The Fat Spy

I would like to know the story behind "Fat Spy". After all, when you watch it, you keep saying to yourself that this must be a joke! That's because it's a horrible and incomprehensible mess--even worse, in many places, than films like "Plan 9 From Outer Space" or "Robot Monster"! That's because the movie is so disjoint--as if someone just tossed many disparate pieces of junk and strung them all together. In fact, just describing the plot is practically impossible, as the film is THAT much of a mess.

The film consists of three usually separate films. One is a teen film--sort of like a SUPER-cheap surfer film. None of the folks performing in it appeared to be real actors--just a bunch of young adults cavorting on some island off the coast of Florida. They say that they are looking for some hidden treasure but this rarely seems to be the case. Another consists of music videos by some group I'd never heard of...and I assume the same would be true for you and I can DEFINITELY understand why they never became more famous! The final is made up of professional(??) but mostly D-list stars performing some skits--most of which aren't funny in the least (but I did like the Jackie Leonard song that he sings to Phyllis Diller). The scenes really look like outtakes--bad ones at that. You KNOW a film is doomed when it is anchored by Diller, Leonard and Jayne Mansfield. Oddly, however, Brian Donlevy (a legitimate actor!!) appears in a few of these scenes. All three are woven, ineptly, together with some plot involving the fountain of youth...kind of. And, to make matters worse, the film has no ending....just some sort of hurried comments on the screen trying (in vain) to wrap everything together!

Is the film worth seeing? Well, since it's in the public domain, it costs nothing--so at least that's a plus. Otherwise, unless you are a bad film addict, stay away...RUN from this film. But, for folks who like to see people embarrass themselves, it is an interesting curio.

Here's a sidenote to what everyone else posted.

This film was produced in Cape Coral, Florida. It was only filmed there for product placement purposes, well before product placement was ever really heard of.

The developers of Cape Coral were the typical "bought swampland in Florida" types you heard so much about.. so they thought having a movie filmed HERE would advertise their city. They used all the city landmarks at the time and hoped the movie would sell their property sales.

Eventually Cape Coral became as they say "Lies that came true" and is a thriving city today. It's just a very funny thing to watch this film from the angle of it being a sales tool.

That, and watching them hide Jayne Mansfield's very visible pregnancy with statuary and other methods is funny too.

Not much. BUT, for a low (low, low, low) budget "beach party" film (set in Florida, for a change) there are *just* enough special moments to satisfy the truly curious. Those moments are all found in the musical numbers: Frank E Leonard croons to his long-lost love, cosmetics mogul Phyllis Diller, an amusing "love" song regarding Diller's supposed ugliness in "You Haven't Changed a Bit"....with lines like "the paper said that Peeping Tom was pulling down your shade.." Ironic, as Phyllis Diller looks quite good here. Jayne Mansfield portrays a chubby daddy's girl/bush pilot who is sent by her father (Brian Donlevy) to see what 'those kids' are up to, and in doing so meets up with her beloved (Frank E Leonard, in a second role). Jayne gets to sing one song, the charming "I'd Like To Be a Rose in Your Garden (But I'm Just a Thorn in Your Side)." In real life, Jayne is obviously pregnant (with her youngest child); in some scenes there was no attempt to conceal her growing belly. Maybe the intention was for her character to be plump? Other numbers include cast member Lauree Berger (a very appealing short-haired brunette who could easily have given Annette Funicello a run for her money) singing the weirdly upbeat but submissive ditty "You Put Me Down the Nicest Way You Can." Jordan Christopher and the Wild Ones appear as "the boys" and perform "The Turtle", a slow-moving dance -which is like nothing you'll ever see in the big-budget "beach" movies. However, none of these musical moments belong in the same film with the Jordan Christopher-Lauree Berger duet "Nanette", a dreamily beautiful melody that could have been a hit if it wasn't lost in this film. "The Fat Spy" succeeds in a few fragments -if not as a whole- and for that its worth a look.

Truly abysmal beach 'comedy' featuring the fading glamour that was Jayne Mansfield.

I think I would be hard pushed to find a worse movie than this! The acting, direction, stock quality, music, sound recording and plot are all dreadful. The plot, or what little of it there is, has something to do with the fountain of youth on a small tropical island but will leave you bamboozled to say the least.

The only attraction here is Jayne Mansfield and it will only be fans of the actress that will want to get hold of this film. However, by now Jayne was on a downward spiral that would eventually lead to her tragic death. Never averse to making a quick B picture to bring in some cash and push her celebrity, things were by now in dire straits and this is well and truly a Z grade film made for next to nothing. Mansfield takes 50 steps backward here in her personal quest to be taken seriously as a dramatic actress. Her dumb blonde performance in this picture is an embarrassment to behold and her sex pot image is seriously on the wane as her famous curves have been filled by extra flesh.

A disaster in every sense of the word and a real shame to see someone with Jayne's obvious potential wasted in a load of old rubbish. It's hard to imagine that someone who appeared in the classic 'The Girl Can't Help It' and got the full Fox treatment is now doing Monroe rip-offs in nonsense such as this.

Steer clear...!

Let's not beat around the bush. This movie is terrible. Jack E. Leonard is just not funny. He's fat in a rather unpleasant-looking way, he tries too hard, and he's given nothing funny to do in playing TWO PARTS.

HOWEVER, for fans of the genuinely wrong-headed and insane, this movie has some appealing facets. The music is pretty doggone cool. The film begins very suddenly with two guys singing an acoustic rock number on a dock. Recorded live, they're just singing "People Sure Act Funny When They Get A Little Money", and it goes on for about 5 minutes and you don't know if it is part of the movie or what. It suddenly ends and shifts to a cool, cartoon mid-60s style of credits with a bouncy title tune.

Later the band, The Wild Ones, treat us to their song "The Turtle". It's the "slowest dance you'll ever do," replete with leering camera shots of the chicks in their skimpy suits writhing along. The song really rocks in an intense way. The lead girl character gets a song of her own, which would serve as a brilliant parody of Lesley Gore, if the filmmakers were smart enough. It is unbelievably catchy, but the basic theme is "I'm so glad I never get my way and you are a man, because you put me down the nicest way you can." On second thought, that's the actual chorus!

So these and a few other musical moments bring the movie to a level of disbelieving watchability. Fast forward through all the "comedy".