Mortos que Matam

Richard Matheson's seminal sci-fi horror novel, "I Am Legend", published in 1954, is first and foremost, a character study, and any film producer must come to terms with that, if there is to be a successful adaptation from print to screen. The novel was adapted to screen in 1964 as "The Last Man On Earth"; producer Sidney Salkow, hampered by a tiny budget, intuitively did the best he could and came close to pulling it off! What Salkow did was convey the novel's mood, tone, atmosphere and plot in primitive fashion, crudely capturing the gist of the novel - that of one man, Robert Neville's confrontation with a horrendous existential dilemma - to be, himself, that is; or not to be, a plague- induced vampiric shell. While "TLMOE" was not entirely successful in translation, especially in the ending - co-scripter Matheson ultimately distanced himself from the final product - it nevertheless, clearly outshines a later, technically superior 1971 remake, "The Omega Man" in the aforementioned aspects. "The Omega Man", taken on it's own, is an interesting, entertaining film; but when referenced against the novel, falls flat on it's face. (Matheson himself stated that that film and his novel are two completely different animals.) In contrast, "TLMOE" fares much better when referenced: it shows that Morgan's (Neville's) battle is more with reactions within himself than with the vampires as a physical threat per se, as it becomes obvious that the vampires are slow-moving, dull-minded individually, and disorganized as a group, each instinctively and savagely interested only in HIS blood. Besides the perpetually nightmarish nuisance of the vampires, who have a collectively demoralizing effect on him, Morgan (Neville) must fight against the horror generated by the desolation and doom of a post-apocalyptic world, against the loneliness of being the last human on earth and against the agony of tragically losing his wife and daughter to the plague. In the final analysis, "The Last Man On Earth" could be likened to a series of crude, but brilliant brush-strokes of feeling-tones. As such it fully deserves cult-classic status.

"The Last Man on Earth" is an English language, Italian production of Richard Matheson's classic horror tale "I Am Legend", starring the great Vincent Price in the titular role.

This story was also done with Charlton Heston as "The Omega Man", and "I Am Legend" with Will Smith.

This is probably the best filmed version of this story I have seen. The black and white photography is fantastic, as is the direction, which really makes you believe you are witnessing a post-apocalyptic scenario. Above all, Vincent Price is surprisingly well cast as the titular last man, haggard, face drawn, less an action hero than a scientist trying to solve the problem of apocalypse.

The creatures in the movie are apparently vampires - they cannot go out in the day time, and they must be "staked" - yet they behave much more like the kind of zombies that George Romero would change the horror landscape with a few years later. I wonder if he was inspired by this film.

I never read Richard Matheson's novel 'I am Legend' but I'm particularly intrigued by (science fiction) movies with an apocalyptic theme. And this adaptation simply is one of the most fascinating stories of an already brilliant decade for this type of films. Much more than a grim horror film, this is a gripping drama with an excellent (as always) Vincent Price as the sole and devastated survivor of a deadly plague that exterminated the entire human race, including his own wife and daughter. Price is Dr. Robert Morgan and due to his immunity to the lethal germs, he's the only one to fight victims who return in the shape of vampire/zombie-like creatures. Even though it has already been 3 years, Morgan desperately continues his search for other survivors…This is one of the most impressive performances Price ever gave away, and a lot more difficult than his usual roles of villains and madmen. Judging by today's standards, I guess the film looks very dated and you can't really refer to the tame 'vamp-zombies' as threatening anymore. But the empty streets and depressing cities, shot in unsettling black and white, still are the ultimate in eeriness! I love it when a film makes you feel miserable and worried…and the lower the budget is, the more efficient this effect is reached!

Like several of my fellow-reviewers already pointed out, this also was an immensely influential film. You can't watch 'Last man on Earth' without being reminded of George A. Romero's milestone genre film 'Night of the Living Dead'. If you then realize this movie was made 4 years before Romero's classic, you can't but reckon the underrated brilliance of this film. The same hopelessness-aspect that made Romero's film so tense features HERE first, in 'Last Man on Earth'! This production offers an ideal proportion of frights and sentiments, luckily without too many tedious scientific speeches or faked drama. 'Last Man on Earth' has to be seen by every SF/horror fan on this planet. For some reason this is one of the most underrated genre efforts ever, and that urgently has to change.

When a plague devastates life on Earth, the population dies or becomes a sort of zombie living in the dark. Dr. Robert Morgan (Vincent Price) is the unique healthy survivor on the planet, having a routine life for his own survival: he kills the night creatures along the day and maintains the safety of his house, to be protected along the night. He misses his beloved wife and daughter, consumed by the outbreak, and he fights against his loneliness to maintain mentally sane. When Dr. Morgan finds the contaminated Ruth Collins (Franca Bettoia), he learns that there are other survivors. He uses his blood to heal Ruth and he becomes the last hope on Earth to help the other contaminated survivors. But the order of this new society is scary.

"The Last Man on Earth" is a frightening and dark view of the fate of mankind. In those years, the preoccupation with radiation and biological weapons due to the cold war leaded people to this type of fear and preoccupation; later with AIDS; and presently with the disease in chickens. Fortunately science has developed means to cure or at least avoid epidemic situation, but we do not know how far we might be from such sad end of mankind. Vincent Price has a great performance in this movie, particularly in the beginning of the insanity of his character showed when he sees a photo of his family. The screenplay is very well developed, but the violent conclusion is weird. I always thought that George A. Romero was the creator of the "zombies", because of his excellent 1968 "Night of Living Dead". But now I can see that the origin of these creatures was in "The Last Man on Earth".

When I was a teenager, the remake "The Omega Man" was a very successful film in the movie theaters. I had not had the chance to see the original movie, since "The Last Man on Earth" (and "The Omega Man") had not been released on VHS or DVD in Brazil. Fortunately a minor Brazilian distributor has just released "The Last Man on Earth" on DVD, giving me the chance to see this great unknown movie. My vote is eight.

Title (Brazil): "Mortos Que Matam" (Dead That Kill")

Obs: On 25 May 2008, I watched this great classic movie again.

On 15 March 2014, I saw this movie again.

I like this film, and definitely associate it with my childhood, via the inside cover of an old issue of Famous Monsters that pictured a vampire arm groping around the door for Vincent Price. I gazed at that photo as the magazine wore out, for years before I actually got to see the film.

Vincent Price is always good to see. But as he is not a terribly physical actor, he looks awkward doing some of the things he is called on to do here, like dragging a body to the edge of a pit and heaving it in, pounding a stake into a vampire heart, or hurling a mirror across the room in disgust and despair. Not standing about with cocktail in hand, dressed to the nines and oozing wicked sophistication, he looks about as out of place as Cary Grant would setting a trash can out at the curb.

I ask, in the title of this review, if we like this film "for all the wrong reasons" because, inescapably, I find it pitched at a sort of self-pity, tapping into the allure of images of yourself alone at the center of the human universe, of satisfied contemplation of the stupid folly of Man the Scientist, the Politician, the Warrior, that will bring the end of his own species. --In a word, it seems to inhabit a place that is the near-exclusive province of the truly isolated, disaffected and fantasy-prone adolescent.

Being aware of this demographic skew doesn't invalidate the real and strong emotional place the film creates and enables anybody else to inhabit. But I do wonder about the effusive, near-idolatrous over-analysis this film has been known to elicit. I think it would be a pity if, through the growing cult of this film, we come to be less moved by horror --the whole precept on which Matheson's novel and the film are based-- than seduced by the film's image of post-apocalyptic solitude, which can lapse into full-blown gloating misanthropy with just a slight nudge.

I find Last Man oppressively tragic and sobering and depressing-- and always, always utterly absorbing. Even tenth time watched, it feels like you are watching your own funeral, listening to nothing less than taps being sounded for your own species. This is, not to be too glib, the films greatest strength AND weakness.