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5,8/10
503
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Adicionar um enredo no seu idiomaA man becomes a bounty hunter to earn enough to marry the woman he loves, but when he returns to their Kansas town, she has married the sheriff instead which prompts him to scheme revenge by... Ler tudoA man becomes a bounty hunter to earn enough to marry the woman he loves, but when he returns to their Kansas town, she has married the sheriff instead which prompts him to scheme revenge by ruining the town's reputation.A man becomes a bounty hunter to earn enough to marry the woman he loves, but when he returns to their Kansas town, she has married the sheriff instead which prompts him to scheme revenge by ruining the town's reputation.
Lon Chaney Jr.
- Gus Kile
- (as Lon Chaney)
Avaliações em destaque
A.C. Lyles produced quite a few westerns during the 1960s and they all had low budgets and featured stars who were past their primes. My assumption is that Lyles used these actors because they would work for less and yet added a bit of class to the cheap productions. Here in "Black Spurs", you have Rory Calhoun (in his mid-40s--hence YOUNG for a Lyles western), Lon Chaney Jr., Richard Arlen (who was in EVERY Lyles film--or so it seems), Linda Darnell, Bruce Cabot and Terry Moore--all who had seen better days in their careers.
The film begins with Santee (Calhoun) about to get married. However, when it's announced that a wanted criminal with a bounty on his head is nearby, Santee runs off to catch the guy. After all, the extra money would sure come in handy now that he's marrying. But, when he returns to town, he learns that his fiancée has left--apparently she did not want to be married to some bounty hunter. In reaction, he becomes a super-bounty hunter--making a fortune bringing in the roughest and toughest criminals--and becoming a very hardened man in the process.
A bit later, Santee and a corrupt boss-man (Chaney) come up with a nasty plan--to destroy a nearby town so that the railroad won't go there but instead go to the boss-man's town--thus making him a fortune. Santee's plan is to make the innocent town as unlivable as possible--bringing in gambling, prostitutes and lawlessness. The problem is that the sheriff of this town is the husband of Santee's old fiancée! Is there any decency left within him? Or is this some elaborate plot for personal revenge? This film is very unusual because the leading man is no hero. Being a mercenary man, he's morally ambiguous and not the guy you'd normally expect to see in a leading man! I liked this, as it's NOT a typical sort of western--and about 90% of all westerns are variations on only 3 or 4 plots. This one uses the greedy boss-man plot but with enough changes to make it unique. Well acted and interesting, I'd give this one a 7.
The film begins with Santee (Calhoun) about to get married. However, when it's announced that a wanted criminal with a bounty on his head is nearby, Santee runs off to catch the guy. After all, the extra money would sure come in handy now that he's marrying. But, when he returns to town, he learns that his fiancée has left--apparently she did not want to be married to some bounty hunter. In reaction, he becomes a super-bounty hunter--making a fortune bringing in the roughest and toughest criminals--and becoming a very hardened man in the process.
A bit later, Santee and a corrupt boss-man (Chaney) come up with a nasty plan--to destroy a nearby town so that the railroad won't go there but instead go to the boss-man's town--thus making him a fortune. Santee's plan is to make the innocent town as unlivable as possible--bringing in gambling, prostitutes and lawlessness. The problem is that the sheriff of this town is the husband of Santee's old fiancée! Is there any decency left within him? Or is this some elaborate plot for personal revenge? This film is very unusual because the leading man is no hero. Being a mercenary man, he's morally ambiguous and not the guy you'd normally expect to see in a leading man! I liked this, as it's NOT a typical sort of western--and about 90% of all westerns are variations on only 3 or 4 plots. This one uses the greedy boss-man plot but with enough changes to make it unique. Well acted and interesting, I'd give this one a 7.
I just watched Black Spurs (1965) on Grit TV. It's one of several westerns made by A. C. Lyles during the 1960s. He always employed older, veteran actors, many of whom were over the hill.
Santee is a cowhand engaged to dressmaker Anna. When the bank is robbed by El Pescadore, Santee sees a chance to get the $3,000 reward and buy that ranch he's always wanted. It takes him ten months but he finally kills El Peacadore, and takes the outlaw's unique black spurs to wear himself. But, he then learns that in his long absence Anna has married Ralph Elkins, the sheriff of Lark, Kansas. Embittered, Santee conspires with Kyle, owner of the town of Kyle, Kansas to turn Lark into a hell town so that the railroad will change its proposed route from Lark to Kyle. He imports a crooked gambler, dancehall girls, and gunslingers to accomplish the job. Sheriff Elkins is no match for the bad guys. But will Santee go through with his plan? Or will he decide to do the right thing and stand up to the bad guys?
The male actors are mostly overweight. Rory Calhoun, Bruce Cabot, Richard Arlen, Lon Chaney Jr., Scott Brady, and Jim L. Brown are past their prime. Only Joseph Hoover and Jerome Courtland appear trim and fit.
Of the actresses, Linda Darnell looks bloated. She doesn't have much to do, anyway. Ageless Terry Moore looks very good. And Patricia Owens is still youthfully trim and beautiful at 40. It's too bad her part wasn't larger.
Black Spurs (1965) has a fairly good script and character development. The fast pace keeps the viewer interested in waiting to see what Santee will finally do at the end.
Santee is a cowhand engaged to dressmaker Anna. When the bank is robbed by El Pescadore, Santee sees a chance to get the $3,000 reward and buy that ranch he's always wanted. It takes him ten months but he finally kills El Peacadore, and takes the outlaw's unique black spurs to wear himself. But, he then learns that in his long absence Anna has married Ralph Elkins, the sheriff of Lark, Kansas. Embittered, Santee conspires with Kyle, owner of the town of Kyle, Kansas to turn Lark into a hell town so that the railroad will change its proposed route from Lark to Kyle. He imports a crooked gambler, dancehall girls, and gunslingers to accomplish the job. Sheriff Elkins is no match for the bad guys. But will Santee go through with his plan? Or will he decide to do the right thing and stand up to the bad guys?
The male actors are mostly overweight. Rory Calhoun, Bruce Cabot, Richard Arlen, Lon Chaney Jr., Scott Brady, and Jim L. Brown are past their prime. Only Joseph Hoover and Jerome Courtland appear trim and fit.
Of the actresses, Linda Darnell looks bloated. She doesn't have much to do, anyway. Ageless Terry Moore looks very good. And Patricia Owens is still youthfully trim and beautiful at 40. It's too bad her part wasn't larger.
Black Spurs (1965) has a fairly good script and character development. The fast pace keeps the viewer interested in waiting to see what Santee will finally do at the end.
This film begins in Texas with a cowboy named "Santee" (Rory Calhoun) watching as a notorious bandido by the name of "El Pescadore" (Robert Carricart) robs a bank and, after killing the bank manager, quickly riding off with the sheriff and his deputies in hot pursuit. Realizing that there is nothing he can really do about the situation, he then proceeds to take his girlfriend "Anna" (Terry Moore) on a romantic picnic where he subsequently proposes to her. Although she willingly accepts his proposal, to her dismay, Santee then announces that he has decided to pursue El Pescadore in order to collect the $3000 bounty on his head to help start their new lives together. Ten months later, he finally finds the outlaw in a small town in Mexico and proceeds to gun him down in the street. Not only that, but he also dons the bandido's famous black spurs as a trophy of sorts. However, once he rides back to town to see his fiancé, he then learns that she has since married another man by the name of "Ralph Elkins" (James Best). Quite upset with this new development, Santee decides to become a permanent bounty hunter and, in the process, acquires a rather notorious reputation of his own. The scene then shifts to several years later with Santee making a deal with a wealthy businessman named "Gus Kile" (Lon Chaney Jr.) to help divert a proposed railroad line from its original destination of Lark, Kansas to the town of Kile, Kansas where the two of them can make a fortune in real estate. The problem is that Lark, Kansas has a sterling reputation and in order to divert the railroad line Santee has to stir up enough trouble there to change the minds of the railroad executives. What complicates matters, however, is the fact that Lark, Kansas has recently acquired a good sheriff who is determined to keep the town as peaceful as possible-and his name is Ralph Elkins. Now, rather than reveal any more, I will just say that, this was a decent "old-style" Western which benefited by solid performances from both Rory Calhoun and Terry Moore. Along with that, although I would have preferred a slightly different ending, I found the overall story to be fairly enjoyable as well and I have rated it accordingly. Slightly above average.
Santee (Rory Calhoun), a frustrated with his lot in life ranch hand, becomes a bounty hunter when he decides to go after a bank robber with a $3000.00 price on his head. Realizing he has an affinity and skill set for this type work, he sets off chasing down one bad guy after another. Soon he sets his sights
even higher when he strikes up a deal with wealthy town big shot Gus Kile (Lon Chaney Jr.) to bring siege upon the neighboring town of Lark so the railroad will divert their planned path to run through Kile's land. In order to decimate the town, Santee buys the local saloon and imports his own band of thugs and saloon girls (Linda Darnell, Bruce Cabot, Richard Arlen) in the hopes of making Lark a crime ridden cesspool. However things go off-kilter when Santee runs into his former fiancee (Terry Moore) who is now married to the local sheriff (James Best).
Pretty typical A. C. Lyles 'second feature' Western. As such Black Spurs had a modest budget with television-like production quality. Much has been made of A. C. Lyles use of superannuated casting in the pursuit of name recognition and that's the case here. Rory Calhoun, even though not an 'old guy', was on the backside of his days as a leading man. Former screen siren Linda Darnell whose career for the previous decade consisted of guest appearances on episodic television, shares lead co-billing with Calhoun but her limited participation in this film amounts to little more than a cameo role in her last screen appearance. Even though past their prime and despite the fading star power, the cast was one of the film's strong points. The story line has an interesting premise but goes off track with characters that are introduced needlessly and subplots that go nowhere but partially saved by director R.G. Springsteen who had done so many of these low budget productions that they could have almost handed him a phone book for a script with passable results.
Black Spurs is a decent flick but suffers in varying degrees from the budget, script and being late in the cycle of the traditional western. By 1965 the Spaghetti Western carried the day at theaters while this type of western had been primarily assigned to network television. Even so, Lyles was able to get a last handful of these old-school westerns made. Some would say with mixed results. Nevertheless western fans may find enough to enjoy here.
Pretty typical A. C. Lyles 'second feature' Western. As such Black Spurs had a modest budget with television-like production quality. Much has been made of A. C. Lyles use of superannuated casting in the pursuit of name recognition and that's the case here. Rory Calhoun, even though not an 'old guy', was on the backside of his days as a leading man. Former screen siren Linda Darnell whose career for the previous decade consisted of guest appearances on episodic television, shares lead co-billing with Calhoun but her limited participation in this film amounts to little more than a cameo role in her last screen appearance. Even though past their prime and despite the fading star power, the cast was one of the film's strong points. The story line has an interesting premise but goes off track with characters that are introduced needlessly and subplots that go nowhere but partially saved by director R.G. Springsteen who had done so many of these low budget productions that they could have almost handed him a phone book for a script with passable results.
Black Spurs is a decent flick but suffers in varying degrees from the budget, script and being late in the cycle of the traditional western. By 1965 the Spaghetti Western carried the day at theaters while this type of western had been primarily assigned to network television. Even so, Lyles was able to get a last handful of these old-school westerns made. Some would say with mixed results. Nevertheless western fans may find enough to enjoy here.
Rory Calhoun is a young cowboy who is seeking a career change with upward mobility and big money. His fiancé Terry Moore does not like the fact he wants to be a bounty hunter and leaves him and marries someone else. Years later Calhoun and Moore get reunited sort of when he comes to her town to take it over on behalf of Lon Chaney, Jr. who wants it wild and lawless so the railroad won't use it as a route.
The title of the film comes from the first outlaw that Calhoun does in, a gentlemen from Mexico named El Pescador played by Robert Carricart who has a trademark of Black Spurs. When Calhoun shoots Carricart down in a gun duel, he takes the spurs and wears them for himself now.
This A.C. Lyles western was the farewell film for Linda Darnell who is second billed though this is distinctly a supporting role. Darnell plays the head of a troupe of saloon girls imported to bring down the town's morals. They look like they know their business. Black Spurs was released posthumously after Darnell died in that tragic house fire.
Such A.C. Lyles regulars as Richard Arlen, Bruce Cabot, Scott Brady and DeForest Kelley are in the cast as well. Not the best or the worst of A.C. Lyles geezer westerns, but western fans should be pleased.
The title of the film comes from the first outlaw that Calhoun does in, a gentlemen from Mexico named El Pescador played by Robert Carricart who has a trademark of Black Spurs. When Calhoun shoots Carricart down in a gun duel, he takes the spurs and wears them for himself now.
This A.C. Lyles western was the farewell film for Linda Darnell who is second billed though this is distinctly a supporting role. Darnell plays the head of a troupe of saloon girls imported to bring down the town's morals. They look like they know their business. Black Spurs was released posthumously after Darnell died in that tragic house fire.
Such A.C. Lyles regulars as Richard Arlen, Bruce Cabot, Scott Brady and DeForest Kelley are in the cast as well. Not the best or the worst of A.C. Lyles geezer westerns, but western fans should be pleased.
Você sabia?
- CuriosidadesFinal film of Linda Darnell.
- Erros de gravaçãoVery obvious use of stunt doubles in the fight between Santee (Rory Calhoun) and Rev. Tanner (Scott Brady).
- Citações
Manuel Reese: Ay, chihuahua!
- ConexõesFeatured in Biografias: Linda Darnell: Hollywood's Fallen Angel (1999)
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- How long is Black Spurs?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Espuelas negras
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 21 min(81 min)
- Proporção
- 2.35 : 1
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