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Enjoyable light-hearted fun. A good movie by mid-sixties Elvis standards. Elvis' favorite leading lady was Shelly Fabres and it's easy to see the chemistry they had together. Most of the songs are very good, unlike many of Elvis' movie soundtracks of the time. Most memorable to me is the wonderful "Wolf Call". And this time the story seems to hold together, as Elvis plays an actual professional singer, rather than a his typical race car driver or daredevil who also sings. His group, which appears regularly in Ft. Lauderdale during spring break, has been asked, after some convincing from Elvis, by his gangster-like employer at their Chicago club gig to keep an eye on his daughter while down there. Lots of funny scenes which keep things rolling along. Anyone looking to laugh and relax s little for 90 minutes should check it out.

Elvis Presley formula movie at its best. Some catchy music, nice scenery and girls galore. Rusty Wells (Elvis) leaves the blowing snow of Chicago for the beaches at Fort Lauderdale during spring break. Rusty and his band are to guard a mobster's(Harold J. Stone) daughter(Shelley Fabares) without her knowledge. Boy sings; girls swoon. Best songs are "Cross My Heart And Hope To Die", "Puppet On A String" and "Got To Find My Baby". Cast seems like a party list featuring Mary Ann Mobley, Gary Crosby, Joby Baker, Jimmy Hawkins, Chris Noel and Nita Talbot. One of the most liked Elvis flicks. Soundtrack sold tons.

Ft. Lauderdale frolic has Elvis Presley cast as a Chicago rock 'n roller who, along with his outfit-matching band members, takes an assignment to secretly chaperone the boss's daughter as she vacations with her girlfriends down in Florida. Plush MGM musical with a dandy production design, lots of fun slapstick and girl-watching. The plot, such as it is, doesn't make a whole lot of sense (especially with Elvis having his cover blown by Shelley Fabares' tyrannical father, who then gets mad at Presley when his daughter decides to go wild). The songs range from very good ("Puppet on a String", "The Meanest Girl In Town") to awful ("I've Got to Find My Baby", "Wolf Call"), but there's a groovin' beach bash with excitable dancing and a funny prison breakout sequence in which E.P. gets stuck in a cell with 20 females (and escapes in drag!). Mary Ann Mobley has an insulting role (and her make-up is too dark, causing her to look overcooked by the sun), but Fabares is breezy and there's a nice supporting turn by Nita Talbot as a streetwise stripper. Not bad Presley-fest, though the screenplay could've used some sharpening, and the extras are often hilariously wooden. **1/2 from ****

Producer Joe Pasternak gave us "Where The Boys Are" in 1960, about Fort Lauderdale during Spring Break, from a female point of view. That movie starred pop singer Connie Francis, but she only sang two songs (the theme & "Turn On The Sunshine" during the film). Five years later, Pasternak gives us "Girl Happy" from a male perspective. What "Where The Boys Are" lacked in musical numbers, "Girl Happy" makes up for with several fluffy, enjoyable tunes. Elvis & pals are "watching over" his Chicago bosses daughter (Shelley Fabares) while she's in Florida. Of course, he eventually falls for her, & things go hay wire when she finds out he was hired to look after her. Mary Ann Mobley is thrown in to complicate matters & add some semi-comic moments. The clothes, colors, faux motel (so obviously NOT filmed on location & SCREAMS: Hollywood backlot!!!) are visually attractive & festive. Nita Talbot is also thrown in for sleazy fun, much like Barbara Nichols was in "Where The Boys Are". Elvis looks fit (although he's the only male actor who never wears shorts, or a swimsuit) with that perfect black hair & piercing blue eyes.

Elvis Presley was a hugely influential performer with one of the most distinctive singing voices of anybody. He embarked on a film career consisting of 33 films from 1956 to 1969, films that did well at the box-office but mostly panned critically (especially his later films) and while he was a highly charismatic performer he was never considered a great actor.

For a mid-60s onwards Elvis film, 'Girl Happy' is pretty good and while not one of his best films, like 'King Creole', 'Flaming Star', 'Jailhouse Rock', 'Viva Las Vegas' and 'Loving You', it is a long way from one of his worst (much worse followed).

The story is thin and formulaic, with parts not always making sense, and the dialogue is corn and silliness-heavy and enough to make one cringe. The extras' acting is indeed awfully wooden and just looks amateurish.

However, the settings are suitably exotic and the film is beautifully photographed. On the most part, the songs are good. Could have done without "Wolf Call" and "Do the Clam", the latter of which also being pretty embarrassingly choreographed, but the title song, "Puppet on a String", "Do Not Disturb" and "The Meanest Girl in Town".

'Girl Happy' is fun and good-natured, knowing exactly what it wanted to be, who to aim it at and never tries to do anything more. It's all competently directed and breezily paced, while Elvis is clearly enjoying himself and is well supported by charming and fiery Shelley Fabarres, menacing Harold J. Stone and perky Mary Ann Morbley. The chemistry between Elvis and Fabarres is great.

All in all, good bouncy fun. 7/10 Bethany Cox