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Jerry Lewis directing Jerry Lewis, shouldn't that go wrong? No not really. The Lewis-films nearly always rely on his physical acting, which must be seen as his strongest asset. This is also true in "The Patsy" and it's actually going very well. At least for the first hour of the film. Perhaps it should have been a little shorter.

Jerry plays the bellhop Stanley, who serves at a hotel. Now in that hotel a group of employees of a newly dead comedian are talking about their future. One of them Morgan Heywood (played by Peter Lorre) gets the idea to find a man that they first of all can control, and secondly teach the trade of entertainment. After Stanley have tried to serve the team champagne (with ice, wet ice!) They find that he well be the perfect new man. Now this starts the most fun part of the film, he tries his luck at singing recording and what else he needs to know. Along the way the secretary of the team Ellen (Ina Balin) and Stanley falls in love. All that takes about an hour, sadly the last 40 minutes doesn't live up to the good start. The solution to, if Stanley will be successful and if he and Ellen will be a pair. Guess yourselves our even better see the film.

The Patsy boasts a fantastic cast but falls incredibly short. Lewis is rather cringeworthy in a handful of sequences here with the exception of about three skits (the ice in the beginning, the chair/seat sketch somewhere in the middle) and the finale). It's also worth mentioning Lewis was fantastic at breaking the 4th wall and using scene set-up and prop set-up rather masterfully. He just doesn't keep it consistent enough in this. It would also help if he didn't babble nonsense so much. Worth watching if your a fan of Lewis. Definitely doesn't crack his best work though.

An office boy is turned into the great new sensation - a 'patsy' of a committee of old timers. Jerry Lewis is Stanley Belt, a clumsy, dumb kind of a man who seems the perfect fall guy to generate income for those pulling the strings.

A strong supporting cast - Everett Sloane, Peter Lorre, Keenan Wynn, Phil Harris, John Carradine - shine in support of Lewis; while Ina Balin provides decoration and a love interest.

'The Patsy' is slightly self-indulgent and presents both the best and the worst of Jerry Lewis, although when it is funny, it is well worth watching - the piece where Lewis sings on television is hilarious.

If you're a Lewis fan, don't miss. If you're not, perhaps this isn't the one to start with. If you have no feelings either way, it is a pleasant way to spend an afternoon, with some general interest for film buffs.

A fun 1964 film that combines Jerry Lewis's talents in directing, screenwriting, and comedy, offering a critical look at the American entertainment world. It features well-known names in supporting roles, such as Ina Balin, Everett Sloane, Phil Harris, Keenan Wynn, and Peter Lorre.

The film begins with the unexpected death of a much-loved comedian in a plane crash. The comedian's management team (producer, writer, press agent, etc.) panics, fearing unemployment now that they've lost their "golden goose." To overcome this situation, they decide to find someone completely talentless but naive and easily manipulated to replace the deceased comedian and turn him into a new star. This person is Stanley Belt (Jerry Lewis), the clumsy bellboy at the hotel where they work. As the team tries to reinvent Stanley and open the doors of fame for him, comedic events ensue. However, Stanley's natural lack of talent complicates matters. During this process, Ellen (Ina Balin) from the team develops sympathy for Stanley and genuinely tries to help him.

The film satirically addresses and criticizes the artificial nature of fame in Hollywood, how a star is "manufactured," and the behind-the-scenes workings of show business. Additionally, there are plenty of scenes where Lewis makes nods to Chaplin-esque physical comedy.

Overall, it's a typical/standard Jerry Lewis film and a good entry point into Lewis's cinema for first-time viewers. This is because it contains many of his thematic and stylistic traits and is a production where Lewis boldly puts his persona front and center.

There isn't a big star that you can name who doesn't have an entourage. These folks have their careers rise and fall with the stars that time and circumstance has attached them to. But what does happen to these people if the star is taken out of the picture. Frank Sinatra and Elvis Presley were known for their large entourages and I daresay right at this moment there any number of people trying to figure out what the future holds for them with Michael Jackson's demise.

The Patsy examines one such entourage who when its star, a popular comedian is killed in a plane crash, they will not just disperse. They function as a team and all they need is another star. Where to find one however.

And that's where Jerry Lewis comes in, an innocent schlep of a bellboy who comes in with an ice tray wreaking havoc in the typical Lewis manner. The rest of the film is devoted to how well they succeed in their objective.

As one of the last players under studio contract, Paramount kept in the black pretty much during the Fifties and Sixties because of Jerry Lewis. Either with Dino or later as a solo, Jerry's films made money and gradually he got creative control over them. In this one he directs as well.

It's not his best work, but it's still pretty good with some really hilarious performances. Jerry Lewis has a reputation as an egotist, but you would not know it in The Patsy, he was quite generous in giving time to the fine cast he assembled. The entourage consists of Everett Sloane, Phil Harris, Ina Balin, John Carradine, Keenan Wynn, and in his last film Peter Lorre. You're not going to hold too tight a rein on this group of scene stealers and Lewis doesn't even try.

Best scene in the film however is with Hans Conreid as a voice teacher the entourage hires for Lewis. It involves Jerry with a snooty Hans who is also an antique collector. Let's just say the laughs are equally for Hans as they are for Jerry.

And the ending is something that Mel Brooks could have used. In fact I'm not sure Brooks didn't appropriate an idea or two for some of his films.

The Patsy is a great introduction to Jerry Lewis and I know his fans count it among his best.