Escândalo na Sociedade

...when films of 1960-1965 had one foot in the demure production code era and one foot in the budding sexual revolution.

After the credits open with some horrid MOR song over idyllic shots of San Francisco, we cut to the action. Joey Heatherton stabs Rick Lazich in the presence of her mother (Susan Hayward), who had him as her latest boyfriend. Heatherton's dad (Mike Conners) flies in for appearance's sake, since he's there at the sufferance of Grandma (Bette Davis in another of her juicy later career roles) who controls everything.

We get a flashback to how Conners and Hayward married and divorced. Although, this is a flashback to some alternate-universe 1944 in which the US is still at war but everybody wears 1960s fashions and hairstyles. Conners is a war hero; Hayward a sculptress; Davis interferes in their marriage and gets all of the bankers in Frisco to make it so that Conners can only go back to her family business rather than start his own architecture firm. Hayward sleeps around (presumably) with her models while Conners drinks himself into a divorce.

Back in the present day, the killing is deemed a justifiable homicide, but Heatherton is kept in juvie while the courts can figure out who, if anybody should get custody of her. George Macready plays Davis' lawyer; Jane Greer comes from out of the past to play a social worker; and DeForrest Kelly plays Hayward's art dealer (Jim, I'm a doctor, not an art critic!).

Davis overacts and delivers pointed bons mots; Hayward wears big hair and recites some terribly overripe lines; Conners gets to be wooden; and Heatherton cries "Daddy!" all the time; you almost expect her to break out into the "I've Written a Letter to Daddy" song that appears at the beginning of What Ever Happened to Baby Jane? And then there's an ending that makes no sense.

If you're looking for a serious movie, I'd rate it a 3/10. But if you're looking for the sort of turgid, over-the-top potboiler where you yell back at the screen and laugh at the absurdity of it all, I'd give it an 8/10. It's not quite as "so bad it's good" as Valley of the Dolls or Torch Song, but it's an eminently entertaining disaster nonetheless. I split the difference to give it a 6/10.

Just one more thing. Bette Davis is only nine years older than Susan Hayward, but very credibly looks like her mother. Part of that was that Bette Davis, dish that she was when she was young, aged very poorly for whatever reason. The other part is makeup. In contrast, Susan Hayward aged very well, as short as her life was, and she looks nowhere near 47 here, which was her actual age.

Paramount Pictures assigned star Producer Joseph E Levine to bring the torrid best seller roman a clef of the Lana Turner Johnny Stompanato murder to the screen. Levine cast surefire box office queen Susan Hayward to play "Lana, and to play the other strong female role, the one and only Ms. Bette Davis. There was a long time interest to see these two great stars in a film. Directed by Edward Dymtryk the film is a powerhouse with great acting by Susan Hayward and Bette Davis. I wish they had cast another actor other than Mike Connors in the role of Hayward's lover and Ann Margret rather than Joey Heatheron. Ms. Hayward got top billing over Ms. Davis--the first time in her great career Bette Davis was billed under another great female star!-- and wore great stylish outfits by Edith Head. It is now well known that Bette Davis and Susan Hayward did not get along at all during filming. Susan Hayward was afraid of Bette's well known use of tricks and since Susan Hayward had both cast approval and script approval and top billing, had Bette Davis boxed in. No changes were allowed. In fairness, the script did need more juice and a tougher script would have benefited the talents of Susan Hayward nd Bette Davis. Bette Davis carped about Susan Hayward until her death, and Susan Hayward joined Joan Crawford, Miriam Hopkins on Bette's "hate list". (Soon to be joined by Faye Dunaway and Lillian Gish. Where Love Has Gone with top notch Paramount production values is an old fashioned film and is best seen to see two great movie stars Susan Hayward and Bette Davis!

The team of Paramount Pictures, author Harold Robbins, and director Edward Dmytryk scored a big box office success with The Carpetbaggers in 1964 at the box office and so Paramount decided to keep the team going and adapted another of Robbins's novels for the big screen, Where Love Has Gone.

Unlike The Carpetbaggers which employed a bunch of old Hollywood names for a story about an older era of Hollywood, this film was located in San Francisco. But the story is unmistakably modeled on the infamous Johnny Stompanato murder from 1958 where Lana Turner's daughter Cheryl Crane killed her mother's mobster boyfriend with a butcher knife. Although our protagonist here is a sculptress, no mistaking where Harold Robbins got his plot from.

Sculptress Susan Hayward the daughter of wealthy San Francisco dowager Bette Davis has her live-in boyfriend killed in front of her by her daughter Joey Heatherton. The boyfriend of Hayward who was living with both of them was also doing both of them. He was on the books as Hayward's manager, but he was better at double entry housekeeping than double entry bookkeeping. The arrest is a scandal and the family gathers to protect Heatherton, a call goes out to Phoenix, Arizona where her father Michael Connors has been living for years out there making a success at his profession of architecture. Lawyer George MacReady wants to see a supportive family in the picture.

It's a pretty sordid story and Where Love Has Gone has a long flashback detailing the marriage of Hayward and Connors and the constant meddling of Davis in their lives. He took to drink and she went back to her former hobby of promiscuity.

The story sticks pretty close to the events as unfolded in the Stompanato homicide, but the ending that Harold Robbins has for his characters is all his own.

The main attraction of Where Love Has Gone is the one and only teaming of screen divas Bette Davis and Susan Hayward. In fact way back when Hayward had a small bit in Davis's film The Sisters, but now they were both legends. And like David and that other legend Joan Crawford, she and Hayward didn't become bosom buddies and there were some flareups according to books about both actresses, but nothing on the line of the grand feuds that Davis had with such folks as Joan Crawford and Miriam Hopkins back in the day.

As for Lana Turner she remained closemouthed about the book and movie of Where Love Has Gone, but you have to believe there were some hurt feelings there.

Where Love Is Gone is trash, it doesn't pretend to be anything else. And the chance to see Hayward and Davis sharing a screen and spitting fire should not be missed.

And that's not ALL poor Joey Heatherton's lost, in this lurid melodrama adapted from the Harold Robbins novel. Produced by Schlockmeister Joseph E. Levine (''The Carpetbaggers'') ''Where Love Has Gone is a VERY thinly disguised dramatization of the Lana Turner/Cheryl Crane/Johnny Stompanato case in which he was supposedly stabbed to death by Lana's daughter Cheryl. Here, the central figure is a famous sculptress (Susan Hayward) who resents her domineering mother (Bette Davis) and spends most of her time in the sack with various low-life lovers. Heatherton is her neglected teenage daughter, whose estranged father (Michael Connors) flies to her defense when she is accused of the murder. This leads to a lengthy flashback which shows, in detail, the courtship, marriage and eventual divorce he and Hayward endure.And, back in the present (where no one involved looks a day older, let alone wiser) things get worse, as one sordid revelation after another leads all of this to it's laughably melodramatic conclusion. Davis, who reputedly didn't like the script (or Hayward either, for that matter)and sporting a white wig and very thick eye makeup,reads her lines like an elocution school teacher, while Hayward bellows hers so loudly that people who saw this in a theater could probably hear them in the bathroom.And it's Hayward we have to thank for this exercise in excess, because she insisted the script be filmed as written-refusing any changes. Heatherton, trying (and failing) to look 15 yeas old, does little more than pout her way through her part, while occasionally delivering some howlers: ''Oh, Daddy, what's wrong with me? I love all the wrong people-and I HATE all the right ones!''. Oh Yes, and blaming the loss of her virginity on ''Horseback Riding''?. Connors, a few years away from ''Mannix'' is just there. ''Star Trek's'' DeForest Kelly is around as a sleazy art critic, while Film Noir bad girl Jane Greer (making a comeback after a heart operation)is a reserved, but concerned probation officer.And it's Greer, along with Anne Seymour (''All The King's Men'')as a psychiatrist, who give the best performances.This was pretty Hot Stuff for 1964, though less so these days. Despite the box office success it had, it's largely forgotten now.A new DVD has just been released by Olive Films, And the plush Technicolor production is something to see-remastered for the first time in all it's Widescreen Glory. And in spite of (or ,maybe because of) it's Producer attempt to cash in on what was really a very seamy incident in Hollywood History, the film is very entertaining, and a time capsule from a bygone era.

If you're up on your old Hollywood gossip, you probably remember when Lana Turner's daughter stabbed Lana's boyfriend to death in the 1950s. If you didn't know that, there's no need to read up on it; Hollywood made a movie about it seven years later! In Where Love Has Gone, a teenage daughter is arrested for murdering her mother's boyfriend and is put on trial. While the names were changed, Susan Hayward plays the Lana Turner part, Joey Heatherton plays the daughter, and Mike Connors plays the ex-husband, puzzled by his daughter's behavior.

Bette Davis joins the cast as Susan's mother, and when the two powerhouse actresses share the screen together, they practically tear each other apart! The gloves are off and the two women spit fury, snap one-liners, and give their all in emotional outbursts. Regardless of the scandalous plot, it's worth watching the movie just to see the two strong legends act together. If you like courtroom dramas, dysfunctional families, or emotional soap operas, rent Where Love Has Gone over the weekend with a bunch of your girlfriends. In the supporting cast, you'll see Jane Greer, DeForest Kelley, Anne Seymour, Walter Reed, and Whit Bissell.