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IMDbPro

O Barba Ruiva

Título original: Akahige
  • 1965
  • Not Rated
  • 3 h 5 min
AVALIAÇÃO DA IMDb
8,3/10
23 mil
SUA AVALIAÇÃO
Toshirô Mifune and Yûzô Kayama in O Barba Ruiva (1965)
In 19th-century Japan, a rough-tempered yet charitable town doctor trains a young intern.
Reproduzir trailer4:03
1 vídeo
99+ fotos
Drama médicoDrama

No Japão do século 19, um médico da cidade de temperamento áspero, mas caridoso, treina um jovem estagiário.No Japão do século 19, um médico da cidade de temperamento áspero, mas caridoso, treina um jovem estagiário.No Japão do século 19, um médico da cidade de temperamento áspero, mas caridoso, treina um jovem estagiário.

  • Direção
    • Akira Kurosawa
  • Roteiristas
    • Masato Ide
    • Hideo Oguni
    • Ryûzô Kikushima
  • Artistas
    • Toshirô Mifune
    • Yûzô Kayama
    • Tsutomu Yamazaki
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,3/10
    23 mil
    SUA AVALIAÇÃO
    • Direção
      • Akira Kurosawa
    • Roteiristas
      • Masato Ide
      • Hideo Oguni
      • Ryûzô Kikushima
    • Artistas
      • Toshirô Mifune
      • Yûzô Kayama
      • Tsutomu Yamazaki
    • 90Avaliações de usuários
    • 55Avaliações da crítica
    • 90Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 11 vitórias e 2 indicações no total

    Vídeos1

    Trailer [OV]
    Trailer 4:03
    Trailer [OV]

    Fotos101

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    Elenco principal56

    Editar
    Toshirô Mifune
    Toshirô Mifune
    • Dr. Kyojô Niide
    Yûzô Kayama
    Yûzô Kayama
    • Dr. Noboru Yasumoto
    Tsutomu Yamazaki
    Tsutomu Yamazaki
    • Sahachi
    Reiko Dan
    Reiko Dan
    • Osugi
    Miyuki Kuwano
    Miyuki Kuwano
    • Onaka
    Kyôko Kagawa
    Kyôko Kagawa
    • Madwoman
    Tatsuyoshi Ehara
    • Dr. Genzô Tsugawa
    Terumi Niki
    • Otoyo
    Akemi Negishi
    Akemi Negishi
    • Okuni
    Yoshitaka Zushi
    Yoshitaka Zushi
    • Chôji
    Yoshio Tsuchiya
    Yoshio Tsuchiya
    • Dr. Handayû Mori
    Eijirô Tôno
    Eijirô Tôno
    • Goheiji
    Takashi Shimura
    Takashi Shimura
    • Tokubei Izumiya
    Chishû Ryû
    Chishû Ryû
    • Mr. Yasumoto - Noboru's Father
    Haruko Sugimura
    Haruko Sugimura
    • Kin - Brothel Madam
    Kinuyo Tanaka
    Kinuyo Tanaka
    • Noboru's Mother
    Eijirô Yanagi
    Eijirô Yanagi
    • Rihei - Madwoman's Father
    Kôji Mitsui
    Kôji Mitsui
    • Heikichi
    • Direção
      • Akira Kurosawa
    • Roteiristas
      • Masato Ide
      • Hideo Oguni
      • Ryûzô Kikushima
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários90

    8,322.6K
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    Avaliações em destaque

    10slabihoud

    Films like that can influence the way we see the world

    This film is practically never mentioned when Akira Kursawas best films are listed. I think this film should be at least one of the first three of such a list! I do love most of his films very much and my private choice of his best film is always this one. I saw it only once, maybe 20 years ago, but the memory of it is still very strong,. Some scenes burned their image into my mind forever! When I saw it at a small art house cinema here in Vienna, Austria, it was like a lovely dream you want to go on and on. I left the cinema thinking I just saw the best film of my life.

    True, it not comparable with the story telling masterpiece Rashomon or the complex Seven Samurai. The film does not feature new ways of telling a story. But I think it is Kurosawas most human legacy in a body of work which is rich of statements on humanity. and human weaknesses and strengths. Looking at any list of current films in the cinemas today one can only wish there would be much more films like Red Beard. Films like that can influence the way we see the world, like the current films packed with violence already do. It would be a much better world for sure!

    I don't go so far as to single out any part of the story. I would wish every one would see the film as I did, knowing nothing about it except the title and the director. The film speaks for itself.
    Malfred

    One of the Master's Masterpieces

    Akahige / Red Beard is 3 hours, 5 minutes long, but I strongly recommend it. It shows a definite maturity of style over Samurai (54), Throne of Blood (57), Yojimbo (61), to which it manages to subtly refer. In between was the slow-but-intense Crime/Class drama High and Low (63). Red Beard takes AK's observed modern style back to the feudal setting. One should set aside 4 hours for it, though, as you may need the break and, if you're like me, you'll want to see certain scenes again. Long composed/blocked shots and a "small" story make it seem slow, but I've found it fascinating all three times--rich in detail, with AK's familiar ensemble doing their best acting yet.
    ardent-1

    Akira's End

    It is common knowledge that many things changed for Kurosawa after this film. A breakdown, the loss of working friendship with Mifune, funding difficulties...etc...but with all the changes that followed the completion of Red Beard, while watching I couldn't help notice that everything was ironically in bloom. Akira Kurosawa's direction was never better, Mifune never acted better and at it's core Red Beard tells a story borrowed heavily form Dostoevsky, thus making this a labour of love. This film is flawless in many respects, if you're a film student, such as myself, you can take everything and pick it apart and find...The story is a simple one, a wise and determined doctor impresses a young ambitious doctor into learning what humanity is and how it exists all around us and that without it we are nothing. It tells of humanity through children and adults and the lowest depths of human existence. Some have argued the subject was a little too heavy handed but Kurosawa has always maintained that sometimes heavy handedness is needed especially for those who don't get it with a slap. In my opinion, there are periods in every artists career when they are at their best. Miles Davis was at his best before his breakdown, but the breakdown was bound to happen after creating and giving so much. I feel this is what happened to Kurosawa, he gave all that he could give and with this film, if you truly study it and study it well, (the DVD version comes with an exceptional commentary) you will find that this is one of the most finely crafted films in cinematic history, in fact as far as direction goes, it is difficult for me to think of one better directed. Fellini's best, Ozu's best, Coppola's best, Welles' best, Antonioni, Visconti, De Sica, Goddard, Renoir, Melville, Erice, you name it, watch their best with the sound off take note of the direction then compare it with RED BEARD. You will be left breathless. Kurosawa is a GREAT among the GREATS. This is visual poetry. Kurosawa's great directorial swan song. Bittersweet, for after RED BEARD something within Akira profoundly changed.
    10Galina_movie_fan

    A Monument to the Goodness in Man"

    Akira Kurosawa said about the film, "I had something special in mind when I made this film because I wanted to make something that my audience would want to see it, something so magnificent that people would just have to see it." Humanistic and compassionate, the film tells the story of a young doctor who after graduation from the Dutch Medical School in Nagasaki hopes to become a member of the court medical staff but instead has to take a post as an intern at a Public Clinic for the impoverished patients. The clinic is run by Dr. Nide (Toshiro Mifune) whom the destitute patients call "Red Beard". The long and difficult journey awaits the young doctor – from the initial shock and denial to work at the clinic, to learning how to understand his patients, care for them s and see the humans in them. Kurosawa describes the film, one of his directorial pinnacles as a "monument to the goodness in man". It also can be called a monument to his talent and humanism.
    9badar1981

    A movie bigger than life

    Watching "Red Beard" is a wonderful experience, so beautiful that memory of it still lingers in my mind. Everything I mean everything is so subtle, calm and human that one falls in love with it. One can fell the joy and pleasure in self.

    Direction is yet again top notch and Mifune' shows the world, again, that he is among the very best if not the best. Music needs special mention as it is the least bothered area in Kurosawa's movies. Every sub plot has its own density, cheers and insight into human social values. The way movie paces itself is brilliant. Kurosawa takes his time to establish his characters and once it is done emphasis shifted to story and sub-plots.

    On moral grounds it teaches us all that humanity is the only sky above all humans and one must not forget this fact.

    All technical aspects including camera handling, set designs, acting from supporting staff is very good. Wants to mention the acting of the little girl (I think Otoyo) is so close to life that it makes you believe of that.

    A must watch for everyone.

    9/10

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Akira Kurosawa's last black-and-white film.
    • Erros de gravação
      Niide's uniform is drenched when he arrives at Sahachi's house, but is completely dry when he goes to leave a short time later.
    • Citações

      Dr. Handayu Mori: The pain and loneliness of death frighten me. But Dr. Niide looks at it differently. He looks into their hearts as well as their bodies.

    • Conexões
      Featured in WatchMojo: Top 10 Akira Kurosawa Movies (2014)

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    Perguntas frequentes19

    • How long is Red Beard?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 24 de abril de 1965 (Japão)
    • País de origem
      • Japão
    • Idioma
      • Japonês
    • Também conhecido como
      • Red Beard
    • Locações de filme
      • Toho Studios, Tóquio, Japão(Studio)
    • Empresas de produção
      • Kurosawa Production Co.
      • Toho
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 46.808
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 15.942
      • 28 de jul. de 2002
    • Faturamento bruto mundial
      • US$ 51.513
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 3 h 5 min(185 min)
    • Cor
      • Black and White
    • Mixagem de som
      • 4-Track Stereo
    • Proporção
      • 2.35 : 1

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