Quatro Dias em Novembro

I appreciated the chronological telling of the story. This documentary relied a lot on narration rather than interviews, but I still think it made for compelling viewing. Everything was tastefully done and reported with accuracy.

There are two reasons I can't give it above an 8 out of 10:

The coverage of the actual day of the shooting felt rushed. I think the existence of the Zapruder film, which the doc-makers would not have known about back then, has made this part of the doc seem lacking by comparison. I can't faul the filmmakers for that, but it's something that dates the documentary.

The other reason this film wasn't perfect was because too much time was given to the somber aftermath. Yes, it was important to include footage from the procession and the funeral, but devoting 30 minutes was too much.

This 1964 documentary was released the year following JFK's assassination. The producers worked in cooperation with United Press International (with which they published a companion book) to produce this account of the days leading up to President Kennedy's assassination.

For those that want a well rounded documentary that supports the findings of the Warren Commission (meaning that Lee Harvey Oswald was the assassin) this is the documentary for you.

In the 40 years since this documentary was released there is footage used in this film that has still not been used in other and more recent documentaries, making this film, in my opinion well worth it.

This film was originally released on VHS in the late 1980s, and was re-released again on VHS in 2000. Not on DVD as of yet, but still worth seeing.

Archival footage is used to recount the assassination of President John F. Kennedy. It follows Kennedy before arriving in Dallas as well as following Lee Harvey Oswald's footsteps. There is a small section for the actual shooting in the middle and then the aftermath dominates the second half. It's a very traditional documentary. There is a wall-to-wall old guy narration. It's timely released a year after the assassination. It got nominated for the Oscar. Its traditional newsreel style never really breaks and it follows the story mostly chronologically. The most compelling is probably hearing from Oswald himself and the foreboding description of his life. Basically, it's the standard documentary to encapsulate the event.

I was a little over 4 years old when this happened. My mom was watching "The Edge of Night" and got a little angry when a "special bulletin" interrupted her soap opera. Then she started crying after Walter Cronkite made the announcement that the President had been shot.

My aunt and uncle had the book that went with this documentary. 45 years later, I finally see this documentary. In watching it, I felt like I was there. This is something that no book or still photo could do justice to.

I had no idea of the number of people that were lining the streets watching Kennedy's ill-fated motorcade. This documentary gives you a sense of some of the "what ifs": what if it had rained that day, what if motorcade hadn't made a turn and drove straight, what if the "bubble top" had been on the limo?

November 22, 1963 started out as a great day for the Kennedys and everyone at the breakfast in Fort Worth. At about 12:30 that afternoon, it became a tragedy for most of the world.

Released in November 1964, shortly after The Warren Commission's report, this documentary presents itself as a companion piece to the excellent photographic journal FOUR DAYS compiled by United Press International. It also serves as a prosecuting attorney's template for stating the position of Lee Harvey Oswald as the lone gunman.

Beyond this controversial lightening rod, Four Days In November is an effective filmed record of the events surrounding the assassination of President Kennedy. The primary reason for this film's value is the fact that it was released barely one year after the tragedy in Dallas. The nation is still recovering from its shared anguish. The participants interviewed(including Lee Oswald's landlady, Earlene Roberts) convey urgency in their voices and mannerisms of events which are still fresh in their thoughts. There is a raw immediacy in the way this film chronicles the last week of JFK with rare archival footage. With an election looming in 1964, we see a campaign stop in Tampa, Florida as the President is serenaded by accordion with "Hail To The Chief" and presented with a doll for his daughter, Caroline. Back in Washington, the President honors a yearly pre-Thanksgiving tradition and spares the life of a healthy turkey on the White House lawn.

Leading up to the Texas trip, Richard Nixon is shown in Dallas as an influential lawyer representing Pepsi-Cola, offering a shrewdly political view as to why JFK is really visiting the Lone Star State. During a stop in Houston, President and Mrs. Kennedy (their last night together) attend an event sponsored by a Mexican-American group called LULACS. Jackie is a hit as she addresses the audience in Spanish. Vice-President Lyndon Johnson is introduced as a "fellow Texan" and provides a few humble words of deference for "our beloved President."

What follows is the searing events of November 22-25 replayed in stark black and white. A jarring sidelight to this film includes the appearance of 19yr. old Wesley Frazier retracing his steps that Friday morning, still fresh in his mind. Again, this relates to the advantage of how recent this event was to the actual filming for this movie. Frazier recalls giving Lee Oswald a lift to work in his 1953 Pontiac on their way to the Texas School Book Depository. The viewing audience sits in the passenger seat next to Frazier as he recalls asking "Lee" about his kids, commenting on the weather and that long bundle wrapped up in the back seat.

Composer Elmer Bernstein provides a heavily percussive,brass-tinged score which serves to augment the movie's subject matter. Richard Basehart gives an appropriately anchored narrative with just the right amount of gravitas.

This film is directed by Mel Stewart who has also lensed THE MAKING OF THE PRESIDENT documentaries, based on the best-selling Theodore H. White books. Stewart would go on to helm the TV docudrama RUBY and OSWALD. In the context of 1964, Four Days In November is like opening a fresh wound. Forty-five years later, it remains a vivid retelling of a dark, sorrowful chapter in American history.