the point where she starts sounding like Cartman); it's pretty much all downhill after that.

I watched this film in February 2017 on British TV (for details see below for others who may wish to watch it).

I have to say it is pretty awful. A sci-fi movie giving a retelling of the Romeo and Juliet story. Strange eh !

For people who "grew up" in the 1960s (like me) it is hard for people today to realize that watching pop groups at the time was difficult (we did not have 30 music channels on Sky as we have today for example).

So a number of films were made trying to cram as many pop groups in as they could. However most of the singers / bands / songs in this film are forgettable (yet another bland pop song rhyming "walk" with "talk", probably the most obvious rhyme you can come up with).

I am a fan of "bad" movies and I have to say this is right up there with the best / worst (alongside Dean Martin in his Matt Helm movies). If you are a fan of bad movies do try to catch it.

This film was shown on British TV in February 2017. It is on the TV channel "Talking Pictures" which is available on most platforms in the UK (Freeview, Sky, Virgin). The channel shows mostly lost or historical films and is a great place to watch films that may never have been shown on TV before (from all eras - 1930s up to 1990s).