Os Tiranos da Babilônia

This movie takes place about 3000 years ago with a man named, "Salman Osar" (Livio Lorenzon), his brother "Azzur" (Tullio Altamura) and their sister, "Taneal" (Helga Line) jointly ruling the Babylonian Empire. Although the affairs of state are being effectively managed by mutual consent, the fact is that all three desire sole authority and each of them secretly scheme against the other two. This intrigue soon becomes even more heated when a Babylonian raiding party sent to obtain slaves unknowingly captures "Asparia" (Anna Maria Pollani), the Queen of the Hellenes. Soon both the Assyrian "King Phaleg" (Mario Petri) and "Hercules" (Peter Lupus) set out for Babylon to release her from Babylonian captivity. While King Phaleg seeks to force her to marry him in order to extend his empire, Hercules only wants to reunite her with her subjects. Now, as far as the overall movie is concerned, although I thought it started off pretty good it seemed to lose its sense of direction towards the end. In any case, Peter Lupus managed to portray Hercules reasonably well and both Helga Line and Anna Maria Pollani certainly added to the scenery. But other than that I really didn't see anything that remarkable about this movie. Accordingly, I rate this movie as just slightly below average.

Okay sword & sandal epic. Lupus isn't really that bad; this film portrays the strong man as smarter than usual, which is a plus.

The hero of the film is really the Biblical Samson (the slaves are quite obviously Hebrew, the promised land obvious Isreal). God knows why they bothered to reference Hercules on release - maybe they were afraid of being accused of blasphemy for making a cheap B-movie about the Old Testament hero.

As noted by others, the best scenes in the film are actually borrowed from other films. But the action sequences filmed for this movie itself are pretty much par for the course, but nothing special.

Dull in spots, but not without its occasional flashes of Saturday matinée fun.

Domenico Paolello, an Italian director most well known for films in the genre of Hercules (huge classical folk hero versus miscellaneous hordes of evil-doers), directed this fairly typical Hercules film from the mid-1960s. Paolello often worked with American body-builder Rock Stevens during this time, and Stevens was cast as Hercules for this film. Stevens would later sharpen his acting abilities and develop a charismatic and much more memorable character on the popular Mission Impossible TV show (Willie Armitage). At this point in his career, however, Rock was really just another Hercules - albeit one of the most impressively ripped and tall. Like most of the leading men used for this series, he expends little effort acting, and does a lot of flexing, tossing, punching, lifting, etc.

The plot is a bit more complex than the usual beautiful treacherous woman/mysterious powerful empire/classical times Hercules story. Set in the Middle East, the Queen of Helene has been captured by the tyrannous Babylonian council of three. Herc, whose relationship with his queen seems a bit more devoted than the average Greek's, comes to the rescue and quickly becomes a pawn in a vast, confusing, game of thrones. The plot, which is more sophisticated than the average Herc-flick, had some potential, but execution was a bit underwhelming.

Though epic and formulaic, Hercules and the Tyrants of Babylon does not present the standard level of grand action Hercules films typically engender. Stevens' best moments are his few fight scenes - where he can use his remarkable physical presence to the greatest advantage - but these are relatively few and far between. Though the Middle Eastern scenery is adequate, the sets and costumes are not nearly as impressive or detailed as many of the other Herculean adventures. Finally, the film's pace is inconsistent. Just as it threatens to lull you to sleep, a crucial fact is presented or the plot takes a big twist.

Recommended only for Hercules fans.

Hercules is a quasi-hero here, overall does the 'good' thing though it's always important to remember that civilians can often be collateral damage when collapsing buildings and empires. I guess finesse isn't a Herculean trait. Along with the strongman sorts of acts, there was a fair bit of fighting to be had as well. Some political intrigue brought about mild interest into how all this was going to unravel.

Plot became very contrived, predictable, and absurd, but am fairly sure this wasn't the point of the movie. Acting was very much lacking by most, especially those who had a lot of screen time. I'm alright with hokey effects, but there's got to be some points of redemption somewhere.

Peter Lupus who later was a regular on Mission Impossible takes his turn as Hercules in Hercules And The Tyrants Of Babylon. His mission in this peplum is to save the Queen of the Hellenes.

The two middle eastern empires of the time have raided and sacked Greece and one of them has carried off the Queen of the Hellenes. Problem is that Babylon doesn't know that they have her, but the Assyrian king sure does. When the Assyrian king visits the three sharing Babylonian monarchs and wishes to buy all their captive women slaves, they smell something up.

In the meantime Hercules is on his mission to save her from whomever. To aid Lupus in his quest, he's got himself one mighty club, the stick which looks like a big and thick tree branch can give a mighty whack when Hercules wields it.

As peplum pictures go, this one's a bit above the norm.