Frente a Frente com os Pistoleiros

Ravioli/Chorizo Western with a prolific Italian director and two main actors from Spaghetti . It deals with an avenger named Joe Logan aka Shenandoah (Anthony Steffen) who arrives in Richmond town , a location dominated by a corrupt sheriff (Miguel Del Castillo) and a lawyer (Arturo Dominici) . In that place there is a dangerous band led by Lupe Rojo (Armando Calvo) and his hoodlums (Frank Braña , Miguel De Riva) , they carry out bank's hold-up and attack stagecoach and ranch . Lupe Rojo is wanted : ¨5000 dollars , Dead or Alive¨ . Then Joe intrudes himself in the criminal bunch posing as an outlaw .

Offbeat ravioli/tortilla Western follows the Sergio Leone wake , as it is proceeded in Spaghetti models . It's an exciting western with breathtaking gunfight between the protagonist Anthony Steffen against the heartless Armando Calvo and his nasty hoodlums , in addition a stirring ending fight in the saloon and town square . This movie is a lot of fun to watch. It's an entertaining story with a touch of peculiarity , some great characters, and an amazing music score . The picture is a tale of justice and revenge , as a tough man seeks vendetta and his objective results to be a bloody revenge . The basic plot is typical spaghetti western fare , but what makes this movie stand out is its style . Steffen is appropriate in his usual character , he ravages the screen , shoots , hit and run and kills . The picture is well starred by Anthony Steffen . His acting is often accused of being wooden, but in many manners is ideally suited to playing the steely-faced gunslinger synonymous with the genre . His others successes include features as Seven Dollars to Kill, The last Mohican¨, ¨Train for Durango¨, ¨Gentleman Jo¨ , ¨Four dollars for Django¨, ¨Shango¨, ¨Arizona colt¨, ¨Apocalypse Joe¨ and several others . Steffen's performance in the movie is a bit wooden for the role of such an interesting character , but the fantastic performance by the always great Eduardo Fajardo as the slimy, menacing outlaw make up for , here in his ordinary role as bandit and in a cruelly baddie character , he is terrific, and bears a hysterical and mocking aspect , subsequently he would play similar characters . There appears as secondaries the habitual in Spanish/Italian Western such as Frank Braña , Luis Barboo , George Rigaud , Tomas Torres , Santiago Rivero, Miguel De La Riva , among others .

The film packs violence , shootouts , high body-count , full of horse ridding , pursuits and shots and it's fast moving and quite entertaining . There is plenty of action in the movie , guaranteeing some shoot'em up or stunts every few minutes . There is a very odd implementation of shots in the camera work during some particular scenes as the film approaches its climax , such as in the final gunfights . The movie gets the usual Western issues , as avengers antiheroes , violent facing off , exaggerated baddies and spectacular duels , among them . The sense of pacing is such interesting that his film can be counted on to move quickly and smoothly . Good production design creating an excellent scenario with luminous outdoors , dirty and rocky landscapes under a glimmer sun and fine sets by expert set designers Cubero and Galicia who designed several Westerns as Spanish as international ones . The musician Francesco De Massi composes a nice soundtrack and well conducted , this turns out to be one of the most memorable parts of the movie; as it's full of enjoyable sounds and haunting musical background . The opening and ending sounds are two of my favorites, and are of those unforgettable tunes that will play in your mind over and over long after the movie is realized . The soundtrack contributes tremendously to the atmosphere of the film, including an emotive leitmotif, the music score is perhaps the best part of this film . Striking cinematography by Julio Ortas , though is necessary a correct remastering . Outdoor sequences with barren and rocky exteriors filmed in Spanish places located on outskirts Madrid , Hoyo De Manzanares and La Pedriza , replacing Almeria . Colmenar Viejo and Hoyo de Manzanares where was built a Western village by the producer Eduardo Manzanos called 'Golden City' and resulted to be the locations in which were shot lots of Western produced and directed by Spanish and Italian and occasionally American people , because Almeria was too far and the landscapes bear remarkable resemblance .

Mario Caiano's direction is well crafted, here he's less cynical and humorous and more inclined toward violence and packs too much action , but especially this thrilling Western contains long shot'em up and violence . He directed this acceptable western , genre in which he would not only excel but one where he would spent much of the rest of his career , as he directed several Spaghetti : ¨Brandy¨, ¨Avenger of California¨ , ¨Ringo, face of revenge¨ , ¨Bullets don't argue¨, ¨Lone and angry man¨, ¨A train to Durango¨. Caiano is a craftsman who has directed all kind of genres as Peplum as ¨Ulisse vs Ercole¨, ¨I due Gladiatori¨, ¨Maciste Gadiatori di Sparta¨ and Terror : ¨Nightmare castle¨, ¨ Eye in the labyrinth¨ and even Pornonazi as ¨Nazi love camp 27¨. Although Caiano couldn't be deemed an "A"-list director, his movies had a professionalism and a verve that many of those made by his fellow B directors lacked . Muddle and uneven Western but will appeal to Spaghetti aficionados . Rating : 5,5 , riotous Western in which there's too much violence , action and enough excitement

Sheriff Joe Logan (Anthony Steffen) goes on an undercover mission to find the murderer of his wife. Under the guise of 'Texas Joe', he becomes a member of the bandits who held up her stagecoach. Lupe (Armando Calvo) is the leader and accepts Logan after a special contest. Murdock (Eduardo Fajardo) doesn't trust the new guy and keeps an eye on him. Wilson (George Rigaud, misspelled as 'Rigaut' in the movie credits) is the only one who knows the real identity of Texas Joe, but Lupe is planning an attack on his ranch...

Simple, straight-forward revenge movie, nothing extraordinary, but it delivers perfectly what a genre fan expects. Director Mario Caiano, passed away in 2015, and composer Francesco De Masi were always reliable contributors. Shot in 1965, re-using some locations from "A Fistful of Dollars", this is a rather early Italian western following the big success of that movie. It doesn't feel tired yet, but has some relentless energy and good pace.

Shenandoah (Steffen) works his way into a band of highwaymen led by Rojo (Armando Calvo). His initiation consists of hunting down and killing a member of the gang who has 12 bullets while he is only given 2 bullets. When the bandits attempt to rob a wealthy rancher, whom Shenandoah knows, he warns him. The outlaws begin to suspect they were betrayed and commence to rough Shenandoah up. Shenandoah then reveals his true reason for joining the gang; one of them killed his wife and he is there for retribution.

A coffin for a Sheriff is an odd title for this 1965 spaghetti western because there's no coffin - there's a sheriff but his link to a coffin is non-existent. Its other title is much apt as Anthony Steffen is certainly a "Lone and angry Man" as the stranger who ends up joining a cutthroat gang led by Lupe Rojo and there's the usual showdowns, brawls and a vendetta. One beating that Steffen takes is quite brutal for its time. It's an entertaining western, a little slow at times, perhaps, but Steffen's performance, the landscapes and the efficient plot makes this worthwhile.

Spaghetti Westerns would go on to become one of Italy's main exports, but A Coffin for the Sheriff was released while the genre was still in it's infancy, and before Sergio Leone had chance to complete his legendary Dollars trilogy, and it's a rather good little film that is worth seeking out for Spaghetti Western fans. The film is directed by Mario Caiano, who would go on to direct a number of entries in this genre; this film being one of his first. I've not seen a lot from this director, but his Giallo 'Eye in the Labyrinth' was decent and he directed the excellent 'Night of the Doomed' in the same year as this film. The title makes no sense, but anyway we focus on a mystery man who calls himself 'Shenandoah'. He turns up in town one day and bumps into a gang of local thugs in a bar. He gets challenged to a poker game and ends up loosing - though this doesn't concern him too much since all the dollar bills he's carrying are fakes. The game is interrupted when some other bandits attempt to rob the town's bank, and it soon becomes apparent that there's more to the stranger when he lends a hand to an injured robber...

The sound is always an important part of a Spaghetti Western, and this one features both the good and bad elements. On the plus side, we have an excellent Western score that while not rivalling the work by the great Ennio Morricone, is still good enough and fits the film well. On the negative side, however, we get 'treated' to some of the worst dubbing I've heard in a Western - it's not good at all! Cult star Anthony Steffen takes the lead role and does a good job of playing the gritty Western hero. Steffen would go on to take the lead in a number of Westerns (including a handful of Django flicks) and it's not surprising since he looks the part and plays it well. The rest of the cast is more than adequate, though as is often the case; the main focus here is put squarely on the lead player. I can't say that this is one of the very best Spaghetti Westerns that I've seen, although in fairness the standard has been set rather high by a number of films in this genre. The film is quite hard to come by, but I would certainly recommend that Spaghetti Western fans give it a look as it is a film worth seeing.

Vengeance-minded stranger Anthony Steffen worms his way into a gang of thieves led by a crooked ex-lawyer and a Mexican bandit in order to find the perpetrator of a previous murder attributed to the gang.

A vivid atmosphere and some great Spanish locations make up somewhat for some rather pedestrian script-writing. Steffan and villain Eduardo Fajardo are always fun to watch too.

Though not really bad, this is still recommended only for die-hard spaghetti western fans.

Director Mario Caiano has done better work, especially in the horror genre.