Norman, O Leiteiro Bagunceiro

Some of the reviews here are from people who, having been told this is Norman's best film, might not watch any others. I'd not exactly say I don't like this, but I'd place it near the bottom of the list. Perhaps only Press for Time is worse.

There's a certain style of comedy and pathos that's missing here, and strangely the colour does not help. The opening scenes are reminiscent of Morecambe and Wise, in their Breakfast sketch. Overall, there's a lack of sharpness to the comedy, so oddly the Norman Wisdom films from ten years earlier don't look so old fashioned as the ones made in the 1960's.

Trouble in Store, Stitch in Time, Bulldog Breed, at least give those a try if The Early Bird was not your cup of tea, because those three are more representative of Norman Wisdom's comedy - not just silly slapstick, but true heart.

My parents took me and my brother to see this at the "pictures". (I was 8 and my brother was 5 in 1965) I DO remember that this film made me laugh till I almost burst at the seams! :-) I've never forgotten the image of Norman, the horse, and "Mr. Grimsdale!?" I've tried to get this film at video stores without success. Shame. It's a classic!

Milkman Pitkin (Wisdom) and his employer, Mr Grimsdale (Chapman), pit their small, archaic dairy against a conglomerate, hell bent on taking their business by fair means or foul.

This film is largely innocent and boisterous fun, slapstick and so forth. Even in its day it was hardly considered cutting edge, so it may be of limited appeal to folk who know not of Norman Wisdom and his earlier outings. This is the first Norman Wisdom film in colour and the last to feature regulars Wisdom, Chapman and Desmonde together.

Wisdom we expect to fall about, but others didn't have it easy either; Desmonde passed away two years after this film was made and was in his late fifties (and possibly in poor health) during shooting; he must have been game though; he variously gets sprayed with foam, falls out of a building, drenched with a fire hose, dragged by a runaway lawnmower and hangs from a tree, all whilst doing his trademark 'outraged patrician type' act. Good stuff. Supporting roles from John Le Mesurier, Richard Vernon, Frank Thornton, Peter Jeffrey, and Brian Pringle (as Machiavellian milkman Austin) are well done. Honourable mention goes to Nellie the horse too.

Some of the scenes in this film are quite memorable; the horse tranquilliser's effects on Pitkin and Grimsdale are a nod to the upcoming era of psychedelia.

Yes this is mostly hackneyed, old fashioned, and so forth, but that was really the point; open up a Norman Wisdom film and inside you will find mostly harmless fun, occasionally with a little pathos thrown in. This is a pretty fair example of a Norman Wisdom film; simply being in colour means it is more likely to get watched by some modern audiences.

I would thoroughly disagree with any negative review for this film ! A Technicolour '60's masterpiece of the British film comedy genre. Just lighten up and suspend your cynicism (a must for most of Norman Wisdom's films), and enjoy the "Crackerjack" style slapstick. Jerry Desmonde is just perfect as the hard nosed multinational windbag boss, Bryan Pringle is the ultimate uber-villain Milkman, and the scenes with the drug-filled Apple are mind-alteringly wonderful. If only for the golfing scenes with the sublime John Le Mesurier, and obvious matte shots of the dairy, this an innocent treasure. C'mon you hard bitten folks, this is Perfect Sunday afternoon fayre to watch in your armchair as you let your Sunday dinner go down !

Norman Pitkin works in a small, very basic dairy for Mr Grimsdale. Their quiet, horse-drawn existence is threatened by the expansion of a huge modern dairy (Consolidated Dairies) with a fleet of milkmen, some of whom are muscling in on Grimsdale's patch by breaking their bottles.. Norman sets out to ensure his dairy's survival – hilarity and much chaos ensues.

I love Norman Wisdom but this is nowhere near his best. Here the plot is actually quite good but it's only used well once or twice. Instead we have several set piece scenes which were clearly thought up before the actual plot because they are almost crowbarred into the film. For example – the whole golf scene is very thinly inserted and things like the lawnmower scene and the fire fighting scene bear little relation to the story itself.

This wouldn't be a major problem if it was very funny, however, like the scenes themselves, the comedy feels a bit forced and not natural in the way Wisdom's best routines are. The whole golf scene is forced and the lawnmower scene will have you asking why he didn't just let go of the thing. There still is plenty to enjoy – my favourite being a cowboy pastiche – but overall it is really just Pitkin falling down as much as possible with the plot forgotten.

Wisdom looks old and well fed – a strange comment perhaps, but it offsets his usual image as a working class hero. Being in full colour doesn't help but he isn't the character he was 10 years ago. Chapman is OK but his extra material and love interest make him less enjoyable as a comedy character. Desmonde is the upper class fool as always but here the comedy almost demeans his talents. The upside of the film is that there is no wasted time for Wisdom to chase a pretty young ankle – we have no love interest.

Overall this is enjoyable for die-hard fans and children. The reliance on physical humour is to the detriment of the plot and regularly feels forced and unfunny. It is sill amusing and I had a few laughs but this is many miles from Wisdom at his peak.