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IMDbPro

One Potato, Two Potato

  • 1964
  • 1 h 32 min
AVALIAÇÃO DA IMDb
7,2/10
990
SUA AVALIAÇÃO
One Potato, Two Potato (1964)
Drama

Adicionar um enredo no seu idiomaIn his wanderlust, Joe Cullen moves from the US to South America to work in a mining camp, he leaving behind his wife Julie and their infant daughter, Ellen Mary. After Joe stops writing and... Ler tudoIn his wanderlust, Joe Cullen moves from the US to South America to work in a mining camp, he leaving behind his wife Julie and their infant daughter, Ellen Mary. After Joe stops writing and sending money, Julie, not expecting Joe ever to return to her in he being dissatisfied wi... Ler tudoIn his wanderlust, Joe Cullen moves from the US to South America to work in a mining camp, he leaving behind his wife Julie and their infant daughter, Ellen Mary. After Joe stops writing and sending money, Julie, not expecting Joe ever to return to her in he being dissatisfied with married life, files for divorce, and moves with Ellen Mary to the town of Howard to sta... Ler tudo

  • Direção
    • Larry Peerce
  • Roteiristas
    • Raphael Hayes
    • Orville H. Hampton
  • Artistas
    • Barbara Barrie
    • Bernie Hamilton
    • Richard Mulligan
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    990
    SUA AVALIAÇÃO
    • Direção
      • Larry Peerce
    • Roteiristas
      • Raphael Hayes
      • Orville H. Hampton
    • Artistas
      • Barbara Barrie
      • Bernie Hamilton
      • Richard Mulligan
    • 27Avaliações de usuários
    • 22Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 2 vitórias e 4 indicações no total

    Fotos75

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    Elenco principal21

    Editar
    Barbara Barrie
    Barbara Barrie
    • Julie Cullen Richards
    Bernie Hamilton
    Bernie Hamilton
    • Frank Richards
    Richard Mulligan
    Richard Mulligan
    • Joe Cullen
    Harry Bellaver
    Harry Bellaver
    • Judge Warren Powell
    Martha L. Mericka
    Martha L. Mericka
    • Ellen Mary
    • (as Marti Mericka)
    Robert Earl Jones
    Robert Earl Jones
    • William Richards
    Vinnette Carroll
    • Martha Richards
    • (as Vinette Carroll)
    Anthony Spinelli
    • Johnny Hruska
    • (as Sam Weston)
    Faith Burwell
    • Ann Hruska
    Jack Stamberger
    Jack Stamberger
    • Minister
    Michael Shane
    • Jordan Hollis
    Kenny Bass
    Kenny Bass
    • Orchestra Leader
    • (não creditado)
    Joel Ehrlich
    • Bart
    • (não creditado)
    Dick Flaisman
    • Saxophone Player
    • (não creditado)
    Doris Helsel
    • Minister's Wife
    • (não creditado)
    Paul S. Orgill
    • Lawyer
    • (não creditado)
    Bea Pestotnik
    • Wedding Guest
    • (não creditado)
    John Pestotnik
    • Wedding Guest
    • (não creditado)
    • Direção
      • Larry Peerce
    • Roteiristas
      • Raphael Hayes
      • Orville H. Hampton
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários27

    7,2990
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    Avaliações em destaque

    myrlcp

    Have never forgotten this movie.

    Maybe it was the racially charged era of the early Civil Rights struggle, or maybe it was because I was a young mother with a child the same age as the one in the movie, but this was one of the most powerful movies I have ever scene. Today, 40 years later, I am still moved whenever I see Barbara Barrie, even if it is in a situation comedy on TV. Certainly, she captured the role of the white mother married to a black man in a racist society. All the other actors performed admirably, the actor playing the second husband was appealing. It was believable that a co-worker would have found him attractive and would have fallen in love, even given the tenor of the times. While the writing may have presented the story a bit "over the top", this movie went beyond civil rights "propaganda", and presented real people dealing with a difficult situation. It certainly was real to me....I had to be led out of the cinema in tears when it ended. A high recommendation!!!
    8planktonrules

    Sad and frustrating to watch--but that WAS the way it was.

    "One Potato, Two Potato" is a very low budget production that made a bit of commotion back when it debuted in 1964. Despite its lowly pedigree (it was filmed in the Cleveland area and the actors were mostly unknowns at the time), the lead actress (Barbara Barrie) received the Best Actress award at Cannes and the film was nominated for an Oscar (Best Writing, Story and Screenplay - Written Directly for the Screen). Sadly today, it's a pretty obscure picture.

    Julie (Barrie) is a divorced mother of a young girl. The father abandoned them years ago and Julie works at the company where Frank (Bernie Hamilton) works. The meet and through the course of spending time together, they find that there is an attraction. Eventually, they decide to get married--even though they realize it might cause a few heads to turn. After all, she is white and he is black. Despite a bumpy start, things work out and the young family prospers and grows. Things look pretty good, right? Well, they do until the child's biological father shows up unexpectedly. Now the man (?) wants his daughter--mostly because his ego cannot stand that his ex- is with a black man.

    This is a well made film but I must warn you that it will rip your heart out. This is NOT a complaint. Heck, back in 'the good old days', it was STILL illegal for blacks and whites to marry in many southern states and in others it was quite possible to lose custody of a child simply because you married someone of another race. Crazy...and pretty stupid. So, it's great that the movie draws attention to it. My only complaint is that the film, while very interesting, is way underplayed--too underplayed. Some more emotion in the acting and relationship between Frank and Julie would have made the movie better overall.
    9abcowboy

    Daring love story for that time -- or any time since

    This is a story about a black and white couple who fell in love despite their efforts not to cross the color line. I saw the movie in a neighborhood Atlanta cinema and became worried about the audience's reaction both during the movie and as the people left. It was a daring subject to be presented in an angry location at a smoldering year. The audience was absolutely mute ... except for one guy that made an unwise crack to his date as we were leaving. She turned on him, tears in her eyes.

    This movie should be on VHS or DVD but I wouldn't be surprised if it's lost.
    10crsytt

    Powerful movie

    I saw this movie in the mid-60s in a theater and the last scene was heart-wrenching. I felt like I had been hit by a baseball bat. Several years later I saw the movie on TV and was surprised to find that, as that final scene approached, I could feel the same emotions building. The movie had not lost its effect! I would love to watch this movie again to see if it would have the same impact. It would be interesting if young people today would see the power of this film or if, because "things have changed," the story line would seem outdated. Apparently this film is NOT available on video, unfortunately. I wonder why? Who makes that decision?
    8ulicknormanowen

    Gone with the dust .

    Three years before "guess who's coming to dine?" , Larry Peerce broached a taboo subject in a more convincing way ,at least in my book : no big star ,no brilliant fiance with a Nobel Prize in sight, no wide screen and no color, a shoestring budget .

    Both heroes,when the movie begins (it's a long flashback) , have begun a fight which is lost in advance;the husband's lawyer , a friend though , reluctantly accepts to defend him. Religion lends a helping hand,in a the shape of a wise minister ,but the others do not (look at the face of the woman who attends the ceremony ;even the husband 's father urges his son to stick to his own kind ;it takes the birth of a baby boy to win him over).

    If the final scene does not make you cry,nothing will.

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    Drama

    Enredo

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    Você sabia?

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    • Curiosidades
      Intermarriage between African-Americans and Caucasians was illegal in 16 states until the US Supreme Court decision Loving v. Virginia was handed down on June 12, 1967. The court unanimously ruled that anti-miscegenation marriage laws were unconstitutional. In his opinion, Chief Justice Earl Warren wrote, "The freedom to marry has long been recognized as one of the vital personal rights essential to the orderly pursuit of happiness by free men. Marriage is one of the 'basic civil rights of man, fundamental to our very existence and survival. To deny this fundamental freedom on so unsupportable a basis as the racial classifications embodied in these statutes, classifications so directly subversive of the principle of equality at the heart of the Fourteenth Amendment, is surely to deprive all the State's citizens of liberty without due process of law. The Fourteenth Amendment requires that the freedom of choice to marry not be restricted by invidious racial discriminations. Under our Constitution, the freedom to marry, or not marry, a person of another race resides with the individual and cannot be infringed by the State." Interestingly, many anti-miscegenation marriage laws were enacted in the wake of African-American heavyweight champion Jack Johnson's marriages to two Caucasian women, as pointed out in Ken Burns' documentary Unforgivable Blackness: The Rise and Fall of Jack Johnson (2004). Johnson married his white mistress Etta Duryea in late 1910 or early 1911, then married another white woman, Lucille Cameron, soon after his first wife's September 1911 suicide. The two marriages outraged white America, and Johnson and Cameron fled America for Canada and then Europe under threat of lynching. Their relationship was fictionalized in the stage play, and subsequent movie, A Grande Esperança Branca (1970), for which the Caucasian playwright Howard Sackler won the Pulitzer Prize. The 1913 Massachusetts anti-miscegenation marriage law, which did not recognize any marriage made in a state forbidding the marriage of different classifications of people (the law left unspoken the racial issue of black and white; in Virginia, blacks were allowed to marry other, non-white "races"), was considered inoperative after Loving v. Virginia until in 2005, then-governor Mitt Romney used it as the basis to deny out-of-state couples the right to wed in the Commonwealth of Massachusetts after the Bay State's Supreme Court legalized gay marriage.
    • Citações

      Jordan Hollis: What do I have to kid you for. I could get a black eye out of a case like this. What the Hell did you have to come to me for? Why do you have to do this to your friend?

    • Conexões
      Featured in A História do Cinema Negro nos EUA (2022)

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    Perguntas frequentes15

    • How long is One Potato, Two Potato?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 10 de agosto de 1964 (Dinamarca)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Jedan krompir, dva krompira
    • Locações de filme
      • Painesville, Ohio, EUA(".............where this picture was shot in its entirety, our thanks.")
    • Empresa de produção
      • Bawalco Picture Company
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 340.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 32 min(92 min)
    • Cor
      • Black and White
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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